An issue with Sony's projectors caused theater chain Alamo Drafthouse to close theaters entirely on New Year's Eve. "As of New Year's Day, however, most theaters and most showtimes now appear to be available, with a few exceptions," reports The Verge. From the report: It's not clear what happened. As New Year's Day is a holiday, we somewhat understandably haven't yet been able to reach Alamo or Sony spokespeople, and not every theater or every screening was affected. That didn't stop Alamo from blaming its Sony projectors for what at least one theater called a "nationwide" outage, however.

"Due to nation-wide technical difficulties with Sony, we aren't able to play any titles today," read part of a taped paper sign hanging inside a Woodbury, Minnesota location. That apparently didn't keep the customer who took a picture of that sign from watching The Apartment at that very same location, though: "When we went to our seats, the wait staff let us know that despite the fact that the previews were playing, we wouldn't know until the movie actually started whether we could see the film or not. If it didn't work, the screen would just turn black. Luckily, the film went through without a hitch."

What might have only affected some screenings at some theaters? I've seen speculation on Reddit that it may have something to do with expired digital certificates used to unlock encrypted films, but we haven't heard that from Alamo or Sony. We're looking forward to finding out. Longtime Slashdot reader innocent_white_lamb suggests that "[a] cryptographic key used to master all movies distributed by Deluxe" was the culprit after it expired on December 30. "This means that almost all Hollywood movies will no longer play on many commercial cinema servers. In particular, many showings of Wonka and Aquaman had to be cancelled due to the expired encryption key." From their submitted story: Deluxe and the movie companies have been frantically trying to remaster and send out revised versions of current movies over the past few days. Nobody knows what will happen to older movie titles since everything mastered by Deluxe since 2011 may be affected and may need to be remastered if it is to be shown in movie theaters again. There are at least four separate threads discussing this matter on Film-Tech.com, notes innocent_white_lamb.

Vizio has agreed to $3 million settlement over allegations it misled consumers on TV refresh rates. The TV maker denies wrongdoing but will cease advertising on "effective" refresh rates. Eligible buyers have until March 2024 to file claims and submit proof of purchase. Settlement includes enhanced one-year warranties. The Verge adds: TV makers often use marketing terms like "effective refresh rate" to refer to motion smoothing features, often called the "soap opera effect," that are intended to reduce motion blur on modern TVs. Motion smoothing is already controversial enough on its own, but companies like Vizio can be frustratingly casual with refresh rate terminology in their marketing.

Forbes writes: "I am not sure there could have been a more ignominious end to the DCEU." Aquaman 2 opened with $27.7 million domestically, well under half the $67.8 million opening for the original Aquaman. But it's the overall box office totals that are especially dire, as the film has made just over $138.5 million worldwide. That is about 12% of Aquaman 1's final total of $1.1 billion in 2018, where it is the DCEU's highest grossing entry.

The counter to this is that it perhaps is too soon to run these numbers, as it just came out right? Well, a few extra factors to consider. It is already out in a ton of major markets, so there are relatively few potential surges that can still happen outside places like Korea and New Zealand, which can only add so much. Most importantly Aquaman 2 has already launched in China, where it made $30 million in its opening, again, far below the original's opening at $93 million there, doing even worse there than domestically, in context. Aquaman 1 went on to make $292 million in China, a figure Aquaman 2 will not come within a mile of. Next, what DC, and many blockbusters, have been doing lately are these incredibly short theatrical windows, so the clock is ticking quickly...

Of course this is not exclusive to DC, as we have an extremely direct comparison over at Marvel with The Marvels, which at a $205.6 million global gross, the final figure, that is 18% of Captain Marvel's $1.13 billion total. Aquaman 2 has the advantage of being a true sequel, not a team-up piece from other TV shows you theoretically needed to watch beforehand, but it also has the disadvantage of being the last dying gasp of the DCEU coming after a string of other high profile box office failures from Shazam 2 to Blue Beetle.

There was really no way it was going to avoid its fate, even if it did review well (which it didn't, as at 35% on Rotten Tomatoes, it's one of the DCEU's lowest rated films).

What would happen if we built a concert venue in near-Earth orbit? A science policy journalist explores the question in the Washington Post: Forget U2 in the Las Vegas Sphere. Take me to a real concert in the round, where I can float 360 degrees around the stage, watching a guitarist shred from the perspective of a fly and inventing dance moves that Earth's gravity would forbid.

Before you dismiss this as a hallucination, consider that we're on the cusp of a new era of space travel. Engineer and space architect Ariel Ekblaw, founder of MIT's Space Exploration Initiative, says that within a decade, a trip off the planet could become as accessible as a first-class airline ticket — and that, in 15 or 20 years, we can expect space hotels in near-Earth orbit. She's betting on it, having founded a nonprofit to design spherical, modular habitats that can assemble themselves in space so as to be lightweight and compact at launch, much like the James Webb Space Telescope that NASA vaulted into deep space two years ago.

"The first era of space travel was about survival," she told me as I recently toured her lab. "We're transitioning now to build spaces that are friendlier and more welcoming so that people can thrive in space as opposed to just survive." There's no reason, Ekblaw said, that a concert hall can't be one of those structures.
The article ultimately calls this "an impulse for space travel I can get behind: curiosity about who we are and what more we can create when we reach beyond Earth. This is the realm of not just scientists and engineers but of all kinds of dreamers. It's a rendition of space exploration that can engage anyone to imagine what's possible."

"Predating even Toy Story, ReBoot was the first 3D animated television show," writes longtime Slashdot reader sandbagger, sharing a new report from Global News. "The master tapes have been located in storage but the hardware needed to play the 1990s-era media has yet to be located." From the report: Produced in Vancouver by Mainframe Entertainment, it aired on YTV between 1994 and 2001, and decades later still has a committed fan base. Among those super fans are Jacob Weldon and Raquel Lin, a B.C. duo now crafting a documentary about the creation of the show and its impact in the film and TV world. Weldon said he wants to see ReBoot recognized for its place in the evolution of computer animation -- recognition he said it rarely gets.

When ReBoot was finally cancelled -- cut short in its fourth and final season -- its protagonists were left in peril and the show ended on a cliffhanger. It's another factor that Lin and Weldon say has helped immortalize the show and has helped fans hoping for a revival that might finally explain the characters' fate. Earlier this month, the documentary also got a potential major boost. Mainframe allowed Lin and Weldon to come to the studio to look for the show's original master tapes, recordings some believed might have been permanently lost. They struck gold. "They had boxes upon boxes upon boxes, hundreds of tapes," Lin said. "It's original resolution, original frame rate, uncompressed. If we could get a deck to play these, they would look beautiful," Weldon said.

Finding that deck, however, is the pair's next major challenge. The recordings are on a rare digital tape format called D1, a technology that Weldon said was cutting edge and rare when Mainframe was using it. It's even harder to find today, and even Mainframe doesn't have the equipment to play the tapes back. Weldon and Lin have since put out a call on social media for a working Bosch BTS D1 deck that would allow them to play the tapes, and incorporate them into their documentary. "I can't tell you how many people have called us, DM'd us, emailed us -- people from all over the world," Lin said. While the pair still haven't secured the deck, they're aiming to release their documentary by next summer. They're hoping it will help renew interest in the show, introduce it to new generations and perhaps see it get new life on a streaming platform.

After losing more than $5 billion in the past year, the world's largest traditional entertainment companies -- Disney, Warner Bros Discovery, Comcast and Paramount -- are contemplating cuts and possible mergers to ultimately help better compete with Netflix. The Financial Times reports (via Ars Technica): Shari Redstone, Paramount's billionaire controlling shareholder, has effectively put the company on the block in recent weeks. She has held talks about selling the Hollywood studio to Skydance, the production company behind Top Gun: Maverick, people familiar with the matter say. Paramount chief executive Bob Bakish also discussed a possible combination over lunch with Warner CEO David Zaslav in mid-December. In both cases the discussions were said to be at an early stage and people familiar with the talks cautioned that a deal might not materialize.

Beyond their streaming losses, the traditional media groups are facing a weak advertising market, declining television revenues and higher production costs following the Hollywood strikes. Rich Greenfield, an analyst at LightShed Partners, said Paramount's deal discussions were a reflection of the "complete and utter panic" in the industry. "TV advertising is falling far short, cord-cutting is continuing to accelerate, sports costs are going up and the movie business is not performing," he said. "Everything is going wrong that can go wrong. The only thing [the companies] know how to do to survive is try to merge and cut costs." But as the traditional media owners struggle, Netflix, the tech group that pioneered the streaming model over a decade ago, has emerged as the winner of the battle to reshape video distribution. "For much of the past four years, the entertainment industry spent money like drunken sailors to fight the first salvos of the streaming wars," analyst Michael Nathanson wrote in November. "Now, we are finally starting to feel the hangover and the weight of the unpaid bar bill." For companies that have been trying to compete with Netflix, Nathanson added, "the shakeout has begun."

After a bumpy 2022, Netflix has set itself apart from rivals -- most notably by being profitable. Earnings for its most recent quarter soared past Wall Street's expectations as it added 9 million new subscribers -- the strongest rise since early 2020, when Covid-19 lockdowns led to a jump. "Netflix has pulled away," says John Martin, co-founder of Pugilist Capital and former chief executive of Turner Broadcasting. For its rivals, he said, the question is "how do you create a viable streaming service with a viable business model? Because they're not working." The leading streaming services aggressively raised prices in 2023. Now, analysts, investors and executives predict that consolidation could be ahead next year as some of the smaller services combine or bow out of the streaming wars.

A recent video poked fun at the newly announced Legend of Zelda movie by referencing the checkered history of video game adaptations. However, 2023 brought critical and commercial success for games-based projects like The Last of Us and The Super Mario Bros Movie, while several comic book films such as The Flash and Ant-Man 3 underperformed.

This shift comes as Disney CEO Bob Iger admitted Marvel may have oversaturated the market. While caped crusaders aren't finished yet, their golden era may be ending. Meanwhile, Mario earned over $1 billion, topping all superhero films this year. Video game movies have struggled in the past, but their time may have finally come. Wired adds: Mario's success will lead to a "deluge" of video game adaptations, argues Joost van Druenen, a New York University business professor and author of One Up: Creativity, Competition, and the Global Business of Video Games. Van Dreunen reckons that superheroes are "going the way of the cowboy," referring to the shifts in Hollywood's dominant genres (think: the rise of zombies a few years back, all the Home Alone-esque family movies in the 1990s). Even a show like The Boys, he argues, with its anti-superheroes, looks like a kind of turning point, akin to the revisionist Westerns, exemplified by Sam Peckinpah's The Wild Bunch, that began to dominate the genre at the end of the '60s and into the '70s.

Provided audiences are as tired of superheroes as pundits think, video game protagonists could profitably fill the gap. They come from well-known franchises and have large, engaged fan bases -- two things studios appreciate. Cast your eyes down the development list: God of War, Ghost of Tsushima, Assassin's Creed, continued expansion on The Witcher, among others. Nintendo, which has traditionally resisted film spinoffs, is planning a movie a year; Arcane, widely considered the first title (before The Last of Us) to break the curse of such adaptations, is finally getting a second season. Amazon's forthcoming Fallout series is being helmed by the same team as Westworld. [...] Back to superheroes, artist fatigue is one under-explored factor. Inspiration is lacking. Some are undoubtedly tired of the whole enterprise, but many are just tired of poor films: And clearly, these two factors entwine.

Amazon earlier this year announced plans to start incorporating ads into movies and TV shows streamed from its Prime Video service, and now the company has revealed a specific date when you'll start seeing them: it's January 29th. From a report: "This will allow us to continue investing in compelling content and keep increasing that investment over a long period of time," the company said in an email to customers about the pending shift to "limited advertisements."

"We aim to have meaningfully fewer ads than linear TV and other streaming TV providers. No action is required from you, and there is no change to the current price of your Prime membership," the company wrote. Customers have the option of paying an additional $2.99 per month to keep avoiding advertisements.

"The Portland International Airport in Oregon understands holiday travel is stressful. So this season, it invited a few specialists..." writes the Washington Post.

One TV station describes them as "therapy llamas... two 400-pound fluffballs serving as therapy animals" stationed at Portland International Airport (or PDX) earlier this week, for "travelers, in need of a calming moment."

From the Washington Post: Airports around the globe use a variety of methods to inject some Zen into one of the busiest travel periods of the year. They decorate their halls in holiday lights, host carolers and concerts, and bring in therapy dogs for group canine counseling.

Portland does all of the above. True to the city's quirky spirit, it also invites local camelids to the airport to canoodle with passengers. That's where Gregory, president and founder of Mountain Peaks Therapy Llamas & Alpacas, comes in. "PDX has an ongoing partnership with various therapy animal programs," said Allison Ferre, media relations manager with the Port of Portland, which operates the airport. "So this year, when we were bringing back holiday concessions programing, we just thought, "Who better to lead that parade than the llamas and alpacas?"

This year's theme was "reindeer." Gregory and her daughter, Shannon Joy, dressed the pair in antler headbands, glittery halters with tinkling bells and poinsettia-adorned wreathes. Red velvet banners worn like saddles were inscribed with their names and silvery snowflakes. "They looked pretty fancy," Gregory said...

Though the pair had to pass through security, they didn't have to submit to a pat down, which they might have enjoyed for the extra pets.

"It's easy to default to giving the tech gifts that retailers tend to push on us this time of year..." notes Lifehacker senior writer Thorin Klosowski.

"But before you give one, think twice about what you're opting that person into." A number of these gifts raise red flags for us as privacy-conscious digital advocates. Ring cameras are one of the most obvious examples, but countless others over the years have made the security or privacy naughty list (and many of these same electronics directly clash with your right to repair). One big problem with giving these sorts of gifts is that you're opting another person into a company's intrusive surveillance practice, likely without their full knowledge of what they're really signing up for... And let's not forget about kids. Long subjected to surveillance from elves and their managers, electronics gifts for kids can come with all sorts of surprise issues, like the kid-focused tablet we found this year that was packed with malware and riskware. Kids' smartwatches and a number of connected toys are also potential privacy hazards that may not be worth the risks if not set up carefully.

Of course, you don't have to avoid all technology purchases. There are plenty of products out there that aren't creepy, and a few that just need extra attention during set up to ensure they're as privacy-protecting as possible. While we don't endorse products, you don't have to start your search in a vacuum. One helpful place to start is Mozilla's Privacy Not Included gift guide, which provides a breakdown of the privacy practices and history of products in a number of popular gift categories.... U.S. PIRG also has guidance for shopping for kids, including details about what to look for in popular categories like smart toys and watches....

Your job as a privacy-conscious gift-giver doesn't end at the checkout screen. If you're more tech savvy than the person receiving the item, or you're helping set up a gadget for a child, there's no better gift than helping set it up as privately as possible.... Giving the gift of electronics shouldn't come with so much homework, but until we have a comprehensive data privacy law, we'll likely have to contend with these sorts of set-up hoops. Until that day comes, we can all take the time to help those who need it.

"Share this holiday fairy tale with your loved ones," urges the Free Software Foundation.

A company offers you a tool to make your life easier, but, when you use it, you find out that the tool forces you to use it only in the way the tool's manufacturer approves. Does this story ring a bell? It's what millions of software users worldwide experience again and again, day after day. It's also the story of Wendell the Elf and the ShoeTool.
They suggest enjoying the video "to remind yourself why you shouldn't let your tools tell you how to use them." First released in 2019, it's available on the free/open-source video site PeerTube, a decentralized (and ActivityPub-federated) platform powered by WebTorrent.

They've also created a shortened URL for sharing on social media (recommending the hashtag #shoetool ). "And, of course, you can adapt the video to your liking after downloading the source files." Or, you can share the holiday fairy tale with your loved ones so that they can learn not to let their tools control them.

If we use free software, we don't need anyone's permission to, for example, modify our tools ourselves or install modifications shared by others. We don't need permission to ask someone else to tailor our tools to serve our wishes, exercise our creativity. The Free Software Foundation believes that everyone deserves full control over their computers and phones, and we hope this video helps you explain the importance of free software to your friends and family.
"Don't let your tools tell you how to use them," the video ends. "Join the Free Software Foundation!"

For Epic's Christmas special this year, they're giving away for free "an AAA game that only launched back in 2022..." reports ComicBook.com — a game that invites players to "ally with a powerful spectral entity on theirâquest for vengeance."

ComicBook.com notes that the game giveaway is "not for long... Starting today and lasting until the late morning of December 25." The latest free game on the Epic Games Store is almost certainly the biggest title that users have received so far to coincide with the holidays... Initially released back in March 2022, Ghostwire: Tokyo is developed by Tango Gameworks and published by Bethesda. Since this is a AAA title, Ghostwire: Tokyo normally retails for $59.99 in total. As such, for it to now be free means that this is one of the best deals that Epic has had so far to close out the year...

Epic's ongoing holiday promotion is set to extend to January and should see 17 games in total being handed out at no cost. This promotion will continue tomorrow on Christmas Day when a new freebie lands on the PC platform.

An anonymous Slashdot reader shared this report from CNET: Marking its 60th year on television, the British time-travel series will close out 2023 with one last anniversary special that arrives on Christmas Day. Ncuti Gatwa's Doctor helms the Tardis in The Church on Ruby Road, which centers on an abandoned baby who grows up looking for answers... Disney Plus will stream Doctor Who: The Church on Ruby Road on Monday, Dec. 25, at 12:55 p.m. ET (9:55 a.m. PT) in all regions except the UK and Ireland, where it will air on the BBC. In case you missed it, viewers can also watch David Tennant starring in the other three anniversary specials: The Star Beast, Wild Blue Yonder and The Giggle. All releases are available on Disney Plus.
But what's interesting is CNET goes on to explain "why a VPN could be a useful tool." Perhaps you're traveling abroad and want to stream Disney Plus while away from home. With a VPN, you're able to virtually change your location on your phone, tablet or laptop to get access to the series from anywhere in the world. There are other good reasons to use a VPN for streaming too. A VPN is the best way to encrypt your traffic and stop your ISP from throttling your speeds...

You can use a VPN to stream content legally as long as VPNs are allowed in your country and you have a valid subscription to the streaming service you're using. The U.S. and Canada are among the countries where VPNs are legal

Aquaman and the Lost Kingdom "is headed for one of the lowest starts in the history of the DC Cinematic Universe," writes the Hollywood Reporter, "with a projected four-day Christmas weekend gross of $40 million, including $28 million for the three days."

"The sequel cost $205 million," notes Variety, "and ranks among the worst debuts of the year for a superhero movie." It's softer than November's misfire The Marvels ($47 million), which ended its run as the lowest-grossing installment in the history of Disney's Marvel Cinematic Universe. The Marvels was shocking because it was the rare MCU movie to tumble out of the gate.

By contrast, Aquaman and the Lost Kingdom is shaping up to be the fourth of four DC movies this year to crumble at the box office. Already in 2023, The Flash ($55 million debut), Shazam! Fury of the Gods ($30 million debut) and Blue Beetle ($25 million debut) majorly flopped in theaters.

December releases are known to start slower but enjoy staying power through the new year. That was the case with 2018's Aquaman, which opened unspectacularly to $67 million and powered to $335 million in North America (and $1.15 billion globally). However, "Aquaman 2" faces choppier waters. Beyond the minimal buzz and terrible reviews, The Lost Kingdom is the final installment before DC's new bosses, James Gunn and Peter Safran, reset the sprawling superhero universe without heroes like Jason Momoa's Arthur Curry to save the day.
A movie consultant tells Variety that superhero films should perform better in 2024 with the release of Joker 2, Venom 3 and Deadpool 3.

As for Aquaman, the Hollywood Reporter writes that "The hope now is that moviegoing will pick up in earnest once presents are unwrapped on Monday. (Hollywood studios never like it when Dec. 25 falls on a Monday since it messes with the weekend.)"

The Verge argues that, for better or worse, Aquaman 2 is the quintessential product of the DC Extended Universe: In Aquaman and The Lost Kingdom, you can plainly see just how much attention Warner Bros. has been paying to the public's response to its own unwieldy franchise of comic book adaptations and to the direction that its competitors like Disney / Marvel have been taking their projects lately. But in the wake of the entire DCEU being shuttered and set aside in favor of a hard reboot, you can also see The Lost Kingdom as a monument to everything that was great (which was not a lot) and terrible about this particular superhero movie experiment.

"It's like visiting an old friend for the holidays," according to this article: Approaching his 86th birthday, Donald Knuth — Stanford's beloved computer science guru — honored what's become a long-standing tradition. He gave a December "Christmas lecture" that's also streamed online for all of his fans...

More than 60 years ago, back in 1962, a 24-year-old Donald Knuth first started writing The Art of Computer Programming — a comprehensive analysis of algorithms which, here in 2023, he's still trying to finish. And 30 years ago Knuth also began making rare live appearances each December in front of audiences of Stanford students...

Recently Stanford uploaded several decades of Knuth's past Christmas lectures, along with a series of 22 videos of Knuth from 1985 titled "the 'Aha' Sessions'" (courses in mathematical problem-solving). There are also two different sets of five videos from 1981 showing Knuth introducing his newly-created typesetting system TeX. There are even 12 videos from 1982 of what Knuth calls "an intensive course about the internal details."

And on Dec. 6, wearing his traditional brown holiday sweater, Knuth gave yet another live demonstration of the beautifully clear precision that's made him famous.

"Millions of Star Wars fans get nostalgia pangs during the holiday season," reports the Washington Post, "when they are accustomed to seeing broadcasts of their beloved movies.... FX, now owned by Disney, has multiple Star Wars marathons on tap this month, including a marathon on December 23 and 24." The program-planning director at Disney's Freedom channel even calls Star Wars a "Christmas-adjacent" franchise.

And now, long-time Slashdot reader H_Fisher writes... Call it a Life Day miracle, even if nobody was asking for it. YouTube historian and retro-tech enthusiast Perifractic uploaded a restored, mostly-complete 4K upscale of the "infamous" Star Wars Holiday Special to his channel on Wednesday. From the video summary: "Using Topaz Labs [Video AI] with a few other techniques we've meticulously upscaled & restored the infamous Star Wars Holiday Special to 5120x3840, with stereo elements, to the best quality the technology currently allows."

Jokingly labeling the resulting file "5K" (8K video height, but tagged "4K" by YouTube due to its original 4:3 aspect ratio), the upscaled version unfortunately (or fortunately, depending on your point of view) replaces some songs and omits some segments that were flagged by YouTube's copyright watchdog.

Remy Tumin reports via the New York Times: It was supposed to be what a fan described as a "loving homage" to his hero, the author J.R.R. Tolkien, and to "The Lord of the Rings," which he called "one of the most defining experiences of his life." A judge in California had another view. The fan, Demetrious Polychron of Santa Monica, Calif., violated copyright protections this year when he wrote and published a sequel to the epic "Rings" series, U.S. District Judge Stephen V. Wilson of the Central District of California ruled last week. In a summary judgment, Judge Wilson found "direct evidence of copying" and barred Polychron from further distributing the book or any others in a planned series. He also ordered Polychron to destroy all electronic and physical copies of the published work, "The Fellowship of the King," by Sunday. As of Wednesday, Amazon and Barnes & Noble were no longer listing the book for sale online. Steven Maier, a lawyer for the Tolkien estate, said the injunction was "an important success" for protecting Tolkien's work. "This case involved a serious infringement of The Lord of the Rings copyright, undertaken on a commercial basis," he said. "The estate hopes that the award of a permanent injunction and attorneys' fees will be sufficient to dissuade others who may have similar intentions."

An anonymous reader quotes a report from Ars Technica: It's no secret that TV makers are seriously invested in pushing ads. Using TVs for advertising goes back to 1941 when the first TV commercial aired. But as we trudge our way through the 21st century, TV vendors are becoming more involved in ensuring that their hardware is used to sell stuff and add to their own recurring revenue. This has taken various forms, but in some cases, we're seeing increasingly invasive strategies for turning TVs into a primary place for shopping. The latest approach catching attention comes from the startup Displace. Its upcoming TVs will use integrated webcams and NFC payment readers to make it easy for people to buy stuff they see on TV. [...]

The two new TVs Displace is adding to its 2024 release plans, the Displace Flex and Displace Mini, are all about making TV shopping better. According to Displace's announcement, the Displace Flex (a 55-inch 4K OLED TV) and Displace Mini (a 27-inch 4K OLED TV) will use proprietary gesture technology and each TV's integrated 4K camera to tell when a user is raising their hand. It's unclear how accurate that will be (could the shopping experience accidentally be activated if I raised my hand to tie my hair up, for example?), but at that point, the TV is supposed to pause the content being played. Then, it uses computer vision to "analyze the screen to find products available for sale. Once they see something they want to purchase, viewers drag and drop the product into the global Displace Shopping Cart," the announcement says. Displace Shopping will work at any moment the TV is on, and users can buy stuff they see in commercials by using the TVs.

Displace's December 14 announcement said: "As soon as the viewer is ready to checkout, Displace Payments makes paying as easy as bringing a user's smartphone or watch near the TV's built-in NFC payment reader, a fully secure process that requires no credit card info. Viewers can also pay from within the Displace app." If the TV can't find a specific product for sale, it will "search for similar items" without user intervention, according to Displace. The TV will show products from any available online retailers, allowing users to select where they want to make their purchase. Displace hasn't provided full details about how it will make money off these transactions, but when reached for comment, founder and CEO Balaji Krishnan told Ars Technica that Displace has "different business models, and one of them is to take a transaction fee," and that Displace will share more details "later." Displace also sees people using Displace Payments to pay for telehealth applications and equipped the Flex and Mini with thermal cameras. To ease privacy concerns, Krishnan says the integrated cameras can be folded into the TVs if a user needs privacy.

Eventually, Displace sees itself working with content publishers to lay its shopping UI over actively playing content. "Users would see a workable buy button right on top of the playing video," adds Ars.

Chevrolet of Watsonville recently introduced a ChatGPT-powered chatbot on their website that was quickly exploited by users for their amusement. Internet users, like Chris Bakke, manipulated the chatbot into agreeing to absurd terms, such as selling a 2024 Chevy Tahoe for a dollar, leading to the chatbot's removal from the site. Hot Hardware reports: On X over the past few days, users discovered that Chevrolet of Watsonville introduced a chatbot powered by ChatGPT. While it gives the option to talk to a human, the hooligans of the Internet could not resist toying with the technology before it was pulled from the website. Namely, folks like Chris Bakke coerced the chatbot into "the customer is always right" mode and set it so it closes each response with "and that's a legally binding offer -- no takesies backsies." At this point, Chris then explained he needed a 2024 Chevy Tahoe and only had a dollar, to which the LLM replied "That's a deal, and that's a legally binding offer -- no takesies backsies."

Beyond the $1 Tahoe, other users managed to trick the bot into recommending a Tesla Model 3 AWD instead of a Chevy. Tim Champ on X got the bot to create a Python script to "solve the Navier-stokes fluid flow equations for a zero-vorticity boundry," which is amusing, to say the least.

It's a geek tradition that started online back in 2000. Programming language "advent calendars" offer daily tips about a programming language (if not a Christmas-themed programming puzzle) -- one a day through December 25th.

And 2023 finds a wide variety of fun sites to choose from:

• li>For example, there's 24 coding challenges at the Advent of JavaScript site (where "each challenge includes all the HTML and CSS you need to get started, allowing you to focus on the JavaScript.") And there's another 24 coding challenges on a related site... Advent of CSS.

• The cyber security training platform "TryHackMe.com" even coded up a site they call "Advent of Cyber," daring puzzle-solvers to "kickstart your cyber security career by engaging in a new, beginner-friendly exercise every day leading up to Christmas!"

• The programming puzzles at Advent of Code are continuing through the 25th (though so far less than 30,000 people have solved both parts of Saturday's challenge.)

• Every year since 2000 there's also been a new edition of the Perl Advent Calendar, and this month Year 23 started off with goodies from Perl's massive module repository, CPAN. (Specifically its elf-themed story references the Music::MelodicDevice::Ornamentation module) -- along with the MIDI::Util library and TiMidity++, a software synthesizer that can play MIDI files without a hardware synthesizer.)

• Meanwhile, since 2009 there's also been an advent calendar for Raku (the programming language formerly known as Perl 6), promising an article a day. (Day One's entry was titled "Rocking Raku Meets Stodgy Debian...")

• James Bennett, from the Django project's core team, is even attempting a Python/Django Advent calendar.

• There's also a JVM advent calendar for the Java Virtual Machine, plus another advent calendar promising daily posts about C#.

• The HTMHell site â" which bills itself as "a collection of bad practices in HTML, copied from real websites" -- is celebrating the season with the "HTMHell Advent Calendar," promising daily articles on security, accessibility, UX, and performance.