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IOS

Apple is Upgrading Millions of iOS Devices To a New Modern File System Today (theverge.com) 132

Apple today began rolling out iOS 10.3, the latest point update to its mobile operating system. iOS 10.3 brings with it several new features, chief among which is a new file system -- called the Apple File System (APFS). From a report: It's a file system that was originally announced at WWDC last year, and it's designed with the iPhone, iPad, Apple Watch, Mac, and Apple TV in mind. Apple has been using its 31-year-old Hierarchical File System (HFS) for iOS devices so far. It was originally designed for Macs with floppy or hard disks, and not for modern mobile devices with solid state storage. Even its successor, HFS+, still doesn't address the needs of these mobile devices enough. Apple's new APFS is designed to scale across these new types of devices and take advantage of flash or SSD storage. It's also engineered with encryption as a primary feature, and even supports features like snapshots so restoring files on a Mac or even an iOS device might get a lot easier in the future.
Businesses

Enemy Number One is Netflix: The Monster That's Eating Hollywood (business-standard.com) 257

From a WSJ report: Tara Flynn, a rising star at a TV production unit of 21st Century Fox, walked into her boss's office last August and told him she was quitting and joining streaming-video giant Netflix Inc. The news was not well-received. "Netflix is public enemy No. 1," said Bert Salke, the head of Fox 21 Television Studios, where Ms. Flynn was a vice president, according to a Netflix legal filing. When Netflix finalized Ms. Flynn's hire a few weeks later, Fox sued, accusing it of a "brazen campaign" to poach Fox executives. In response, Netflix argued Fox's contracts are "unlawful and unenforceable." The ongoing legal battle is just one sign of the escalating tensions between Netflix and Hollywood as the streaming-video company moves from being an upstart dabbling in original programming to a big-spending entertainment powerhouse that will produce more than 70 shows this year. It is expanding into new genres such as children's fare, reality TV and stand-up comedy specials -- including a $40 million deal for two shows by Chris Rock. The shift has unnerved some TV networks that had become used to Netflix's original content being focused on scripted dramas and sitcoms. Netflix's spending on original and acquired programming this year is expected to be more than $6 billion, up from $5 billion last year, more than double what Time Warner Inc.'s HBO spends and five times as much as 21st Century Fox's FX or CBS Corp.'s Showtime.
Television

AMC Plans Ad-Free Streaming Service (fortune.com) 39

An anonymous reader shares a Fortune report: AMC Networks, whose shows include The Walking Dead, is planning to launch a commercial-free online video streaming service aimed at millennial TV subscribers, two sources familiar with the situation told Reuters this week. Unlike standalone streaming options from Time Warner's HBO and from CBS, AMC's would be exclusively available to consumers who subscribe to a cable TV package. AMC is doing this, the sources said, as a way to support the traditional cable television industry at a time when many younger consumers are increasingly cutting the cord. AMC is discussing featuring digital-only spinoff shows of its existing programs like The Walking Dead and is considering pricing between $4.99 to $6.99 a month, according to the sources, who cautioned final details are still being worked out.
Movies

Hollywood Producer Blames Rotten Tomatoes For Convincing People Not To See His Movie (vanityfair.com) 394

An anonymous reader shares a VanityFair report: These days, it takes less than 60 seconds to know what the general consensus on a new movie is -- thanks to Rotten Tomatoes, the review aggregator site that designates a number score to each film based on critical and user reviews. Although this may be convenient for moviegoers not necessarily interested in burning $15 on a critically subpar film, it is certainly not convenient for those Hollywood directors, producers, backers, and stars who toiled to make said critically subpar film. In fact, the site may be "the worst thing that we have in today's movie culture" -- at least according to Brett Ratner, the Rush Hour director/producer who recently threw the financial weight of his RatPac Entertainment behind Batman v Superman: Dawn of Justice. Sure, the blockbuster made over $850 million worldwide in spite of negative reviews ... but just think of how much more it could have made had it not had a Rotten Tomatoes score of 27 percent! Last week, while speaking at the Sun Valley Film Festival, Ratner said, "The worst thing that we have in today's movie culture is Rotten Tomatoes. I think it's the destruction of our business."
Businesses

Studios Flirt With Offering Movies Early in Home for $30 (variety.com) 128

It looks like Hollywood studios are not kidding around the concept of making the movies available in the home mere weeks after their theatrical debuts. Variety has a new report this week that claims that six out of seven Hollywood studios are in discussions. From the report: However, the companies, particularly Fox and Warner Bros., are showing greater flexibility about timing. Initially, Warner Bros. CEO Kevin Tsujihara had kicked off negotiations with exhibitors by offering to cut them in on a percentage of digital revenues if they agreed to let them debut films on-demand for $50 a rental some 17 days after they opened. Currently, most major movies are only made available to rent some 90 days after their release. Some studios offer films for sale electronically roughly 70 days after their bow in theaters. Other studios, particularly Fox and Universal, felt that $50 was too steep a price to ask consumers to pay. They are now trying to get exhibitors to agree to a plan that would involve a lower priced premium on-demand option that was made available at a slightly later date, according to three studio insiders and two exhibition insiders. Fox and Warner Bros., for instance, are considering making films available between 30 to 45 days after their opening, but at $30 a rental, a price they believe won't give customers sticker shock. Universal, which is seen as being the most aggressive negotiator in these talks, would like the home entertainment debut to remain in the 20-day range.
Movies

18 To 24-Year-Olds Are Hitting the Big Screen at Lower Rates (fastcompany.com) 222

An anonymous reader shares a report: For data and movie geeks, the MPAA's latest "Theatrical Market Statistics" report is a wealth of information about the health of the movie business. The big picture: 246 million people went to the movies in the United States and Canada last year, a 2% increase from the year before. But dig into the trends and things start to get a little more interesting. For instance, looking at per capita attendance broken down by age group shows 18- to 24-year-olds are hitting the big screen at lower rates than they were in 2012, although they saw an uptick last year.
Television

Cord-Cutting Isn't Nearly as Significant as Cable Providers Make It Out To Be (cnbc.com) 142

From a report on CNBC: Despite legacy media's anxieties about cord-cutting, data suggest that the phenomenon isn't nearly as significant as cable providers make it out to be. In its 11th annual "Digital Democracy Survey," Deloitte found that the percentage of American households that subscribe to paid television services has remained relatively stable since 2012, even as adoption of streaming services has accelerated. In its survey of 2,131 consumers, Deloitte said two-thirds of respondents reported they have kept their TV subscriptions because they're bundled with their internet plan. Kevin Westcott, vice chairman and U.S. media and entertainment leader at Deloitte, told CNBC that bundling seems to be a huge deterrent for cord cutting.
AI

Researchers Build An AI That's Better At Reading Lips Than Humans (bbc.com) 62

An anonymous reader quotes the BBC: Scientists at Oxford say they've invented an artificial intelligence system that can lip-read better than humans. The system, which has been trained on thousands of hours of BBC News programs, has been developed in collaboration with Google's DeepMind AI division. "Watch, Attend and Spell", as the system has been called, can now watch silent speech and get about 50% of the words correct. That may not sound too impressive - but when the researchers supplied the same clips to professional lip-readers, they got only 12% of words right...
The system now recognizes 17,500 words, and one of the researchers says, "As it keeps watching TV, it will learn."
Mars

Scientists Sent a Rocket To Mars For Less Than It Cost To Make 'The Martian' (backchannel.com) 180

Ipsita Agarwal via Backchannel retells the story of how India's underfunded space organization, ISRO, managed to send a rocket to Mars for less than it cost to make the movie "The Martian," starring Matt Damon as Mark Watney. "While NASA's Mars probe, Maven, cost $651 million, the budget for this mission was $74 million," Agarwal writes. In what appears to be India's version of "Hidden Figures" (a movie that also cost more to make than ISRO's budget for the Mars rocket), the team of scientists behind the rocket launch consisted of Indian women, who not only managed to pull off the mission successfully but did so in only 18 months. Backchannel reports: A few months and several million kilometers later, the orbiter prepared to enter Mars' gravity. This was a critical moment. If the orbiter entered Mars' gravity at the wrong angle, off by so much as one degree, it would either crash onto the surface of Mars or fly right past it, lost in the emptiness of space. Back on Earth, its team of scientists and engineers waited for a signal from the orbiter. Mission designer Ritu Karidhal had worked 48 hours straight, fueled by anticipation. As a child, Minal Rohit had watched space missions on TV. Now, Minal waited for news on the orbiter she and her colleague, Moumita Dutta, had helped engineer. When the signal finally arrived, the mission control room broke into cheers. If you work in such a room, deputy operations director, Nandini Harinath, says, "you no longer need to watch a thriller movie to feel the thrill in life. You feel it in your day-to-day work." This was not the only success of the mission. An image of the scientists celebrating in the mission control room went viral. Girls in India and beyond gained new heroes: the kind that wear sarees and tie flowers in their hair, and send rockets into space. User shas3 notes in a comment on Hacker News' post: "If you are interested in Indian women scientists and engineers, there is a nice compilation (a bit tiresome to read, but worth it, IMO) of biographical essays called 'Lilvati's Daughters.'"
Communications

Netflix Replacing Star Ratings With Thumbs Up and Thumbs Down (variety.com) 97

An anonymous reader quotes a report from Variety: Get ready to say goodbye to star ratings on Netflix: The company is getting ready to replace stars with Pandora-like thumbs ups and thumbs downs in the coming weeks. Previously-given star rating will still be used to personalize the profiles of Netflix users, but the stars are disappearing from the interface altogether. Netflix VP of Product Todd Yellin told journalists on Thursday during a press briefing at the company's headquarters in Los Gatos, Calif., that the company had tested the new thumbs up and down ratings with hundred of thousands of members in 2016. "We are addicted to the methodology of A/B testing," Yellin said. The result was that thumbs got 200% more ratings than the traditional star-rating feature. Netflix is also introducing a new percent-match feature that shows how good of a match any given show or movie is for an individual subscriber. For example, a show that should close to perfectly fit a user's taste may get a 98% match. Shows that have less than a 50% match won't display a match-rating, however.
Movies

Movie Theaters Haven't Innovated Beyond Popcorn, Says Netflix CEO (variety.com) 213

Janko Roettgers, reporting for Variety: Asked about his company's relationship with major theater chains, Netflix CEO Reed Hastings didn't pull any punches on Thursday. "How did distribution innovate in the movie business in the last 30 years? Well, the popcorn tastes better, but that's about it," he quipped. "What Netflix wants to do is to unleash film," he said. "It's fundamentally about growing the movie business." [...] On Thursday, Hastings pushed back against the notion that the company aims to bypass theaters. "We are not anti theater," he said. "We just want things to come out at the same time."
AT&T

DirecTV Admits Screwing Up Regional Sports Fees, Starts Issuing Credits (arstechnica.com) 15

An anonymous reader quotes a report from Ars Technica: AT&T this week acknowledged that DirecTV has been charging the wrong regional sports fees to some customers and is now issuing bill credits to those who paid more because of the mistake. "We have identified a small percentage of customers who are receiving some inaccurate bills for regional sports network fees," an AT&T spokesperson told Ars yesterday. "We are working as quickly as possible to notify those customers and issue credits. We apologize for the error." AT&T bought DirecTV, the nation's largest satellite TV provider with about 21 million customers, in 2015. The mistake affects bills going back to late January. Customers will not have to do anything to get the credit, as it will be issued automatically. The billing problem came to light last week when Consumerist published a report detailing how the regional sports network fees vary by ZIP code in ways that simply didn't make sense. It wouldn't be surprising to see different fees in different metro areas and states, since different local sports networks and teams are broadcast in different areas. But there were numerous cases in which people in adjacent ZIP codes were charged very different amounts to watch the same exact networks and teams. Some customers were charged no sports fee, while others were charged amounts of $2.47, $5.83, or $7.29 a month.
Privacy

Buying a Samsung TV Online Could Jeopardize Your Data (cnet.com) 30

An anonymous reader shares a CNET report: If you buy a product from Samsung's online store, your name, address, order information and other data may be accessible to anyone who cares to look. Matt Metzger, a self-described "application security engineer" who said he has worked in shipping-industry compliance, wrote Wednesday on Medium about an accidental discovery. Metzger said he ordered a TV from the Samsung online store and was sent a URL to track his delivery. When he followed the URL, he discovered that his tracking number was the same one used for someone else's previous delivery and that he could see sensitive information, such as the person's name and items ordered, without any security measures getting in the way. Metzger also discovered that more information was attached in a TIFF file to his own order after the delivery was completed. The file included his full name, address and signature.Samsung told CNET it is aware of the issue and is looking into it.
Movies

Netflix Will Explore Mobile-Specific Cuts of Its Original Series (theverge.com) 80

An anonymous reader shares an article: Netflix chief product officer Neil Hunt said in a briefing today with journalists in San Francisco that the company plans to explore streaming mobile-specific cuts of its original movies and TV shows, to satisfy what he said was a growing audience of mobile Netflix watchers. "It's not inconceivable that you could take a master [copy] and make a different cut for mobile," Hunt said. To date, Netflix hasn't been delivering different cuts for different viewing platforms, Hunt said, but "it's something we will explore over the next few years." The idea would be to create a version of the content with scenes or shots that are more easily visible or immersive on a mobile phone, since certain shots can be hard to see or can appear diminished on a relatively small phone screen.
Movies

'The Matrix' Reboot: It's Finally Happened. Hollywood Has Run Out of All the Ideas (qz.com) 542

An anonymous reader shares a Quartz report: In our hearts, we all knew this day would come. Warner Bros. is planning a reboot of The Matrix just 18 years after the iconic sci-fi action film dazzled audiences around the world, according to the Hollywood Reporter. The Matrix films were lauded for their creativity, special effects, and distinct cyberpunk and manga influences. In total, the trilogy grossed over $1.6 billion worldwide. The Matrix will join other famous film properties -- Star Wars, Godzilla, Planet of the Apes, and Terminator among them -- receiving a recent franchise reboot or "reimagining." Others include RoboCop, Star Trek, Ghostbusters, and Jurassic Park. Meanwhile, reboots of Indiana Jones, Predator, Jumanji, and every superhero movie that's ever existed, are scheduled to hit theaters soon. And TV, for its part, is a dystopian wasteland of bland prequels to famous action movies. Hollywood relying on tentpole franchises, instead of taking risks on original ideas, is not new or surprising. But many believed that certain properties like The Matrix were off limits -- at least so soon after originally being made. It's clear now, though, that the major film studios can't afford to wait. They have no other ideas. This puts the studios in a precarious situation, because the once tried-and-true strategy of inundating cinemas with popular franchise extensions no longer looks as foolproof as it used to.
Television

82% of Kids in 'Netflix Only' Homes Have No Idea What Commercials Are (exstreamist.com) 301

Two anonymous readers share a report: We decided to survey parents of young children (below 10 years old) to see how many kids in "Netflix only" homes knew what commercials are, compared to those homes who watch regular television. We surveyed 100 parents (50 Netflix-only homes, 50 normal television homes), here were their responses: 82% of kids in Netflix only homes don't know what commercials are. 38% of kids in regular television homes don't know what commercials are.
Space

Jeff Bezos' Spaceflight Company Blue Origin Gets Its First Paying Customer (nytimes.com) 32

Long-time Slashdot reader nickovs writes: Blue Origin was started as a "moon shot" company by Jeff Bezos and recently claimed that it would be offering an "Amazon-like" delivery service to the moon by 2020. In the mean time it seems their customers will be slightly closer to Earth: this week they announced that they now have a paying customer in the form of the satellite TV company Eutelsat. While this isn't a huge technical milestone, it is a major business milestone, turning Blue Origin from a hobby business into one which might eventually make a profit. According to a New York Times article, "The commercial partnership brings Blue Origin closer in line with SpaceX, created by Elon Musk, which has been launching satellites and taking NASA cargo to the International Space Station for several years."
Meanwhile, SpaceX announced last week that two space tourists have already put down "a significant deposit" for a week-long trip around the moon at the end of 2018, adding "Other flight teams have also expressed strong interest and we expect more to follow."
Verizon

Verizon Wireless Wades Right Back Into the Net Neutrality Debate With Fios Deal (theverge.com) 37

An anonymous reader quotes a report from The Verge: Verizon is taking a page out of AT&T's book by zero rating its Fios cable TV service for all Verizon Wireless customers. That means that if you purchase your mobile data plan from Verizon Wireless and your cable TV plan from Fios, you can now use the Fios Mobile app to stream live channels and on-demand shows and not have it count against your monthly data cap. (It should be noted that Verizon Wireless and Fios are separate subsidiaries, but both are owned by Verizon Communications.) This builds on Verizon's previous decision to zero rate its Go90 mobile app for customers of its own wireless service, which net neutrality advocates see as prioritizing its own products to the detriment of those from competitors and upstarts. One notable exception here is for customers with unlimited mobile data plans. Streaming Fios Mobile content will in fact count toward the unlimited plans' 22GB a month cap, after which Verizon will cap speeds. This caveat is not made clear in Verizon's marketing language, and instead is found only in the App Store release notes.
Piracy

Filmmakers Take Dutch State To Court Over Lost Piracy Revenue (torrentfreak.com) 97

An anonymous reader quotes a report from TorrentFreak: A coalition of Dutch film and TV producers is following through on their threat to file a lawsuit against the local Government. The filmmakers hold the authorities responsible for the country's high piracy rates. They claim the government tolerated and even encouraged unauthorized downloading for years and want to see compensation as a result. Last year the Dutch Government denied these allegations, noting that the filmmakers could go after downloaders directly if they want to recoup their losses. However, they are not backing down. On Tuesday a group of film and TV show companies issued a summons announcing their legal action, NRC reports. Through the court they hope to hold the Government liable, and if that's the case, a separate damages procedure will likely follow.
PlayStation (Games)

PlayStation 4.5 Update Brings HDD Support, PS4 Pro 'Boost Mode' (theinquirer.net) 40

Sony has officially pushed out the PlayStation 4.5 System Update, codenamed "Susuke," which brings a new Boost Mode for PS4 Pro owners and lets PS4 owners download and install games directly to USB 3.0 hard drives up to 8TB in size. The INQUIRER reports: PS4 Pro owners are also being treated to a new Boost Mode, will offer improved performance for PS4 games released before the Pro console. "This feature has been designed to provide better performance for select legacy titles that have not been patched to take advantage of the PS4 Pro's faster CPU and its faster and double-sized GPU," Sony said in a blog post. "This can provide a noticeable frame rate boost to some games with variable frame rates, and can provide frame rate stability for games that are programmed to run at 30 Hz or 60 Hz." The PS 4.5 update brings an improved 2D mode to owners of Sony's PlayStation VR headset, which the firm claims will improve the resolution of the system screen displayed on your TV is significantly better when you're out of VR mode. The resolution of Cinematic Mode on PlayStation VR is also getting a boost, with Sony noting "if your PS VR screen size is set to Small or Medium, the frame rate of content viewed in Cinematic Mode goes up from 90Hz to 120Hz with this update." Other new features include added support for voice chat when using Remote Play on Windows, Mac or an Xperia device, an 'Off Console' icon that tells gamers when a friend is logged in but away from their device and updates to the PS Messages and PS Communities apps on iOS and Android.

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