Why Won't Apple Sell Your iTunes LPs? 306
jfruhlinger writes "Over the weekend there's been a bit of controversy over the fact that Apple has effectively shut indie artists out of the iTunes LP market by charging $10,000 in design fees. But the real question is why Apple is in charge of designing the new iTunes LP at all, since the format is based on open Web design technologies. There's at least one iTunes LP already available outside the iTunes store. Why won't Apple sell it?"
LP? (Score:5, Informative)
Re:LP? (Score:4, Funny)
It's part of that retro-is-new thing, all the kids are doing it, it's alltuhh-9ytujhff all the rage (sorry, electric typewriter keys got stuck - one of the hazards of being cool).
Re:LP? (Score:4, Informative)
Oh, and in case anyone was wondering, what they're calling an 'LP' is essentially a DVD-style menu for your album. With pics, lyrics and bio - you know, the kind of stuff any 5-year-old can get from google or can be auto-loaded by many modern music players (WinAMP, Amarok, take your pick).
So on a scale of usefulness from "necessary for human survival" to "would rather have my balls in a vise", it scores about a "meh".
Re:LP? (Score:4, Interesting)
Actually, there is more. They showed the Doors LP which contained exclusive interviews and other video media. The idea is to get you to buy the whole album instead of just a track or two. I don't think they're really charging much more for it, maybe an extra $1, although the one's I've looked at seem to contain more songs than the standard album.
Whether it works out or not, I at least give them credit for trying to add some additional value to the digital media and provide some better incentives to buying whole albums.
Re:LP? (Score:5, Informative)
Re:LP? (Score:4, Interesting)
According to itunes it's not on the Cd release, but in just a couple of years when a new compilation album comes out it'll be very likely guaranteed that those tracks will be on the disc.
I've got a pre-Sap/Jar of Flies dual demo vinyl with the AiC logo engraved on the back - a REAL LP with songs never released on the official albums and STILL unreleased to this day.
iTunes doesn't have any real exclusives - those that actually know the band have the real exclusives that the rest of the world will never hear. Another example, "The Prince," written by Diamond Head and covered by Metallica, was originally on the Black Album (The Thompson Original Master Tape, anyways) and never made it to the final cut, instead appearing later as a b-side to One and Harvester of Sorrow singles and on the Garage, Inc album. Also, the original title to song #5 on the same Black Album - "Whereever I May Road" yes, not roam, ROAD.
There hasn't been a real "exclusive" in the music market since digital distribution. No mispresses, no off-recordings, nothing that makes anything unique and awesome anymore. Can't carve a shitload of grooves into an optical disc like we did with a vinyl LP and still expect it to play!
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It's an interesting move, but honestly I don't think many people will go back to buying whole albums again. I purchase indvidual tracks because that's all I'm interested in. Heck not having to buy the whole CD is 90% of the appeal of online sales. If I WAS going to buy the whole album online I'd just get the CD and rip it myself, with the bitrate that I want, and have a physical backup.
The also have tried with some tracks recently to pull this "Available by Album Only" stunt where you can only get that t
Apple has agreed to allow anyone to design an LP (Score:5, Informative)
Responding to criticism that the iTunes LP format has been priced out of reach for independent musicians and labels, Apple has said it plans to open the format [appleinsider.com] in the near future.
Essentially they will allow anyone to design their own LP and bypass the $10,000 production fee.
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iTunes store already has "complete my Album" which lets you buy the rest of the album, getting credit for the tracks you've already bought.
In most cases, albums are generally cheaper than buying all the tracks individually. Based on my experience, it seems to be the case for about 80% of the albums I've looked at (YMMV). And the new LPs even more so (more like 95%).
As someone else pointed out, the LP appears not to add additional cost to the album to the consumer, so it is throwing in extra goodies to encou
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The tracks are standard 256-bit AAC. No DRM on audio (not sure about video). The videos also come as individual files.
While the format is web-based, it's not a browse to a website solution.
My guess is that the iPod app for iPhone will have to be updated to support the extras. Same is true for AppleTV. All the components to support it are there, but they need to be put together.
I think you're seeing one early step in a multi-step process.
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"So on a scale of usefulness from "necessary for human survival" to "would rather have my balls in a vise", it scores about a "meh"."
I'm confused. Given some people's attitude towards human survival and what is necessary for it, and some people's attitude towards, er, exotic activities between consenting adults, I have no clue where "meh" sits in the spectrum you've specified.
Re:LP? (Score:5, Informative)
On a scale from "engine" to "giant Hello Kitty decal for the rear window", it scores about a "windshield wipers on the headlights".
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"if they had been good, they would have played on the radio"
you're joking, right?
Re:LP? (Score:5, Insightful)
What about Zoso? Dark Side of the Moon? Tommy? Van Halen I? Bookends? Electric Ladyland? Brothers in Arms? 2112? I could go into modern examples too, starting with everything Dredg has ever made, and finishing with everything Muse has ever made
There are thousands of albums that are great, start to finish. What's killing the music industry is not piracy, it's the fact that people no longer have the attention span to sit through a great album, and aren't willing to pay album prices for the singles that the radio has drilled into their heads.
Re:LP? (Score:5, Insightful)
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Or, my favorite example of this, the Eagles "Hotel California" album - three good songs starting off (Hotel California, Life in the Fast Lane, New Kid in Town), then a complete load of dreck for the rest of it. And yet, number 37 on Rolling Stone's "top 500 albums of all time".
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I'd argue that albums where every song is solid is the exception, not the norm
True, but then bands that don't suck are also the exception, not the norm. It's pretty easy to find entire albums that are worth listening to if you stick to bands that don't suck...
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Your picks easily span 30 years, so we're down to about 35 great albums a year.
If I'm being generous, I can pretend we're closer to 100 albums a year. World wide. In all genres. In all countries. In all languages.
Compare the number of albums that are great, start to finish with the number of albums released in the same timespan.
I would, quite honestly, be extremely surprised to see a signal to noise ratio above 1:500 myself. And keep in mind that
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You've got 8 examples out of hundreds of thousands of albums that have been released.
Even if you only stuck with albums that went platinum, you'll find that most people only like one or two songs per album. That's what made iTunes so popular in the first place - because now you didn't have to buy the whole album for one or two songs!
There are a few exceptions but most albums taken on the whole range from mediocre to downright lame. A particularly great example is the albums of any one-hit-wonder. There w
Re:LP? (Score:5, Insightful)
I think it's insightful to his mindset when he says "if they had been good, they would have played on the radio".
After that, it's easy to see where he's coming from, not that I agree with this premise.
Public service announcement.. (Score:5, Insightful)
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nope
they want you to buy a whole album and not a few songs so they sell you an LP which is all the songs, a few videos, and DVD type making of crap that you can only view on a computer
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I think the OP has the same issue I do - when I think of "LP" I think of a vinyl record. Since videos aren't coming out on vinyl, I'm guessing that the meaning of LP has changed.
Re:LP? (Score:5, Funny)
Nope, videos are recorded in H.264, then recorded on vinyl. It does require a 50000 RPM turntable though.
Re:LP? (Score:5, Informative)
RCA invented a video-record back in the 1970s. It used a needle and concentric grooves, but instead of touching the platter the needle hovered above the grooves. Using this method they could store 60 minutes of broadcast quality (440x480) analog video on one side of a 12 inch record.
I still own one of these things. Unfortunately it failed for the same reason LaserDisc failed - it couldn't record live television or home movies as VHS could do. See http://en.wikipedia.org/wiki/Capacitance_Electronic_Disc [wikipedia.org]
Re:LP? (Score:4, Funny)
50000 RPM. sounds like dependency hell if you ask me!
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http://en.wikipedia.org/wiki/Capacitance_Electronic_Disc
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Since videos aren't coming out on vinyl, I'm guessing that the meaning of LP has changed.
You need better hallucinogens.
Re:LP? (Score:5, Informative)
The LP is part of the move toward providing a more complete product back like they did with CDs, cassettes, and vinyl. With those things, you typically got extra stuff, like elaborate cover and inside art, and song lyrics, and with CDs there could be a data track with videos and other stuff. These are things that have gone by the wayside with digital downloads. Now that we are reaching the point where CD's are becoming a thing of the past for a much larger number of people, there has been an outcry about the loss of all of those extras. The digital LP is a focus to get those things back, so you can have all your extras for the complete experience.
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Yeah, it's too bad that MP3s can't store lyrics and additional artwork...
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the format was created back in the 1990's when PMPs with 32MB storage were high end
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Re:LP? (Score:5, Funny)
The digital LP is a focus to get those things back, so you can have all your extras for the complete experience.
How are you supposed to sort the seeds out of pot on the back of a digital LP?
Comment removed (Score:5, Insightful)
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We always started the year out right by liberating one of the nice fiberglass trays from the student union cafeteria. Worked way better than an LP cover and the lip kept seeds and stems out of your lap.
You had to get a fiberglass tray as opposed to one of the plastic ones; only the fiberglass trays had a hard, smooth surface that could be scraped clean with your student ID. The plastic trays usually had some lame pebbly finish or some other embossed design that prevented a thorough cleaning.
LP covers were
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>>>Now that we are reaching the point where CD's are becoming a thing of the past for a much larger number of people
I hope CDs don't die.
It's still the only way to get uncompressed music. Some discs even have full surround sound encoding. The compressed AACs sold on itunes sound like crap on a full-sized 5-speaker stereo.
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From who? I think this favors the record labels (and Apple) more than anybody else.
Re:LP? (Score:5, Insightful)
Ahh, so it's like a torrent that comes complete with cover art and an nfo file, then, but overpriced? ;)
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The LP is part of the move toward making you buy a bunch of songs you don't want like they did with CDs, cassettes, and vinyl.
FTFY.
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Re:LP? (Score:4, Informative)
From gizmodo [gizmodo.com]:
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If this format actually takes off and Apple insists on charging labels $10,000 per LP, expect:
(1) A lot more user-packaged LPs like the Tryad album. For proprietary recordings, these could be distributed minus the tracks without incurring the wrath of the more clueful artists and their labels (though some will inevitably get upset).
(2) Official complete LPs available for purchase via band and label websites or 3rd party distributors, or as free downloadable add-ons for already purchased tracks.
(3) Interacti
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(5) Apple start blocking those LPs not made by Apple on iTunes, they will add a hash to verify who build them
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But, you know, everything old is new again. Audiophiles claim that LPs have a better sound (or a "warmer" sound, or they use various other audiophile jargon to describe it), which, although the improvement is not measurable
Re:LP? (Score:5, Insightful)
The idea is that "iTunes LP" would serve as the non-song content you used to get when you bought an album: the beautiful LP cover, lyrics, and other stuff. But upgraded to the digital era.
The problem with this non-story is that Apple isn't selling iTunes LP extras, it's giving it away when you buy the regular album associated with it.
It was a defensive move to prevent the labels from inventing their own proprietary format instead. iTunes LPs are just self-contained websites built using web standards: HTML, CSS, and JavaScript. Apple created a JavaScript framework called TuneKit to allow these "self contained websites" to interact with iTunes, playing content etc.
The same format is used to deliver iTunes Extras, the same bonus format for movies. Essentially, both are designed to make extremely easy to author bonus content that labels and studios (including indies) can use to add value to their existing work.
Obviously, Apple doesn't want to launch the new format with a bunch of crap, and taint it with mocking commentary that equates garbage or wierdo music with the format. So it launched the new format with iTunes 9 using a dozen big music acts and a similar number of recent movies. There has been the typical hysterical fit from poorly sourced, half-right "tech news" pieces that claimed Apple hates indies and will charge $10,000 (!) to develop the titles.
This is clearly all uninformed bullshit because there's no way Apple would develop content for third parties for just $10,000 a pop. Not even a professional authoring artist would do these for that kind of budget. Compare the free involved with authoring a DVD or BluRay disc, or creating all the artwork for a band's website or a multimedia CD-ROM.
Slashdot picked up the story and keeps trying to bump it up into the air because it sounds bad for Apple. The reality is that this is the best possible album format design anyone in the FOSS community could have hoped for. It's open, you can built it yourself, and kids can even apply some remedial HTML skills to remix their own content downloads. It's the web with a minimal business model.
New iTunes LP and Extras built using TuneKit Framework, aimed at Apple TV [roughlydrafted.com]
Why Apple is betting on HTML 5: a web history [roughlydrafted.com]
Apple plans to open iTunes LP for independent labels [appleinsider.com]
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I'm a Les Paul fan, you insensitive clod!
Oh that's the $10,000 question. (Score:2, Insightful)
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The answer is simple. The labels have made quiet little threats to pull hot product if Apple doesn't charge $10,000.
You and some paranoid mods have been sipping from the same tainted batch of Kool-Aid.
The simplest answer is that Apple is, once again, acting as a control freak.
Never forget that Apple doesn't just provide a product, they provide an image. The roadblocks they've thrown up for the iTunes "LP" are there so they can control quality without a bitchfest every time they reject someone a la iPhone's App store. So while $10K & major labels is harsh and arbitrary, it allows them to manage the launch of their new
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Re:Oh that's the $10,000 question. (Score:5, Informative)
Not sure who is right, this guy or the guy who quoted the 10k$ figure.
I guess we'll have to wait and see. Or not if you're not interested in LPs.
XXS and other issues (Score:3, Interesting)
In which case, they need to come up with a standardized couple of formats in which people can plug in artwork, videos and other data to create their own LP.
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True - they should just use that famous Apple software innovation to create an IDE and then sell it... then anyone could create their own "LP" and distribute it... oh gawd I can only imagine what nice old aunt Betty will churn out for her grandkids and quilting club!!!
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And they just don't have the time to go over everyones code.
And don't have the competency to write some static screening tools that will reject all the XSS stuff etc?
And don't have the legal chops to write contractual language that will let them pwn your ass if you do submit LP's with XSS etc in them?
While putting a paywall up does have the advantage of creating a somewhat self-policing marketplace in this regard, my sense is that a $500 fee would do the same job and not exclude smaller players. It isn't t
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Regardless of whether this was Microsoft, Amazon or Apple, any company would be hard pres
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iPhone. App. Store.
Re:XXS and other issues (Score:4, Insightful)
That's easy (Score:3, Insightful)
Because Apple is a big corporation primarly interested in making money. Getting $10000 in design fees is a handy way of making $10000 more then if they just let you put it up for free.
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Also, what does the money get you? Does it just give you the ability to submit extra material? Or does it include things like increased exposure? If you get a more prominent spot, and thus sell more... it's no surprise that Apple would like to charge for that, just like brick and mortar stores. Another possibility is that they will roll it out gradually - and that early adopters just have to pay more.
Until the format it supported in other devices (apple tv, ipods etc), it looks pretty irrelevant.
the answer (Score:2)
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LP. Long Play. Synonymous with record albums; you know the big black CD like things that you read with needles.
It refers to iTunes songs with bonus content like pictures, lyrics, stories, video clips, etc attached instead of just bare music.
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More so with the large decorated cardboard sleeves that hold the large black old timey records than the large black old timey records themselves.
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Yeah, my parents had an old Beatles LP with a flexible OLED display on the sleeve. When you picked it up, touching the capacitive sensors would cause a "making of" video to start playing automatically.
It was rather annoying, really, when you just wanted to use the built-in wifi to look up the lyrics for the song playing on your RCA Victor.
Who cares? (Score:2)
These things are a last attempt to try and make "albums" relevant. They don't matter. Albums are an ex-parrot. They're pushing up the daisies. They're singing in the... no, that's it, they're not singing at all. That's the problem. They're tragically unhip.
Re:Who cares? (Score:4, Insightful)
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Anyone who is serious about their music knows that a complete LP should be, and often is, a single work of art.
I've had a few albums that I would count as "works of art", not many, and they were all actual vinyl LPs. I loved Roger Dean's album covers, more than the music inside the sleeves in some cases, but CDs are too small a canvas to satisfy that desire, and so it's died out in my heart long since. CDs get ripped into iTunes as soon as I get them, and the shells lay in a bookshelf mortuary where I never
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Market economics 101? (Score:2)
Why is Apple charging $10,000? Because they can (or at least, think they can). When they no longer can, they will reduce the price.
In the case of Apple, they are betting that the 'majors' are willing to pay $10,000 to have Apple setup "iTunes LPs" for them. The article asks why Apple "controls" iTunes LPs, when they are based on open standards. My guess is that the answer is that, sure, anyone could create an iTunes LP, but Apple controls iTunes, so you can't publish your third-party created LP on iTunes, r
Marketing (Score:3, Interesting)
Don't like it, don't do it. (Score:2)
Apple says there is no $10,000 charge (Score:5, Informative)
http://www.musicweek.com/story.asp?sectioncode=1&storycode=1038901&c=1 [musicweek.com]
If it's just an itlp file and a bunch of m4as (Score:2)
Then why couldn't you sell the m4a files on iTunes, and just make an itlp file available on your website. DRM is gone now from iTunes. There is nothing to stop you from doing that.
'LP' file format (Score:2)
The existence of a file format to encompass an EP or LP style collection of files is a nice idea. There exists .cbr and .cbz for comic book files and other such container formats, so why not for music files? And yeah, throw in a menu and some info, why not, .mkv does this for video files for those who want to use that aspect of the format. But I'm surprised that music lovers/developers haven't come up with something like this before, and I find it kind of funny that now Apple has got in there first and ther
Concert Footage? (Score:2)
Along with that, you get video content -- in most cases, live concert recordings
So, I'm going to assume that this is the same stuff we get on youtube? Also I'm doubting if there are songs which are only available via the LP, then they probably won't be any good. Otherwise the radio stations would have crammed these into our skulls on a "repeat every 5 min" playlist.
Story is bogus; either way I don't care (Score:3, Informative)
Guess I could've stopped after typing the subject... but anyway. I'm old enough where I still have LPs in a box somewhere. Thinking back to how often I looked at the liner notes, extras, etc. - the total for a given album varies between zero and one. I just wanted the music back then, and that's the case now.
I do find it funny (but not surprising; I've been on Slashdot too long to have high expectations) that people here are reacting with outrage, even though the story's been shown to be bogus - Apple says they're not charging a fee for this. Being the control freaks they usually are, they're working on opening it to everyone rather than just letting it out there: "We're releasing the open specs for iTunes LP soon, allowing both major and indie labels to create their own. There is no production fee charged by Apple."
Re:Can anyone think of a reason? (Score:5, Insightful)
I can.
What if this is to prevent labels from dumping crud into the iTunes store and making iTunes LP look like a joke? By forcing the studios to commit at least so much money to the project, they may only do it for bigger bands and when they can do a good job, instead of just putting 20 images together and just saying "Look! It's an LP" for everything in their catalog.
Basically, this may be a way to help with initial quality control.
The question is if it continues or not. Whether it's adjusted up or down, how it starts to work with indie labels, that will be the question.
Re:Can anyone think of a reason? (Score:5, Insightful)
What if this is to prevent labels from dumping crud into the iTunes store
Have you heard the pop charts recently ?
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This same kind of quality control would be just as effective at $50 an LP. $10,000 is just some randomly chosen BIG_NUMBER.
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It's not for that. They already police the iPhone app store, and it doesn't cost $10k for a developer to have Apple review their app. They could easily hire a team to do QA and charge a reasonable fee for this, but they haven't. It stinks.
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This is basically what happened with the iPhone, at $600 they didn't sell as well as they could have and gave Apple time to make enhancements before dropping the price.
Some of us see the release of a smartphone without MMS and without the ability to take apps anywhere but the browser (which is what the iPhone was like when it was released) to be beta-quality at best. We're talking about a phone missing major functionality. Apple didn't hold that castrated phone back from the consumer though, so it's nothing like what happened with the iPhone. Instead, Apple released a phone which only early adopters and fanboys would buy, and they bought one. Then when Apple got their act
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So, you are saying that at 10K a pop, this is NOT something that "only early adopters and fanboys would buy"?
That is correct. This article, in fact, is about it being something that only major labels could afford to buy. Try again, please; the two are very different things.
From your statement, I assume that a high prices iPhone didn't harm consumers but a high priced LP development cost does?
That's correct, and it's based on Apple's position in the market. The iPhone is just a phone. iTMS has become the way that people expect to purchase music online.
Would it harm consumers less if they LP development cost was less and then things changed (breaking existing LPs)?
You have completely failed to demonstrate some way in which "things" could "change" that would result in "breaking existing LPs". In fact, Apple controls both iTunes and the iTMS, so it
Re:Groan ... Pay More Money for What Exactly? (Score:5, Informative)
Extractor? On a mac, you just have to rightclick on the LP file and do a "show package contents." It's just a bundle that uses HTML5/CSS3.
Doesn't take a lot of work.
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I expect the end is near!
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My poor Mac only has one button.
SHHHH! (Score:2)
Extractor? On a mac, you just have to rightclick on the LP file
Shush! They don't know we've been able to do that for years...
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The average user should never have to worry about rightclicking...
You just have to click the action menu and select it from there. No right clicking is required.
Re:Groan ... Pay More Money for What Exactly? (Score:4, Insightful)
I believe that Apple wants to control -- to "curate" -- the new experience of the LP while it is in its nascent stage of marketing. They want to sell these things, they want to convince people they are worth buying, and to accomplish that they cannot let the floodgates open for every garage band to participate before some kind of clear quality benchmarks are established.
Let's face it: There is a lot of great Open Source software. Open Source design? Not so much...
Re:Groan ... Pay More Money for What Exactly? (Score:5, Insightful)
so in the end we are right back at apple wanting to deliver that special fairy dust experience that only "they" can deliver...
talk about marketing machine...
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so in the end we are right back at apple wanting to deliver that special fairy dust experience that only "they" can deliver...
Companies underestimate the disposable income of discriminating fairies at their own peril.
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Except that Apple are not charging 10k per design.
http://www.musicweek.com/story.asp?sectioncode=1&storycode=1038901&c=1 [musicweek.com]
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(and all you Apple fans get your negative moderation ready)
Apple has already responded: it is "releasing the open specs for iTunes LP soon, allowing both major and indie labels to create their own. There is no production fee charged by Apple," without confirming a date for the release.
You can put your AppleHate thingy back in your pants now. A reasonable assumption might be that Apple wants to get some solid examples out there as a benchmark to ensure quality (since they are charging a premium for the experience) so that we don't get the LP-version of the blink ta
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Is there such a thing as a "good" pun?
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No negative moderation needed really, just the link to the story where Apple denies it is charging this 10k fee.
http://www.musicweek.com/story.asp?sectioncode=1&storycode=1038901&c=1 [musicweek.com]
I actually think a fee of some sort here would be advisable for the "LP" so that there was at least some barrier to entry so that you couldn't just add a couple of photos and call it an LP and charge £25 for it. If there's a small barrier to entry (10k is not small really) then it would prevent (hopefully) dilution
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Take almost any other product out there today (any electronic product.) You buy it, and you enjoy it. The manufacturer releases updates to the software and you get new features and bug fixes. They let you control many aspects of the device operation. Sweet! More bang for the buck, and more people will want to buy the product for the new feature.
Apple, on the other hand, releases a product. Say, the iPod. They MIGHT fix
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Apple, on the other hand, releases a product. Say, the iPod. They MIGHT fix bugs, eventually. Or not. They give you a few selectable options and NEVER, EVER add features. To get new features, you have to buy iPod 2.0 and throw away the old one.
Tell that to my iPod Touch, which has been upgraded from 1.x to 3.2.
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