Classic Games (Games)

'Wing Commander' Music Composer Runs Kickstarter Campaign (kickstarter.com) 32

DMJC writes: George Oldziey, the music composer from Wing Commander 3 and 4, is running a Kickstarter campaign to re-orchestrate the music from the venerable series. The Kickstarter is in its final week and has approximately $2000 left to go before it reaches it's goal.
Oldziey shares some history on his web site: In 2014 I launched a Kickstarter campaign to document the music I created for the Wing Commander games in the way I had originally imagined it: for full orchestra and chorus. 588 generous supporters helped me reach my goal! In late 2014 I traveled to Bratislava, Slovakia, where the 95-piece Slovak National Symphony Orchestra and the 40-voice Lucina Chorus recorded this music under my supervision.
But last November -- and again in June -- Oldziey unsuccessfully tried raising funds on Kickstarter to record more of his Wing Commander music with a full orchestra. So this month's campaign sets a more modest goal of raising $15,000 "as a foundation and springboard from which to build with a more open ended crowdfunding campaign." It'll fund the creation of digital MIDI tracks for the new orchestral music plus a recording of the "jazzy bar music" from Wing Commander 3 (which will both be released as digital downloads and on CD). "Future campaign(s) will tackle the goal of getting a live orchestra to record everything..." Oldziey writes, adding this campaign "builds an exciting foundation to build on -- with some cool music to enjoy in the mean time!"

Two people have already pledged $600 to claim one of five high-end premiums in which George composes one minute of unique music just for them, and two more pledged $300 to attend the "jazzy bar music" recording session in Austin, Texas.
Music

Jonathan Coulton's New Dystopian Album Becomes a Graphic Novel (jonathancoulton.com) 47

An anonymous reader quotes NPR's report on one of Slashdot's long-time favorite musicians: In April, musician Jonathan Coulton released Solid State, a sci-fi concept album that represented a significant departure -- both from Coulton's wry, bright, tuneful back catalog and from any conventional understanding of what a sci-fi concept album sounds like... On first listen, with its shout-outs to futurist Ray Kurzweil, comment-section trolls, thinkpiece-gluts, and hack memes, Solid State seems a caustic critique of the internet -- which would be, as Coulton notes, "a little-off brand for me." Spend a bit more time with it, however, and its muted, melancholy songs reveal their true target: the toxic culture of glibness and hot takes that's leaching from the internet into every aspect of our lives.

The album features multiple perspectives and timelines, but its soundscape is allusive and impressionistic, resisting strict narrative. For that, Coulton turned to writer Matt Fraction and artist Albert Monteys, who with Coulton's input have taken some of the album's words, images and thematic preoccupations and crafted a graphic novel set largely in a future that will seem familiar to any reader of science fiction: a corporate-owned dystopia where humans have become dutiful, unthinking, unfeeling worker bees attending to menial tasks amid a culture engineered to keep them unthinking and unfeeling...These three creators believe that the roots of this dystopic future are all around us, but we're collectively choosing to ignore them in precisely the same way we blithely click past online Terms and Conditions agreements without bothering to read them.

The official music video for one of the songs takes the form of a text adventure.
Television

Should Plex Stop Allowing Users To Opt Out of Data Collection? (www.plex.tv) 156

UPDATE: Plex has now made more changes to their privacy policy to address concerns about data collection, including "the ability to opt out of playback statistics for personal content on your Plex Media Server" and a promise "to 'generalize' playback stats in order to make it impossible to create any sort of 'fingerprint' that would allow anyone to identify a file in a library."

Here's what the original kerfuffle was about. Slashdot reader bigdogpete wrote: Many users of Plex got an email that said they were changing their privacy policy which goes into effect on 20 September 2017. While most of the things are pretty standard, users found it odd that they were now not going to allow users to opt-out of data collection. Here is the part from their website explaining the upcoming changes.

"In order to understand the usage across the Plex ecosystem and how we need to improve, Plex will continue to collect usage statistics, such as device type, duration, bit rate, media format, resolution, and media type (music, photos, videos, etc.). We will no longer allow the option to opt out of this statistics collection, but we do not sell or share your personally identifiable statistics. Again, we will not collect any information that identifies libraries, files, file names, and/or the specific content stored on your privately hosted Plex Media Servers. The only exception to this is when, and only to the extent, you use Plex with third-party services such as Sonos, Alexa, webhooks, and Last.fm."

What do you all think?

Music

How Hackers Can Use Pop Songs To 'Watch' You (fastcompany.com) 32

An anonymous reader quotes a report from Fast Company: Forget your classic listening device: Researchers at the University of Washington have demonstrated that phones, smart TVs, Amazon Echo-like assistants, and other devices equipped with speakers and microphones could be used by hackers as clandestine sonar "bugs" capable of tracking your location in a room. Their system, called CovertBand, emits high-pitched sonar signals hidden within popular songs -- their examples include songs by Michael Jackson and Justin Timberlake -- then records them with the machine's microphone to detect people's activities. Jumping, walking, and "supine pelvic tilts" all produce distinguishable patterns, they say in a paper. (Of course, someone who hacked the microphone on a smart TV or computer could likely listen to its users, as well.)
Google

YouTube Music Head Says Company Pays Higher Royalties Than Spotify in US (engadget.com) 14

An anonymous reader shares a report: Making a living from streaming royalties is tough for music artists, and YouTube has had one of the worst reputations in the music industry for a while. Even Lyor Cohen, the current head of YouTube Music, knows that many are skeptical about the service's ability to pay out a legitimate rate. Cohen wrote a blog post this week to explain why he thinks that YouTube deserves another chance, and that his company is the highest paying music streaming service out there. The former road manager for Run DMC has been at YouTube for eight months now. He believes that YouTube music got to the subscription party late, which allowed companies like Spotify, Pandora and Apple Music to take an early lead. He also says that ads in music videos aren't the "death of the music industry," but rather a second supplement to bring in the money. Cohen claims that YouTube's ads brought in more than a billion dollars in the past 12 months. That should help soothe the music industry itself, but what about artists? Cohen rebuts the common belief that YouTube pays less than Spotify or Pandora, saying that his service pays more than $3 per thousand streams in the US, "more than other ad supported services."
Businesses

Apple Is Bringing a Billion Dollar Checkbook To Hollywood and Wants To Buy 10 TV Shows (recode.net) 79

Apple is officially open for business in Hollywood. From a report: The company is telling content makers it wants to spend $1 billion on its own stuff over the next year. That's music to studios' ears, and a tune they have been expecting for some time -- especially after Apple hired two top Sony TV executives in June. We still don't know what Apple wants to do with that content: The Wall Street Journal says Apple wants to make up to 10 "Game of Thrones" -- or "House of Cards"-scale shows, but that's not enough to launch a full-scale subscription service.
Music

Crowdfunding Campaign Seeks a Libre Recording of a Newly-Completed Bach Work (kickstarter.com) 87

Slashdot reader DevNull127 writes: Robert Douglass's Kickstarter campaigns have resulted in free fan-funded open source recordings of Bach's Goldberg Variations and the 48 pieces in his Well-Tempered Clavier, Book 1. "Even Richard Stallman found these recordings, and he promptly wrote an email encouraging us to drop the word 'Open' in favor of 'Free' or 'Libre'," Douglas tells BoingBoing (adding "when RMS writes you telling you to change the name of your music project, you change the name of your music project.")

Now Douglass is crowdfunding a libre recording of Bach's last masterpiece, 20 fugues developed from a single theme called "the Art of the Fugue". "He wanted to culminate in a final fugue that literally spells his name, B-A-C-H, in musical notation," remembers Douglass, but "unfortunately, Bach died before completing that work, and it has remained a musical mystery (and tragedy) for hundreds of years." Fortunately Kimiko Ishizaka completed the work in 2016, "based on the music that Bach left us... This new composition will also be released under a Creative Commons license as part of the new OpenScore.cc project... Kimiko is eminently grateful to her fans and supporters of free culture for allowing her to focus all of her energies on growing the public domain and bringing the music of J.S. Bach to a far broader audience than ever imagined."

They're also rewarding supporters with tickets to two live performances -- one at Carnegie Hall in New York City and one in Hamburg's new Elbphilharmonie.
Music

SoundCloud Saved By $170 Million Emergency Funding As CEO Steps Aside (techcrunch.com) 16

Last month, SoundCloud announced it was cutting about 40 percent of its staff in a cost-cutting move to help it compete against larger rivals like Spotify and Apple. One week after that announcement, TechCrunch published a report claiming "the layoffs only saved the company enough money to have runway 'until Q4' -- which begins in just 80 days." It now appears the company has closed the necessary funding round to keep itself afloat. TechCrunch reports: CEO Alex Ljung will step aside though remain chairman as former Vimeo CEO Kerry Trainor replaces him. Mike Weissman will become COO as SoundCloud co-founder and CTO Eric Wahlforss stays as chief product officer. New York investment bank Raine Group and Singapore's sovereign wealth fund Temasek have stepped in to lead the new Series F funding round of $169.5 million. SoundCloud declined to share the valuation or quantity of the new funding round. Yesterday, Axios reported the company was raising $169.5 million at a $150 million pre-money valuation. That's a steep decline in value from the $700 million it was valued at in previous funding rounds. The new Series F round supposedly gives Raine and Temasek liquidation preferences that override all previous investors, and the Series E investors are getting their preferences reduced by 40 percent. They're surely happy about that, but it's better than their investment vaporizing. Raine will get two board seats for bailing out SoundCloud, with partner and former music industry attorney Fred Davis, and the vice president who leads music investments, Joe Puthenveetil, taking those seats.
Businesses

Watch Out Ticketmaster: Amazon In Talks To Offer Event Ticketing In US (reuters.com) 67

According to Reuters, Amazon is seeking to partner with U.S. venue owners to sell event tickets -- a move that could loosen Ticketmaster's powerful grip on the lucrative ticketing business. From the report: The Seattle-based company sees the U.S. ticketing market as ripe for attack. Consumers dislike ticket fees, and venue owners, sports leagues and teams want more distributors for their tickets as they seek to boost sales. Access to tickets could be another means to lure members to the Amazon Prime shopping club. For music acts and sports teams, selling tickets through Amazon could help sell their merchandise. Currently Ticketmaster, owned by Live Nation Entertainment, is the exclusive seller of primary tickets for many top venues in the United States. Would-be challengers have struggled to compete in the face of Ticketmaster's strong relationships with the operators of major U.S. sports stadiums, arenas, concert halls and other venues. Amazon has had success with ticketing in Britain, where it has been selling seats to West End shows since 2015, even outselling Ticketmaster for some events, according to one of the sources, who owns venues in that country. It is less common for venues in Britain to have an exclusive ticket provider.
Patents

'Podcasting Patent' Is Totally Dead, Appeals Court Rules (arstechnica.com) 30

A federal appeals court affirmed the April 2015 inter partes review (IPR) ruling -- a process that allows anyone to challenge a patent's validity at the U.S. Patent and Trademark Office -- that invalidated the so-called "podcasting patent." "That process was held by a company called Personal Audio, which had threatened numerous podcasts with lawsuits in recent years," reports Ars Technica. From the report: Back in 2013, Personal Audio began sending legal demand letters to numerous podcasters and companies, like Samsung, in an apparent attempt to cajole them into a licensing deal, lest they be slapped with a lawsuit. Some of those efforts were successful: in August 2014, Adam Carolla paid about $500,000. As Personal Audio began to gain more public attention, the Electronic Frontier Foundation, however, stepped in and said that it would challenge Personal Audio's US Patent No. 8,112,504, which describes a "system for disseminating media content representing episodes in a serialized sequence." In the end, EFF raised over $76,000, more than double its initial target.

[T]he history of Personal Audio dates to the late 1990s, when founder Jim Logan created a company seeking to create a kind of proto-iPod digital music player. But his company flopped. Years later, Logan turned to lawsuits to collect money from those investments. He sued companies over both the "episodic content" patent, as well as a separate patent, which Logan and his lawyers said covered playlists. He and his lawyers wrung verdicts or settlements from Samsung and Apple.

Music

Why Steve Jobs Loved the IPod Shuffle (wired.com) 214

"Right after the keynote in which Steve Jobs introduced the iPod Shuffle, I went backstage with one question in mind: What makes an iPod an iPod?" remembers Steven Levy. mirandakatz writes Apple recently announced that it's officially discontinuing the iPod -- sad news for anyone who'd prefer to not have to lug around an entire phone to listen to music. At Backchannel, Steven Levy offers a requiem... The Shuffle, he writes, was unique in that it was an iPod stripped down to a single basic function -- and, as Steve Jobs told Levy in 2005, it made the perfect [cheap] gift for inculcating young kids in the ways of Apple.

"I will go buy them one of these for 100 bucks apiece," he told Levy, referring to why the Shuffle was an especially appropriate gift for his daughters, six and nine at the time. "They'll probably lose them in 60 days. But they'll get into it this way."

Jobs called the Shuffle "every bit an iPod -- just a different iPod," saying that the definition was simply "a great digital music player." (Though later he'd say that creating a radically smaller Nano was still "a huge bet.") Levy remembers the Shuffle as "one of the company's most fun products ever...stripped down to the one feature I adored," writing that he loved how "algorithmic serendipity" approximated a genius deejay (or "the 'Hand of God' chess move that Deep Blue used to confuse Garry Kasparov into thinking the computer had trespassed into realms formerly limited to brilliant humans.")

I bought my first mp3 player in 2000 -- an Archos Jukebox 6000 which weighed three quarters of a pound. Anyone else have fond memories they want to share about the iPod, the Nano, the Shuffle, your old Newton -- or your own first mp3 player?
Star Wars Prequels

Warner Music Files Copyright Claim on A Silent 'Star Wars' Video On YouTube (wired.com) 73

rgh02 writes: Earlier this summer, popular YouTube channel Auralnauts received some unfortunate news: Warner/Chappell had filed a monetization claim on their "Star Wars Minus Williams" video through YouTube's Content ID System. More than anything, the Auralnauts were confused -- the video the music company was claiming rights over didn't have any music in it at all.
In fact, the video is almost entirely silent, augmented with a few awkward coughs as Han Solo and Luke Skywalker plod noiselessly toward Princess Leia in a two-minute scene where they're awarded ceremonial medallions. Wired's article describes it as "a tongue-in-cheek tribute" to John Williams' Star Wars score for the film's final scene, also reporting that it had been online for almost three years before Warner/Chappell music publishing claimed rights to all money the video would receive: When I tried to get Warner/Chappell's side of this story, the company offered no comment. But apparently my reporting helped bring the "Star Wars Minus Williams" copyright dispute to an unexpectedly speedy resolution. When Koonce told his YouTube partner manager that a journalist had interviewed him, YouTube stepped in and removed the copyright claim against the video.
YouTube has also created a "Fair Use Protection" program covering legal costs for channels they believe are unfairly targeted with video takedown notices. But the article points out that 95% of the time music companies just chose YouTube's "monetize" option to claim the ad revenue rather than asking that a video be blocked -- and that last year YouTube paid the music industry $1 billion. (Though the music industry insists that amount is still below what they're receiving from streaming music services.)
Biotech

How Apple Is Putting Voices In Users' Heads -- Literally (wired.com) 91

schwit1 shared WIRED's report on "a life-changing technology." Steven Levy spoke with Mathias Bahnmueller as he tested a new Apple sound processor that beams digital audio directly into hearing aids. Bahnmueller suffers from hearing loss so severe that a year ago he underwent surgery to install a cochlear implant -- an electronic device in the inner ear that replaces the usual hearing mechanism. Around a million patients have undergone this increasingly mainstream form of treatment, and that's just a fraction of those who could benefit from it. (Of the 360 million people worldwide with hearing loss, about 10 percent would qualify for the surgery.) "For those who reach a point where hearing aids no longer help, this is the only solution," says Allison Biever, an audiologist in Englewood, CO who works with implant patients. "It's like restoring a signal in a radio station."

Cochlear implants bypass the usual hearing process by embedding a device in the inner ear and connecting it via electrodes to the nerve that sends audio signals to the brain... The system Bahnmueller was using came from a collaboration between Apple and Cochlear, a company that has been involved with implant technology since the treatment's early days. The firms announced last week that the first product based on this approach, Cochlear's Nucleus 7 sound processor, won FDA approval in June -- the first time that the agency has approved such a link between cochlear implants and phones or tablets. Those using the system can not only get phone calls directly routed inside their skulls, but also stream music, podcasts, audio books, movie soundtracks, and even Siri -- all straight to the implant... Apple will offer the technology free to qualified manufacturers.

Google's accessibility team for Android has no public timeline for any similar hearing aid support, though according to the article it's "on the roadmap."
Network

Apple Plans To Release a Cellular-Capable Watch To Break iPhone Ties (bloomberg.com) 92

According to Bloomberg, Apple is planning to release a version of the Apple Watch later this year that can connect directly to cellular networks, a move designed to reduce the device's reliance on the iPhone. From the report: Currently, Apple requires its smartwatch to be connected wirelessly to an iPhone to stream music, download directions in maps, and send messages while on the go. Equipped with LTE chips, at least some new Apple Watch models, planned for release by the end of the year, will be able to conduct many tasks without an iPhone in range, the people said. For example, a user would be able to download new songs and use apps and leave their smartphone at home. Intel Corp. will supply the LTE modems for the new Watch, according to another person familiar with the situation. Apple is already in talks with carriers in the U.S. and Europe about offering the cellular version, the people added. The carriers supporting the LTE Apple Watch, at least at launch, may be a limited subset of those that carry the iPhone, one of the people said.
Businesses

Font Maker Sues Universal Music Over 'Pirated' The Vamps Logo (torrentfreak.com) 142

An anonymous reader writes: Universal Music Group is being sued by HypeForType, which accuses the record label of using "pirated" copies of its fonts for the logo of The Vamps. The font is widely used for artwork, promotion material and merchandising of the popular British band, and the font creator is looking for a minimum of $1.25 million in damages. The font maker has filed a lawsuit accusing the major label of using its "Nanami Rounded" and "Ebisu Bold" fonts without permission. According to a complaint, filed in a New York federal court, Universal failed to obtain a proper license for its use, so they are essentially using pirated fonts.
Google

YouTube Red and Google Play Music Will Merge To Create a New Service (theverge.com) 59

YouTube's head of music, Lyor Cohen, confirmed that the company is planning on merging its Google Play Music service with YouTube Red to create a new streaming offering. "The important thing is combining YouTube Red and Google Play Music, and having one offering," Cohen said. The Verge reports: Right now, YouTube's music ecosystem is unnecessarily complicated. There's YouTube Red, which removes ads from videos and lets you save them offline, while also giving you access to Google Play Music for free. Then there's YouTube Music, which anyone can use, but it gets better if you're signed up for YouTube Red. And YouTube TV is also a thing -- an entirely separate thing -- but it's not available everywhere yet. The merger has been rumored within the industry for months, and recently picked up steam after Google combined the teams working on the two streaming services earlier this year. In a statement to The Verge, Google said it will notify users of any changes before they happen. "Music is very important to Google and we're evaluating how to bring together our music offerings to deliver the best possible product for our users, music partners and artists. Nothing will change for users today and we'll provide plenty of notice before any changes are made."
Businesses

Apple Discontinues iPod Nano and iPod Shuffle (macrumors.com) 151

From a report: Apple today removed the iPod nano and iPod shuffle from its website and online store around the world, suggesting the iconic portable media players may be discontinued. Apple continues to sell the iPod touch. Beyond new colors and storage capacities, Apple had last updated the iPod nano in October 2012 and the iPod shuffle in September 2010. Apple last updated the iPod touch in July 2015 with an 8-megapixel rear camera. Apple introduced the iPod shuffle in January 2005, followed by the iPod nano in September 2005. In total, there were seven generations of the iPod nano, and four generations of the iPod shuffle. The company has confirmed that it has discontinued the devices.
Network

Ask Slashdot: Best Option For a Touring Band With Mobile Data? 203

New submitter SEMLogistics writes: I'm working with a well-known rock band, that is not based in the U.S., and has an upcoming U.S. tour this fall. The issue they always run into, however, is when renting a tour bus and traveling with 12 to 14 people, they consistently blow through data allowances set by the bus company. This leads to tremendously expensive overages, and greatly throttled data. "When chartering a Nightliner tour bus, travel companies only typically allow for 10GB data a month. With 12 people, downloading music and streaming movies, we can easily exceed 12GB a day! This leads to thousands of dollars every month in overages!"

Slashdot, help! Are there any good mobile hotspot options with unlimited data, and monthly contracts (I haven't found any), or other alternatives than to simply be held a data-hostage?
Music

SoundCloud Halts Volunteer Archiving Project (vice.com) 48

Slashdot reader nielo tipped us off to more SoundCloud news. Motherboard reports: Last week, a group of volunteer digital preservationists known as The Archive Team announced they would be attempting to independently archive a 123.6 million track, 900-terabyte swath of SoundCloud, the popular streaming music and audio service that recently announced mass layoffs and office closures, sparking fears of an imminent closure. But just as the volunteer archive of SoundCloud was due to be getting started, it's been abruptly called off at the behest of the company... I reached out to SoundCloud for more information, and a spokesperson responded with the following written statement: "SoundCloud is dedicated to protecting the rights and content of the creators who share their work on SoundCloud. We requested the Archive Team halt their efforts as any action to take content from SoundCloud violates our Terms of Use and infringes on our users' rights... SoundCloud is not going away -- not in 50 days, not in 80 days or anytime in the foreseeable future..." But that hasn't stopped some individuals on Reddit's r/datahoarder subreddit from attempting to gather their own personal archives of as much of SoundCloud as they want and can afford to host.
Music

Steve Jobs' Life Is Now An Opera (cnn.com) 74

An anonymous reader quotes CNN's report on a new project from Pulitzer Prize-winning librettist Mark Campbell: "The (R)evolution of Steve Jobs" is set to open on Saturday night at the Santa Fe Opera, home to the largest summer-opera festival in U.S. The high-tech production, which runs until August 26, jumps in and out of key moments in the Apple founder's life, from early product-development days alongside Steve Wozniak and the launch of the original iPhone, to his wedding day with Laurene Powell Jobs... The opera features an electronic score, developed by Mason Bates, that incorporates sounds from the products Jobs created, including the audio synonymous with turning on an early Macintosh computer. The libretto, or operatic script, doesn't call out words like Apple or iPhone due to copyright issues; instead, it uses descriptors like "one device" to reference the smartphone. "Only one device, does it all," the libretto reads. "In one hand, all your need. One device. Communication, entertainment, illumination, connection, interaction, navigation, inspiration..."
One scene in the high-tech production shows Jobs standing in his family's garage on his 10th birthday. When his father gives him a workbench, the walls around them light up into video screens...

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