Apple Engineer Says Lossless Isn't the Be-all And End-all of Audio Quality (theverge.com) 208
Despite Apple Music supporting lossless streaming, wireless AirPods only support lossy Bluetooth codecs. Apple engineer Esge Andersen tells WhatHiFi that's not really an issue: "We want to push the sound quality forward, and we can do that with a lot of other elements. We don't think that the codec currently is the limitation of audio quality on Bluetooth products."
Shit hi-fi (Score:3, Funny)
Re:Shit hi-fi (Score:5, Interesting)
Warning: curmudgeonly old guy rant. Feel free to mod down.
I would go so far as to say almost all consumer sound products are crap today and not just Apple. You can still get quality equipment that delivers great audio but most music is consumed through mobile devices over bluetooth and the end result is dreck to my ears. Then again, I am old so my hearing isn't what it was but bad sound is still bad sound. Frankly, nobody except some aficionados care.
Frick, most of the turntables aimed at the vinyl crowd look like chisels on sticks. Again: good products exist but they don't seem to be in demand.
Audio over Bluetooth is like sending your music through a compost pile. Bad codecs, bad DACs, and bad transducers.
Quality doesn't stand a chance against portability and convenience. Plus there is no interest in "HiFi" like there was; people don't know the sound could be way better because the online reviews don't inform them adequately.
In fairness, back in the day there was a lot silly nose in the air stuff like expensive "crystal copper" speaker cables, and other shit that was expensive but didn't make any difference to the quality of audio delivery.
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Frankly, nobody except some aficionados care.
I think that's the thing. I can hear the difference between bad and hi-fi, but mostly I don't really care. I also happen to like vinyl, because I like being offline. Nothing quite like the sound of a warped old 45, with the groove all wallowed out from a decade of use before it wound up in a damp garage for 50 years.
hiss... crackle... [anticipation] then it starts.
I mean you can get hi-i sound with vinyl, but you're skating uphill at that point.
In fairness, back
Re: Shit hi-fi (Score:2)
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High pressure hydrogen environment - Wow, could you perhaps tell which planet you are on?
Earth... for now, but what other uses could they possibly have? It's not like you could listen to sound in an ultra high vacuum or temperatures at which helium liquefies.
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Re:Shit hi-fi (Score:5, Funny)
If they only had a way to connect a wire from the phone to your ear buds so that you didn't need this crappy blue tooth step in the middle. Users could use lossless codecs! My desktop speakers are really nice, and I'm not connecting to them via bluetooth.
I love it when you take a simple idea add tons of complexity and a much higher price tag for very little marginal gain.
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Re: Shit hi-fi (Score:2)
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Not sure why you're getting modded down for this. That's exactly what he's saying.
"We don't think that the codec currently is the limitation of audio quality on Bluetooth products."
i.e., the bottleneck lies elsewhere, and there's only one possible "elsewhere" in this case. That's not saying the audio quality of Apple's bluetooth offerings are (or are not) garbage -- that's a separate discussion -- merely that a tiny speaker cannot flawlessly reproduce audio signals, which should come as a surprise to almo
After listening to cymbals ... (Score:4, Funny)
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If only audio researchers had your insight. I'm sure they never considered using "high-end headphones", "high-quality recordings" or challenging source material. You set them straight, though.
Re:After listening to cymbals ... (Score:5, Insightful)
What engineers have or haven't thought of is immaterial. Anyone Apple is permitting to speak to the media about their future directions has been coached and directed. This is just marketbabble that's being presented from the mouth of an engineer so as to give it credence with dumbfucks. In particular, this particular propaganda supports Apple's removal of the headphone jack to induce sales of their wireless earbuds.
When I switched from using shitty headphones on mv PC's internal audio device to Sennheisers on a M-Audio Mobile Pre USB, I suddenly discovered that I could hear a lot of stuff I could never hear before. By doing tests with different bitrates I discovered that I can in fact hear the difference between a 128kbps MP3 and a 320kbps MP3. More importantly though, some audio just gets hosed when it's compressed, pretty much no matter what scheme you use. This guy is just lying on behalf of his employer as instructed.
Re:After listening to cymbals ... (Score:4, Informative)
I think this myth that people can tell the difference between lossless and high bitrate compress audio goes back to the early days of mp3. Way back in the beginning the early reversed engineered mp3 encoders were horrible. Which wasn't surprising given what they were trying to figure out.
I have some 128Kbps from that era encoded with bladenc 9.x something. They sound horrible. I re-encoded with the latest version of lame at 128Kbps, and you can tell the difference. But I can't tell the difference between the cd rp and the lamed encoded mp3s.
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Lossless is still a reasonable goal. (Score:2)
Many can hear the difference between lossy and lossless, even at the higher lossy but rates. But, I think you need to have a trained ear to hear it. I canâ(TM)t.
CD quality (44.1/16bit) should be at least available as an upgrade. That apple offers it as part of the base package is good.
All the stuff above that, particularly the MQA stuff on Tidal is just marketing.
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Even if you don't hear the difference between Lossless and Lossy when listening side-by-side, the differences are very hard to ignore once you perform basic audio processing: Subtract Right channel from Left channel. You get tons of artifacts on Lossy audio, and none on lossless audio.
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I use FLAC whenever I possibly can and I'm totally on board with lossless. But I have never heard about the kind of artifacts you mention WRT lossy compression, and I'm interested to learn more. Can you recommend a source for some info?
I might just stick some op-amps on a breadboard and play with sum-and-difference circuits to see if I can hear the difference between lossy and lossless, or see it on a 'scope. In my copious quantities of spare time, of course...
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Get your hands on the CD single for Moroder's song "The Chase", there's a mix in there of the song that has this kind of square wave sounding noise (it's on the weirdest track, you'll know it when you hear it — sorry, I didn't record which remix it was) and try compressing it. You will be able to tell the difference at pretty much any bitrate.
For most music it's totally irrelevant, I've been making mp3s about as long as anybody and you can't hear the difference for most songs even on good equipment, w
Re:Lossless is still a reasonable goal. (Score:4, Insightful)
As your ears cannot do that subtraction, it is completely meaningless as a quality measure.
Re:Lossless is still a reasonable goal. (Score:4, Insightful)
Funny thing. The German computer magazine c't did a hearing test a few years back with different formats and including lossless (as far as possible). They also had the very best headphones and headphone amplifiers they could get (or borrow). What happened is that even the people with the best hearing in there (including a blind "audiophile") could hear differences between the formats. But they could not identify which one was the lossless.
"Lossless" is bunk. It is an illusion used to separate not so smart people with illusions of superiority from their money. And it works pretty well. My personal favorite are the "audio ethernet cables" with special filters, oxygen-free copper and other irrelevant features. Anybody with the least clue of how ethernet works knows this does not make one bit of difference because it cannot. Not possible. Yet some people pay something like $1000 and more for an ethernet cable of that type.
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Many can hear the difference between lossy and lossless, even at the higher lossy but rates.
Not they can't. A more accurate saying would be, "Many THINK they hear the difference between lossy and lossless, even at the higher lossy but rates."
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Yes they can, and provably so. Don't lump everything together under the word "lossless".
I've yet to see anyone pass a blind test for comparing AAC @ 320kbps (Spotify High Quality) to a lossless original, but it is trivially easy to do for an MP3 @320kbps, and more importantly the AAC codec used for Bluetooth which *maxes* at 256kbps and quite critically is optimised for low latency and low encoding complexity *not* audio quality. AAC over Bluetooth is pretty frigging terrible quality wise and you don't need
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They removed the analog audio jack. Therefore, you can't hear "lossless" audio from Apple devices. All BlueTooth codecs are lossy.
Re:Lossless is still a reasonable goal. (Score:4, Insightful)
They removed the analog audio jack. Therefore, you can't hear "lossless" audio from Apple devices. All BlueTooth codecs are lossy.
Sure you can.
Lightning to 3.5 mm adapter (simply replaces the internal DAC/amp with the same thing built into a short cable).
Done. Same as it ever was.
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Same as it ever was.
Nope, it's not the same, at all.
Something else to buy. Something else to break. Something else to lose. Something else to forget. Oh, and I can't charge my phone at the same time unless I use the version that costs four times as much. Whoever's using the cheap version doesn't do any serious traveling with their phone.
Pass. My 6S (and its headphone jack) is on its 3rd battery and will keep running as long as there is 4G -- another 6-7 years?
they are selling to cult followers not audiophiles (Score:4, Informative)
LOL! Yeah, right. (Score:2, Insightful)
Nails the issue (Score:5, Insightful)
"We don't think that the codec currently is the limitation of audio quality on Bluetooth products." -- bluetooth airpods are sh** in terms of audio quality, and giving them lossless audio is basically polishing a turd.
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The tell-tale signals of audio compression go beyond simply the audio quality a device is capable of. The dumbest comment I hear is "your system simply isn't revealing enough". It's a load of crap. If you know what to listen to then you can identify low quality AAC or high quality MP3 apart from lossless even with $10 headphones. No need for some magic audiophile grade system with power conditioners and other audiophool bullshit.
And Bluetooth's implementation of AAC is in no way optimised for audio quality.
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The sound quality of Sony WF-1000XM4 is top notch, and I say that as someone who has owned Stax and high end Audio Technica gear.
As for Apple, they tend to say this when they are lacking some feature, like high refresh rate screens. In this case they have a point though, if they did a good job with the software it shouldn't be perceptible. Blind tests suggest that is the case.
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Aren't y'all the vinyl generation? (Score:3)
The thing you're hoping to hear better in higher quality audio are acoustic instruments and voices. Material that is electronic in origin - electric guitars, synthesizers, beat boxes, etc, have no reference against which to listen. Go to a live performance with such instruments and what you're hearing is the PA system, however it is engineered by the soundman through whatever PA gear he's stuck working with. The nuanced differences between Bluetooth and full rez Redbook will never be heard over earbuds or any Bluetooth loudspeaker if this is the material you're listening to.
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I think it's very funny that on one hand we have people ranting on and on about how much better vinyl records are than digital recordings
Vinyl lover here. They *are* better than digital recordings. It is just so much nicer to go through the ceremony of laying down a record and listening to an album without an easy ability to skip songs or hit a shuffle button. It really adds to enjoyment of an artists work at a time where people are all too fucking impatient to sit and listen to music. To say nothing of the beautiful album art you get with a record.
Yeah there are a few idiots who think the sound quality is superior, but don't lump everyone w
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Once, vinyl was mastered well. Then it went to shit. Many of the first CDs were also mastered well. Then they went to shit. Consequently most audio is mastered like shit and there's no real difference, except that you don't have dust pops with CDs.
People can actually tell the difference between compressed audio that was decompressed and then recompressed for bluetooth, though. And I've got some songs where I can tell the difference between the CD and the mp3 of any bitrate in certain parts with specific aud
of course not... (Score:2)
It's the HW (pods) that can't support lossless due to the hardware not having enough bandwidth.
At least if you had lossless, like FLAC, you can re-encode them into an apple compatible lossy format without corrupting the original, vs. if you start out with lossy and need to re-encode to another lossy format, you get multiplied deviations from the original (not that my ears can likely tell the difference, but at least I won't have to worry about replicative failure after some number of generations).
If you're listening via BlueTooth, it's lossless (Score:2)
If you're listening via BlueTooth, it's lossless by definition.
Even the very latest audio codecs and protocols over the latest BlueTooth are lossless.
This is like saying a $100 HDMI cable gives you better video and audio: it doesn't, and with BlueTooth, it's even worse than you realize (and when you're an audiophile who doesn't realize this, you're a fraud).
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Of course, I mistyped. BlueTooth is lossy by definition.
Even the very latest audio codes and protocols over the latest BlueTooth are lossy.
My mistake for misstating this, and my point still stands. Apple removed the analog audio output, and, has removed lossless audio enjoyment from all Apple devices.
Re: If you're listening via BlueTooth, it's lossle (Score:2)
I believe that you can listen to lossless on iPhones via lightning. Not analog, but definitely lossless. (Although lossless digital might be a misnomer!)
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Even the very latest audio codecs and protocols over the latest BlueTooth are lossless.
*AptX-Lossless has entered the chat.*
Your typo in the first sentence aside, no, the whole point Apple is going on the marketing train right now is because there now *are* lossless audio codecs available, and Apple doesn't want to pay to license them, just like they didn't pay for AptX-Adaptive, or AptX-HD either despite both being wildly superior to their shitty AAC implementation.
This is like saying a $100 HDMI cable gives you better video and audio
Funny you mention HDMI cables. Your price comment aside there are absolutely cables out there that don't support the required HD
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Fox / grapes (Score:2)
Translation of Apple speak (Score:2)
"Apple Engineer" - Apple marketing spokesman.
"We want to push the sound quality forward" - We want to, but don't want to pay Qualcomm to license the good stuff.
"and we can do that with a lot of other elements" - We really don't want to give Qualcomm any money at all. We sued them, remember?
"We don't think that the codec currently is the limitation of audio quality on Bluetooth products" - Our products are so shit that we can improve them in other ways, and it's not like anyone who cares about audio quality
LOL Ain't they sellers after all? (Score:2)
Quote: "We don't think that the codec currently is the limitation of audio quality on Bluetooth products."
Of course, because you can't charge for some codecs that your player reproduces... so you have to blame in the items you sell.
Let's be clear, there are MANY limitations. First and foremost is Bluetooth by itself (that nasty lag at the beginning, for example), but trying to sniff "quality" as a problem of current compressed audio is funny.
It is content dependent! (Score:2)
Compare to chefs. (Score:2)
This 'engineer' is basically saying that good ingredients are not all that important for making tasty food. I'm sure mcdonalds agrees.
Re: He is right (Score:2)
As soon as you hit a DAC you will be losing âsomethingâ(TM). If your DAC is a TDA1541, doesnâ(TM)t matter whether you have a 96-bit 192kHz lossless FLAC. Lossy is perfectly fine as long as your sample matches what your DAC and analog outputs can handle. And tiny little speakers that have to fit in ear donâ(TM)t really scream magnificent dynamic range.
Re: He is right (Score:2)
dynamic range
I'm all about the frequency response. Earbuds are fine if you just want the upper harmonics. No tweeters is fine if you just want the boom.
For me, most lossy codecs produce artifacts around the hihats and cymbals. Bluetooth 5 is supposed to be much better but I won't be getting a phone or speakers that support that in the foreseeable future.
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It doesn't matter what the sample rate is; all lossy codecs discard information. This is bad. Period.
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> There are things you can carry beyond the pure signal of the channel, like position information
Yeah, but for the tiny bone sympathetic vibration that your HRTF depends on you need 28KHz+ reproduction and most codecs throw away everything above 20KHz.
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The position information is carried in the phase relationships between channels. Perhaps if you didn't throw out the nuances of the recording you wouldn't need to try to extract the position of things.
But with modern multitrack studio recording techniques, any predictable phase relationships have to be artificially created; not recorded (unless we are talking about painstakingly-recorded "binaural" Live Performance recordings.
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Yeah, but for the tiny bone sympathetic vibration that your HRTF depends on you need 28KHz+ reproduction
Fuck that!
Did you ever actually read that paper where these sympathetic bone resonances played a role? No? Let me tell you.
The amplitudes needed to generate this effect are fucking ludicrous. You're talking about orders of magnitudes higher amplitudes in the ultrasonic regions than what any normal sound would produce. We simply did not evolve to perceive anything happening at those frequencies as that kind of signals were not present in our environment.
It is an interesting observation and an artifact of our
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When I was in my late teens/early 20's I could hear up to 22kHz. Tested in a lab. It was really frustrating walking past the UPS room in the engineering department at university, I'd hear a really uncomfortable high frequency tone that nobody else noticed.
Same here. 22 kHz @ 18 y.o. All kinds of Ultrasonic sources used to drive me batty (no pun)!
Lucky to make it to 12 kHz these days. . .
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AFAIK I still have that. It's hard to tell because I haven't seen a tube TV in years, but I can remember walking into rooms with a TV turned on with a black screen literally on the other side of a large room full of people talking and being able to feel it in my head. It feels kind of like pressure from inside of my ear. Then I get up close and I can hear the whine.
Re: He is right (Score:5, Informative)
No. Higher sample rates and bit depths exist to support less steep analog filtering, reduce aliasing, allow fixing up quantisation noise, and provide some wiggle room for the mastering engineer to work in.
It's trivially easy to build a steep filter in digital domain. It's frightfully expensive to build one in analog domain they doesn't totally fuck up the signal on its way through
There is absolutely no reason that 7.1 sound needs 192kHz sample rate on playback. But you were probably confusing bit rate for sample rate.
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The 2nd harmonic of 10KHz is 20KHz. The point of having a frequency response higher than 20KHz has never been about human ears hearing 20KHz - its about reducing harmonic distortion at lower frequencies.
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How does an extended sample rate have any effect on the in-band harmonic distortion??
Re:He is right (Score:5, Funny)
Just like with speaker wire, it's important to keep the Bluetooth electromagnetic signal path oxygen-free.
That's why I always seal my head and my phone together in a plastic bag when I'm listening to my AirPods.
Re: He is right (Score:4, Funny)
I sure hope you painted green fluro highlighter on the rim of your CDs before ripping to FLAC.
And your playback chain must include a wooden volume knob to achieve better timbre.
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I sure hope you painted green fluro highlighter on the rim of your CDs before ripping to FLAC.
And your playback chain must include a wooden volume knob to achieve better timbre.
Precisely!
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What is the dielectric constant of that plastic bag? ;(
You know that you're effectively putting a capacitor on your head, right?
This throws off the bluetooth error correction and you're basically back to just CD quality.
To compensate you should put cable bridges under your listening chair and attach a permanent ground wire to the bag.
You could further tweak the sound with audio pebbles. Normally with speakers you'd hang them around the room to reflect the high energy correctly, but with bluetooth earbuds yo
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"Nothing should be thrown away."
Good engineering is knowing how to prioritize. Something is always thrown away.
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"Nothing should be thrown away."
Good engineering is knowing how to prioritize. Something is always thrown away.
Indeed. A lot is already thrown away even by good human ears. Because human ears are not that good to begin with. Does not make sense to keep more than that.
"Purity" is good as en extremist religious stance, but it has no place in the real world and that is where engineering lives.
Re:He is right (Score:4, Insightful)
Good engineering is knowing how to prioritize. Something is always thrown away.
You decide what to throw away based on testing.
In a blind test, can a human distinguish between absolute fidelity and good compression?
Answer: No.
Re:He is right (Score:4, Interesting)
Correct. But I don't know why you're talking about "good compression". Apple doesn't implement any. They implement AAC for bluetooth, designed in a way that specifically is *not* optimised for quality.
There is good compression for Bluetooth, but apple doesn't want to pay Qualcomm or Sony license fees to use it. That's all this is. There's a reason basically *only* Apple doesn't implement these other codecs.
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"Nothing should be thrown away."
Correction:
"Nothing of importance should be thrown away."
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Sound is ridiculously low bandwidth. 48kHz 16 bit stereo EASILY covers it, and that is less than 1 Mbps with lossless compression.
No one accepts a 1Mbps video signal. Why can't we get 1Mbps for audio? It's 2022!
Pushing sound quality backwards (Score:3)
Re:Them grapes (Score:4, Informative)
The opposite is also true, though: replacing, 256 Kbps AAC with lossless audio will not result in better audio, especially because it's considered perceptually lossless for stereo at half that bitrate. I mention 256 Kbps AAC in particular because this is the format of music on the iTunes music store, and iOS devices connecting to headphones that support AAC (such as from Bose, Sony, Apple, etc.) will send the music directly without recompression. Playback of lossless audio will require compression, of course, but they're doing so at bitrates that are above the threshold where humans can tell the difference.
Honestly, there are valid areas of complaint about Apple's wireless earbuds and headphones, but their lack of support for lossless bluetooth audio (which as far as I know currently only exists when both the transmitter and the receiver are using proprietary Qualcomm chips) is not one of them.
Are there humans out there who can tell the difference between 256 Kbps AAC and lossless? I'm doubtful, but I can't rule it out, but the people who both can tell them apart and who care about the difference aren't trying to get that difference on wireless earbuds in the first place.
Re: Them grapes (Score:2)
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Stuff with complex phase differences between channels often illustrate the loss.
Re: Them grapes (Score:3)
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As a note, I've done studio audio production work in the past and I personally am very sensitive to phase shifts through the midband. Not everyone is, so I wouldn't expect everyone to hear it. Also, my "good" speakers are a pair of Dunlavy SC-II monitors which have a better phase response than most phone DACs.
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They actually produce an accurate acoustical square wave.
At what frequency?
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At hearable frequencies, i assume.
Re: Them grapes (Score:4, Insightful)
Words are cheap, science is not.
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Pithiness claiming the mantle of science is also cheap.
What's not are those speaker he ran the test on.
He did an experiment. He says he can hear a difference (I have the opposite effect that some things using ATRAC codex sounds better to me. Easier to pick out some details).
Parroting what someone else has said on the subject isn't science either.
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Probably true, but misses the point.
I've had this discussion in passing with a few people and there is definitely some non-zero number that prefers the ATRAC presentation. I'm betting this is true of any codec vs. lossless.
Something going on there.
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There's accuracy to the source, and there's the listener's preferred sound. Just look at the number of people who prefer LPs.
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Oh, totally.
There's accuracy to the source, and there's the listener's preferred sound. Just look at the number of people who prefer LPs.
Touche!
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Personally i preferred PASC. :)
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It's easy to tell 320kbit lossy compressed audio from losless for certain pieces of music.
Stuff with complex phase differences between channels often illustrate the loss.
I double dog dare you to record and playback those "complex phase differences" in any commercially-available recording and playback chain.
1 capacitor, 1 inductor, 1 transformer, 1 A/D/A Conversion, et freakin' cetera in the signal chain, and it's all over for "complex phase differences"!
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1 capacitor, 1 inductor, 1 transformer, 1 A/D/A Conversion, et freakin' cetera in the signal chain, and it's all over for "complex phase differences"!
If we believed this then we would have concluded that HRTF couldn't possibly work.
Since they DO work we can conclude that your theory is bullshit.
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Are there humans out there who can tell the difference between 256 Kbps AAC and lossless?
Of course. Just not with Apple gear.
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Are there humans out there who can tell the difference between 256 Kbps AAC and lossless?
Of course. Just not with Apple gear.
Wrong.
No one can consistently A/B/X an AAC-encoded signal over about 160 kbps.
No one.
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Re:Them grapes (Score:4, Interesting)
Oh yes they can. It depends entirely on the content. 160 kbps is just fine for Snooki or Kanye West, but it is nowhere near enough for Genesis or Yes. Listen to Yes's Roundabout as the content to test with. There will be a huge and plainly obvious difference. (But you'll need to use wired output, not bluetooth.)
Roundabout was recorded and mixed by Eddie (are you ready?) Offord in 1971. 'Nuff said! Eddie (and his midrange-deficient hearing) singlehandedly ruined more early Prog recordings by Emerson, Lake & Palmer and Yes than I care to remember. He's a Great mixer with complex music dynamic-layering; but a horrible EQ-er. Plus, I'm not even sure if Fragile was recorded with Dolby A Noise Reduction. The quiet parts on Heart of the Sunrise, South Side of the Sky and Mood For a Day say "No".
Genesis' The Lamb Lies Down on Broadway (1974) album has so much 50 Hz hum (particularly on the first disc), that it makes you think your turntable's Ground wire has come loose!
Wonderful music; but (unfortunately), hardly State of the Art recordings, even for when they were made!
Incidentally, if you want to hear an excellently-refreshed early Prog recording, look no further than Steven Wilson/Robert Fripp's Remaster of In The Court of The Crimson King. For 1969, what went on the tape was quite nicely recorded. Listen to Michael Giles' snare and cymbals on the middle portion of 21st Century Schizoid Man; sublime on the Meridian Lossless DVD-A. . .
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"But it doesn't follow that adding loss to the transport results in better audio."
Nor has anyone said otherwise.
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And that's not the only way to have hearing loss caused by exposure to loud noise. In my case, it's too much "outbound" from the ship's 5"/54 naval rifle when my ship was in Tonkin Gulf back in '72. And it's not just hearing loss, it's also tinnitus giving me 24/7 background noise no matter where I am.
Re: Them grapes (Score:2)
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... And when the publishers compress the dynamic range so much that the music is barely recognizable.
This, a thousand times. I've acquired a lot of remastered albums in the hope that they'll sound better than the original releases, but I'm often disappointed.
I'm all for the judicious use of compression - it often allows instruments that were formerly almost inaudible to be heard as they were probably intended to. But so many albums - both remasters and new ones - sound like total crap. They're overly bright, harsh, and fatiguing because all the instruments are at the same level. I look at the tracks in Aud
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"...his company removed the headphone sockets - that carried unadulterated audio..."
Headphone "sockets" do NOT carry "unadulterated audio", far from it. Given that EVERY audio source on the device you refer to is digital, the absolute BEST audio transmission that occur would be digital. Headphone jacks are lossy in comparison (and have cheap, crappy amplifiers as well).
NEVER do the dumbasses that argue the "purity" of an analog headphone jacks realize that a far better solution would be usb/lightning wire
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Nobody argues for the fucking purity of a headphone jack. We like headphone jacks because we prefer wired and because it's a second connector. And mildly because we already have headphones, but if they got rid of them and replaced them with a second USB connector we'd all be ok with that. It's about not liking wireless (easy to misplace, need to be charged, not liking in ear buds, easy to lose when they fall out out your ear) but not wanting the sole port on the phone to be dedicated to it.
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Headphone "sockets" do NOT carry "unadulterated audio"
I'm not a golden ears, neither do I care about lossy codecs. However, generally the contact resistance is quoted around 0.05 ohms or less, depending on the model and unless you have some serious corrosion going on then it's going to be ohmic as well.
Your argument that it's adulterated somehow alls pretty flat.
realize that a far better solution would be usb/lightning wired connections
More expensive, harder to repair, less robust plugs, higher power draw a
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Headphone "sockets" do NOT carry "unadulterated audio"
I'm not a golden ears, neither do I care about lossy codecs. However, generally the contact resistance is quoted around 0.05 ohms or less, depending on the model and unless you have some serious corrosion going on then it's going to be ohmic as well.
Your argument that it's adulterated somehow alls pretty flat.
realize that a far better solution would be usb/lightning wired connections
More expensive, harder to repair, less robust plugs, higher power draw and as a bonus, none of which are compatible with my existing stock of headphones. Oh and extra bonus points incompatible jack between phone brands.
How do all those downsides make it "far better"?
The headphone jack was always relative junk.
Relative to what? The headphone jack has served well for many decades and has got better with improving manufacturing tech. Unless you're doing something super specialised, you need at most two signals (how many kids now listen on phone speakers which are essentially mono?), which it provides, well, 3 now they all appear to support microphones too.
The digital sockets provide some minor upgrades in edge cases, and a bunch of downgrades otherwise, especially in terms of physical robustness.
So, you'd rather listen to the output of whatever random DAC/Recovery Filter/Amp combination your Smartphone Engineers could fit in your phone's space, power and cost budgets, in lieu of using your phone's purely-digital output that you can then run through whatever DAC/recovery filter/Amp that you Select?
Well, alrighty, then!
Re: (Score:2)
Your post is astonishingly stupid or a variety of reasons. In no particular order:
* You're telling me I should be interested in a bunch of things you are interested in even when I listed the things I care about which didn't include those.
* I don't care much about audio quality in general, and in particular don't use my phone in environments conducive to hifi sound making that extra irrelevant.
* When you talk about choosing your DAC as if it's something that anyone other than hifi nerds care about you sound
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Headphone "sockets" do NOT carry "unadulterated audio", far from it. Given that EVERY audio source on the device you refer to is digital, the absolute BEST audio transmission that occur would be digital. Headphone jacks are lossy in comparison (and have cheap, crappy amplifiers as well).
NEVER do the dumbasses that argue the "purity" of an analog headphone jacks realize that a far better solution would be usb/lightning wired connections. The headphone jack was always relative junk.
Bullshit story, bro.
In the end you're going to have to convert to analog before you can hear it.
With wired you have a power source, a DAC and and amplifier in the device. With bluetooth earbuds everything in crammed in these tiny buds. Where do you think you can allow for better components?
Have you even got measurements on how 'junky' headphone connectors are? What do they do to the sound? Add noise? Add distortion? Artifacts maybe?
Headphone "sockets" do NOT carry "unadulterated audio",
Headphone "sockets" are transparent and hence have no say over whether the a