Music streaming service Spotify, along with other media firms such as Deezer, urged the European Commission to take action against Apple for anticompetitive and unfair practices, in a joint industry letter on Wednesday. From a report: The letter, addressed to the European Union antitrust regulator's Executive Vice-President Margrethe Vestager, demanded the Commission to act fast for the welfare of European consumers. Spotify has for years accused Apple of abusing its market position using its App Store rules to stifle competition. It has previously submitted antitrust complaints against Apple in various countries, alleging the 30% charge Apple requires developers to pay on its App Store has forced Spotify to "artificially inflate" its own prices. "We are writing to you to call for swift and decisive action by the European Commission against anticompetitive and unfair practices by certain global digital gatekeepers, and Apple in particular," read the letter, which was signed by chief executives of media firms Schibsted, Proton and Basecamp.

Sony has a pair of new Android Walkmans out, the NW-A300 and NW-ZX700. Ars Technica reports: We'll start with the most consumer-friendly of the two, the NW-A300. This basic design debuted in 2019 with the NW-A105, but that shipped with Android 9. This is an upgraded version of that device with a less-ancient version of Android, a new SoC, and a scalloped back design. In Sony's home of Japan, the 32GB version is 46,000 yen (about $360), while in Europe, it's 399 euro (about $430). The NW-A300 is a tiny little device that measures 56.6x98.5x12 mm, so pretty close to a deck of playing cards. [...] The front is dominated by a 3.6-inch, 60 Hz, 1280x720 touchscreen LCD. There's 32GB of storage, and the device supports Wi-Fi 802.11AC and Bluetooth 5. That's about all Sony wants to talk about for official specs. It touts "longer battery life" but won't say how big the battery is, promising only "36 hours* of 44.1 KHz FLAC playback, up to 32 hours* of 96 KHz FLAC High-Resolution Audio playback." Presumably, that's all with the screen off. [...] This is a music player, so of course, there's a headphone jack on the bottom of the unit. You'll also find a spot for a lanyard, a speedy USB-C 3.2 Gen1 port for quick music transfers, and a MicroSD slot for storing all your music. Buttons along the side of the device also give you every music control you could want, like a hold switch, previous, play/pause, next, volume controls, and power.

There's another new Sony Walkman, the NW-ZX700. It's 104,500 yen ($818) in Japan, and while that sounds like a lot for a portable music player, it's actually a relative bargain compared to the "Signature Series" NW-WM1ZM2, which goes for an eye-popping $3,700 thanks to audiophile hocus-pocus like a "gold plated, oxygen-free, copper body." Anyway, back to this $800 model. Unlike regular phone equipment, this has a proper audio amplifier with big, beefy capacitors to power the analog audio output. That makes it much bigger than the A300, at 72.6x132 mm and a whopping 17 mm thick. It also has two audio outs: a standard 3.5 mm headphone jack and a 4.4 mm "balanced" audio jack, which is used by some high-end audio equipment. I'm sure Sony has a wonderful headphone collection to match. [...] Both this and the A300 use the S-Master HX digital amplifier chip, which supports Sony's high-resolution "NativeDSD" audio format, which is also used on Super Audio CDs. If you're some kind of heathen that is just streaming 128kb Spotify, Sony's "DSEE Ultimate" feature dubiously claims to be able to "upscale" your music with AI. There's also a "Vinyl Processor" that will add record player noises to your audio for an "authentic listening experience."

The PC market is in rough waters, and it was for much of last year. Every PC maker except Apple saw year-over-year decline. Laptop sales are said to have suffered the most. From a report: This all made for a somewhat uncertain backdrop heading into CES 2023, the annual conference where tech companies show off the products they'll be releasing in 2023. Throughout the show, executives and representatives from various PC manufacturers acknowledged that the industry has a big task ahead of it this year: keep the laptop exciting. Some companies are trying to do that with goofy hardware things (such as Lenovo's dual-screen, dual-OLED, and touchpad-less Yoga Book 9i). But others are moving away from hardware -- and the raw power that hardware can provide -- and emphasizing quirkier software capabilities in this year's lineups. AMD revealed that some of its new chips will come with its first Ryzen AI engine, built on its XDNA architecture.
Intel's upcoming Meteor Lake chips will also bring AI capabilities.
HP announced new features for its Omen Gaming Hub, including integration with Nvidia's GeForce Now, and new remote management and insight services for IT. A consumer Windows PC, the Dragonfly Pro, was also unveiled, with its integration with HP's new "live concierge" service touted as a highlight. The report adds: And HP isn't alone in this conviction -- quite a few other manufacturers that had a big presence at CES this year emphasized showy software features that utilized camera tracking and AI, from Asus' and Acer's glasses-free 3D displays to Razer's soundbar that follows your head around to optimize your music. Even Lenovo's aforementioned dual-screen Yoga Book is a software offering in many ways; the form factor is hardly new, but the investments Lenovo has made in an impressive system of gesture control are what make it a viable product.

AmiMoJo writes: Belarusian dictator Alexander Lukashenko has signed a new law that legalizes piracy of movies, music, TV shows and software owned by rightsholders from 'unfriendly countries'. The law also allows goods protected by intellectual property law to be imported from any country without obtaining permission from rightsholders.

Lukashenko's support for Russia's invasion of Ukraine led to new sanctions being imposed by the EU, U.S. and other countries. In common with Russia, Belarus relies on intellectual property owned by foreign rightsholders that are currently unable or unwilling to supply and/or license it. So, to ensure legal access to pirated movies, music, TV shows and software, the government drafted a new law to restrict intellectual property rights.

"Singaporean inventor and tech pioneer Sim Wong Hoo passed away on January 4th at the age of 67," reports Engadget: Sim may not be a household name these days, but he founded Creative Technology (or Creative Labs in the US), the company behind the Sound Blaster brand of sound cards, back in 1981. Sound Blasters were some of the first sound cards available to consumers, and there was a time when you had to make sure your system worked with them if you wanted to listen to music and play games.

Sim established his business in the US and started selling Sound Blasters a few years later, after which Creative became the first Singaporean company to be listed on the Nasdaq exchange. The integration of sound boards into the motherboard ended Sound Blaster's popularity, but Bloomberg says the cards provided audio for more than 400 million PCs.

Under his leadership, Creative also launched a range of MP3 players, and Sim once tried to take on Apple by spending $100 million on advertising and marketing in its bid to dethrone the iPod. In 2006, Creative sued Apple for violating its patent for portable media system menus. The companies filed more lawsuits against each other after that before Apple settled with Creative and paid the company $100 million for the technology outlined in its patent.

Guess what's finally entering America's public domain today? Appropriately enough, it's Marcel Proust's 1927 novel Remembrance of Things Past.

Also entering the public domain today are thousands of other books, plus the music and lyrics of hundreds of songs, and even several silent movies.

Fritz Lang's sci-fi classic Metropolis enters the public domain today — and so does the Laurel & Hardy comedy Battle of the Century (which culminates with one of Hollywod's first pie fights), according to Duke University's Center for the Study of the Public Domain: This is actually the second time that Metropolis has gone into the US public domain. The first was in 1955, when its initial 28-year term expired and the rights holders did not renew the copyright. Then in 1996 a new law restored the copyrights in qualifying foreign works. Metropolis, along with thousands of other works, was pulled out of the public domain, and now reenters it after the expiration of the 95-year term, with the once missing scenes available for anyone to reuse.
They also note that some material is in the public domain from the beginning, including government works like the images from the James Webb telescope.

But for other works, today is a big and important day, writes the Associated Press: Alongside the short-story collection "The Case-Book of Sherlock Holmes," books such as Virginia Woolf's "To The Lighthouse," Ernest Hemingway's "Men Without Women," William Faulkner's "Mosquitoes" and Agatha Christie's "The Big Four" — an Hercule Poirot mystery — will become public domain as the calendar turns to 2023. Once a work enters the public domain it can legally be shared, performed, reused, repurposed or sampled without permission or cost.

The works from 1927 were originally supposed to be copyrighted for 75 years, but the 1998 Copyright Term Extension Act delayed opening them up for an additional 20 years. While many prominent works on the list used those extra two decades to earn their copyright holders good money, a Duke University expert says the copyright protections also applied to "all of the works whose commercial viability had long subsided."

"For the vast majority — probably 99% — of works from 1927, no copyright holder financially benefited from continued copyright. Yet they remained off limits, for no good reason," Jennifer Jenkins, director of Duke's Center for the Study of the Public Domain, wrote in a blog post heralding "Public Domain Day 2023." That long U.S. copyright period meant many works that would now become available have long since been lost, because they were not profitable to maintain by the legal owners, but couldn't be used by others. On the Duke list are such "lost" films like Victor Fleming's "The Way of All Flesh" and Tod Browning's "London After Midnight...."
Also entering the public domain today:


- Willa Cather's Death Comes for the Archbishop
- A. A. Milne's Now We Are Six (illustrations by E. H. Shepard)
- Franklin W. Dixon's The Tower Treasure — the first Hardy Boys book
- Herman Hesse's Steppenwolf (German version)
- The song "My Blue Heaven"
- Songs by Duke Ellington and Louis Armstrong
- Alfred Hitchcock's early silent movie The Lodger


The UK-based newspaper the Observer adds: For those readers who do not reside in the US, there is perhaps another reason for celebrating today, because copyright terms are longer in the US than they are in other parts of the world, including the EU and the UK. And therein lies a story about intellectual property laws and the power of political lobbying in a so-called liberal democracy.... The term was gradually lengthened in small increments by Congress until 1976, when it was extended by 19 years to 75 years and then in 1998 by the Sonny Bono Act. So, as the legal scholar Lawrence Lessig puts it, "in the 20 years after the Sonny Bono Act, while 1 million patents will pass into the public domain, zero copyrights will pass into the public domain by virtue of the expiration of a copyright term"....

[T]he end result is that American citizens have had to wait two decades to be free to adapt and reuse works to which we Europeans have had easy access....

The issue highlighted by Public Domain Day is not that intellectual property is evil but that aspects of it — especially copyright — have been monopolised and weaponised by corporate interests and that legislators have been supine in the face of their lobbying. Authors and inventors need protection against being ripped off. It's obviously important that clever people are rewarded for their creativity and the patent system does that quite well. But if a patent only lasts for 20 years, why on earth should copyright last for life plus 70 years for a novel?

So long, "total addressable market." Farewell, "flywheel effect." Silicon Valley has a new buzzword. As the cost of signing up new customers rises, "lifetime value" is set to become must-use jargon for technology executives, investors and analysts in 2023. Reuters reports: Companies like Uber, DoorDash and Spotify want shareholders to know they can squeeze more revenue out of users than it costs to recruit them. As with previously popular jargon, though, the idea can quickly get garbled. The concept of lifetime value is not new, but a common definition remains elusive. The venture capitalist Bill Gurley defines it as "the net present value of the profit stream of a customer." Hollywood uses it to estimate the cumulative income from streaming movie titles, after deducting the cost of making the film.

It's catching on in the tech world. Uber boss Dara Khosrowshahi and his team invoked (PDF) the term seven times during the ride-hailing firm's investor day. At a similar event in June executives from music streaming service Spotify mentioned (PDF) it 14 times, with another 47 references to the abbreviation LTV. Earnings transcripts for 4,800 U.S.-listed companies analyzed by Bedrock AI show executives and analysts mentioned "lifetime value" over 500 times between October and mid-December, up from just 47 times in three months to March 2019.

The problem is that everyone seems to have a different definition of lifetime value. Food delivery firm DoorDash looks at it as a metric to measure "customer retention, order frequency, and gross profit per order" over a fixed payback period. Uber and its Southeast Asian peer Grab treat it as the ability to bring in one customer and then cross-sell different services at a lower cost. The $49 billion e-commerce firm Shopify defines lifetime value as the total amount of money a customer is expected to spend with the business over the course of an "average business relationship." But lifetime value isn't a silver bullet, as Gurley noted a decade ago. As capital becomes more scarce, generating free cash flow remains the most important target. As with previous buzzwords, investors may find that references to lifetime value do more to confound than clarify.

Like a visit from an old friend, it's Donald Knuth's annual Christmas tree lecture for 2022. "Because of the pandemic, it's been three years since Knuth has been able to honor this tradition," notes The New Stack: 2022 marks the 60th anniversary of that fateful day in 1962 when a 24-year-old Donald Knuth started writing " The Art of Computer Programming." Now approaching his 85th birthday, Knuth has become almost a legend in the world of computer programming — and he's still writing additional volumes for his massive analysis of algorithms. But every year, right around Christmas time, there's another tradition. Knuth gives a special lecture "pitched at non-specialists" for a small audience at Stanford University (where Knuth is a professor emeritus) and a larger audience online...

Hunched over a notepad (which was projected onto a screen behind him), Knuth began the 26th annual Christmas lecture by pointing out that the evening's topic had been hiding in plain sight for two decades. For the first 20 years, they'd called them the "Christmas tree" lectures, since "trees are one of the most important things to a computer scientist. And every year I learned at least two new cool things about trees..."

About five years ago they'd changed the name to just "Christmas lectures" — but the problem wasn't that trees stopped being interesting. "I still learn cool things about trees every year. But they're getting harder and harder to explain to a general audience!"

So this year's triumphant "homecoming" lecture would indeed include trees — specifically a phenomenon Knuth describes as "twintrees," along with Baxter permutations, and Floorplans. Knuth noted they're all topics touched on in the latest volume of The Art of Computer Programming, before jokingly reminding the audience that his book makes an excellent Christmas present.
By the end of the lecture, Knuth had written algorithms for all three mathematical concepts — then connected all three algorithms with Linux pipes to show what happens when you convert one kind of sequence into the other and then into the other.

"I get back, of course, the one I started with!"

®Yahoo co-founder Jerry Yang (through his AME Cloud Ventures) contributed to $6 million in seed funding in November for startup Caden, which plans to pay users to share their personal data -- including what they buy or watch on mobile apps.

The Wall Street Journal reports: The startup, Caden Inc., operates an app by the same name that helps users download their data from apps and servicesâ"whether thatâ(TM)s Amazon.com Inc. or Airbnb Inc. â"into a personal âoevault.â Users who consent to share that data for advertising purposes can earn a cut of the revenue that the app generates from it. They also can access personal analytics based on that data....

Caden, which has been testing with a limited group of users, plans to begin a public beta test of 10,000 users early next year.... One option in the public beta test will anonymize and pool the data before sharing it with outside parties in exchange for $5 to $20 a month, according to Caden founder and Chief Executive John Roa. The amount of compensation will be determined by a âoedata scoreâ reflecting factors such as whether consumers answer demographic survey questions and which apps and servicesâ(TM) data consumers are sharing. Consumers will eventually be given the option to share more specific information for more tailored advertising. A marketer could then form audience segments and tailor their ad targeting and messaging to those groups. For instance, a user could consent to sharing his ride-share history so advertisers could create segments of people who ride a certain amount. That would eventually pay consumers up to $50 a month, Caden said.

A third option would let advertisers take a direct action based on the data that Caden understands about a specific user. If a consumer were part of a department storeâ(TM)s loyalty program, for example, the store might reward her for sharing her individual Amazon shopping history and use it to provide more personalized offers.ÂThat could generate thousands of dollars a year for participating users, the company said.

 Caden also hopes that the data it can aggregate will be compelling for consumers. Users could search for restaurants theyâ(TM)ve eaten at in a certain city, for instance, or how much they spent in certain categories across different apps, executives said. âoeItâ(TM)s like Spotify Wrapped for your whole life,â said Amarachi Miller, Cadenâ(TM)s head of product, referring to the streaming music serviceâ(TM)s year-end distillation of each userâ(TM)s listening....

Caden said it will initially sell only anonymized and aggregated data that doesnâ(TM)t tie back to individuals. As it starts to let brands do more personal promotions for users, it said it will let users see which brands and partners itâ(TM)s working with, and will let users control which brands can access their information.
The digital ad industry has been seeking new marketing-guiding data, the article points out, especially since Apple began require apps to ask for permission before tracking users.

Thanks to Slashdot reader guest reader for sharing the article.

For the last thirteen years the Free Software Foundation has published its Ethical Tech Giving Guide. But what's interesting is this year's guide also tags companies and products with negative recommendations to "stay away from." Stay away from: iPhones
It's not just Siri that's creepy: all Apple devices contain software that's hostile to users. Although they claim to be concerned about user privacy, they don't hesitate to put their users under surveillance.

Apple prevents you from installing third-party free software on your own phone, and they use this control to censor apps that compete with or subvert Apple's profits.

Apple has a history of exploiting their absolute control over their users to silence political activists and help governments spy on millions of users.


Stay away from: M1 MacBook and MacBook Pro
macOS is proprietary software that restricts its users' freedoms.

In November 2020, macOS was caught alerting Apple each time a user opens an app. Even though Apple is making changes to the service, it just goes to show how bad they try to be until there is an outcry.

Comes crawling with spyware that rats you out to advertisers.


Stay away from: Amazon
Amazon is one of the most notorious DRM offenders. They use this Orwellian control over their devices and services to spy on users and keep them trapped in their walled garden.

Be aware that Amazon isn't the peddler of ebook DRM. Disturbingly, it's enthusiastically supported by most of the big publishing houses.

Read more about the dangers of DRM through our Defective by Design campaign.


Stay away from: Spotify, Apple Music, and all other major streaming services
In addition to streaming music encumbered by DRM, people who want to use Spotify are required to install additional proprietary software. Even Spotify's client for GNU/Linux relies on proprietary software.

Apple Music is no better, and places heavy restrictions on the music streamed through the platform.


Stay away from: Netflix
Netflix is continuing its disturbing trend of making onerous DRM the norm for streaming media. That's why they were a target for last year's International Day Against DRM (IDAD).

They're also leveraging their place in the Motion Picture Association of America (MPAA) to advocate for tighter restrictions on users, and drove the effort to embed DRM into the fabric of the Web.

"In your gift giving this year, put freedom first," their guide begins.

And for a freedom-respecting last-minute gift idea, they suggest giving the gift of a FSF membership (which comes with a code and a printable page "so that you can present your gift as a physical object, if you like.") The membership is valid for one year, and includes the many benefits that come with an FSF associate membership, including a USB member card, email forwarding, access to our Jitsi Meet videoconferencing server and member forum, discounts in the FSF shop and on ThinkPenguin hardware, and more.

If you are in the United States, your gift would also be fully tax-deductible in the USA.

An Android banking malware named 'Godfather' has been targeting users in 16 countries, attempting to steal account credentials for over 400 online banking sites and cryptocurrency exchanges. From a report: The malware generates login screens overlaid on top of the banking and crypto exchange apps' login forms when victims attempt to log in to the site, tricking the user into entering their credentials on well-crafted HTML phishing pages.

The Godfather trojan was discovered by Group-IB analysts, who believe it is the successor of Anubis, a once widely-used banking trojan that gradually fell out of use due to its inability to bypass newer Android defenses. ThreatFabric first discovered Godfather in March 2021, but it has undergone massive code upgrades and improvements since then. Also, Cyble published a report yesterday highlighting a rise in the activity of Godfather, pushing an app that mimics a popular music tool in Turkey, downloaded 10 million times via Google Play.

An anonymous reader quotes a report from Ars Technica: When Kelly Conlon joined her daughter's Girl Scout troop for a fun outing to see the Rockettes perform their Christmas Spectacular show at Radio City Music Hall in New York, she had no idea she would end up booted from the show once she entered the building. Security stopped Conlon, NBC New York reported, because she is a New Jersey lawyer. It seems that Madison Square Garden Entertainment has begun using facial recognition technology to identify any visitor to any of its venues -- including Radio City Music Hall -- who is involved with any law firm that is actively involved in litigation against MSG Entertainment.

Conlon has never practiced law in New York nor personally been involved in litigation against MSG Entertainment. Instead, she is guilty by association, as an associate for Davis, Saperstein and Solomon, which has spent years tangled up in litigation against a restaurant that NBC reported is "now under the umbrella of MSG Entertainment." According to Conlon, she became aware of this supposed conflict of interest when security guards approached her in the Radio City Music Hall lobby just as she passed through the metal detector. Over the speakers, Conlon heard a warning about a woman in a gray scarf, then security confirmed the warning was about her, telling her, "Our recognition picked you up."

Despite Conlon assuring security that "I'm not an attorney that works on any cases against MSG," she was escorted out. Ars could not immediately reach MSG for comment, but in a statement, MSG said the same thing would've happened to any attorney involved in her firm, claiming that her firm had been "notified twice" of MSG's policy. "MSG instituted a straightforward policy that precludes attorneys pursuing active litigation against the Company from attending events at our venues until that litigation has been resolved," the statement provided to NBC said. "While we understand this policy is disappointing to some, we cannot ignore the fact that litigation creates an inherently adverse environment."

A new feature in Firefox version 108 that may please musicians is the improved support for the Web MIDI API. "The MIDI standard is very close to a remarkable 40 years old, and Web MIDI does just what the name implies: it allows web apps to send and receive MIDI signals to and from musical instruments," reports The Register. "In principle this will allow sequencer apps to be implemented in Javascript." From the report: Amusingly, the last time The Reg mentioned Web MIDI, it was because Apple was taking it off Safari users, allegedly because of security concerns. Firefox 108 addresses that with a new security mechanism for preventing, and optionally permitting, apps inside browser tabs to access hardware resources -- in this instance, your MIDI ports. No, this does not mean that you can listen to CANYON.MID directly within Firefox. .MID files are not the same as General MIDI. But if you are nostalgic for that for some reason, help is at hand. A full list of features and changes can be found here.

Tesla has launched Steam integration inside its Model S and Model X electric cars with thousands of games now playable. Electrek reports: Today, Tesla launched Steam Beta for Model S and Model X as part of its "holiday update." We reported all the details of Tesla's holiday update earlier today for most Tesla vehicles, but the Steam integration is only for the refreshed Model S and Model X produced over the last two years. That's because Tesla's two flagship vehicles are equipped with a more powerful entertainment computer designed for video games.

With the unveiling of the new Model S and Model X, Tesla announced the new gaming computer: "Up to 10 teraflops of processing power enables in-car gaming on-par with today's newest consoles via Tesla Arcade. Wireless controller compatibility allows gaming from any seat." A known chip leaker, Patrick Schur, posted a diagram of Tesla's new gaming computer powered by the AMD Navi 23 GPU. The system is integrated and connects directly to two touchscreens inside the Model S and Model X to play games, watch entertainment, and perform other functions. Musk also revealed that the new computer has more storage space to be able to handle more games on the platform at the same time, which is going to be useful to handle your Steam library. The holiday update also brings support for Apple Music, an update to Dog Mode, improvements to Tesla's "Light Show" feature, and a bunch of smaller features/updates.

A Japanese billionaire picked his crewmates for the first-ever artist-centered mission. Space.com reports: Yusaku Maezawa, who made his fortune as an online fashion retailer, announced the eight people who would be flying with him on the dearMoon mission, which aims to use a SpaceX Starship to fly around the moon as soon as next year. "I hope each and every one will recognize the responsibility that comes with leaving the Earth, travelling to the moon and back," Maezawa says in the video in Japanese, with a translation provided in-video.

Riding along with Maezawa will be:
- Steve Aoki, D.J., producer and electronic dance music artist with several Billboard-charting studio albums;
- Tim Dodd, YouTube creator of the "Everyday Astronaut" channel (Dodd has interviewed SpaceX founder Elon Musk multiple times on camera);
- Yemi A.D., artist and choreographer known for his work with JAD Dance Company and with Ye (formerly Kanye West);
- Karim Iliya, photographer whose publications include National Geographic Magazine;
- Rhiannon Adam, a photographer who has been supported by the BBC/Royal Geographical Society and won multiple awards, according to their website;
- Brendan Hall, filmmaker on projects such as the two-hour documentary "Blood Sugar Rising" about diabetes in the United States, according to the Internet Movie Database;
- Dev Joshi, an "Indian television actor known for portraying the role of Baal Veer in Sony Sab's Baal Veer and Baalveer Returns," according to the Internet Movie Database;
- T.O.P., a South Korean rapper known as the lead for the boy band Big Bang;
- Two backup members: dancer Miyu, and snowboarder Kaitlyn Farrington.

Each member of the dearMoon crew was briefly quoted in a video from the dearMoon YouTube channel, and the announcement was confirmed on Dodd's and Maezawa's Twitter feeds.

An anonymous reader quotes a report from Ars Technica, written by Kevin Purdy: Available tomorrow on Steam and itch.io, the new version of Dwarf Fortress updates the legendary (and legendarily arcane) colony-building roguelike with new pixel-art graphics, music, some (default) keyboard shortcuts, and a beginners' tutorial. The commercial release aims to do two things: make the game somewhat more accessible and provide Tarn and Zach Adams, the brothers who maintained the game as a free download for 20 years, some financial security. I know it has succeeded at its first job, and I suspect it will hit the second mark, too. I approached the game as a head-first review expedition into likely frustrating territory. Now I find myself distracted from writing about it because I keep thinking about my goblin defense and whether the fisherdwarf might be better assigned to gem crafting. "For me, the commercial release of Dwarf Fortress succeeded at transforming the game from a grim, time-killing in-joke for diehards into a viable, if not graceful, challenge," writes Purdy. "I will start again, I will keep the badgers and floods at bay, and next time, I might have the privilege of failing to a magma monster, an outbreak of disease, or even a miscarriage of dwarf justice."

Further reading:
The Brilliance of Dwarf Fortress (Slashdot, 2011)
Dwarf Fortress Gets Biggest Update In Years (Slashdot, 2014)

Apple on Tuesday announced Apple Music Sing, a karaoke experience that will be built right into the Apple Music app. The Verge reports: With Apple Music Sing, you'll be able to follow along with Apple Music's real-time lyrics and adjust the volume of the vocals so that you can better hear your singing voice. There are a few features designed to make it easier to sing with others, too. Background vocals can appear independently of main vocals, according to Apple, and there will be a duet view as well if you want to sing along with a friend. Apple will have more than 50 "dedicated companion playlists" featuring karaoke-ready songs that you can pick from. Apple Music Sing is launching "later this month" for Apple Music subscribers.

The release candidate for Winamp version 5.9.1 builds on the groundwork laid by August's 5.9 update to fix some bugs and add new features to the reanimated music player. "Most of these are straightforward updates or improvements to existing features, but because it's 2022, one of the only new features is support for music NFTs," reports Ars Technica. From the report: "Winamp's latest version lets music fans link their Metamask wallet via Brave, Chrome, or Firefox to Winamp. It then connects their favorite music NFTs to their tried-and-true player," the company said in a press release provided to Ars. "Winamp supports audio and video files distributed under both the ERC-721 and ERC-1155 standards, and is launching this new feature for Ethereum and Polygon/Matic protocols." To directly display websites needed to download these NFT playlists, according to the release notes, would require an updated rendering engine for Winamp's in-app browser, which is currently based on Internet Explorer 10.

There's still plenty here for legacy Winamp fans to like, and it's nice to see that all the modernization work done in the 5.9 update is paying off in the form of faster updates. Among many other fixes, the new release includes a "memory footprint reduction," a bandwidth increase for streamed music, an update to OpenSSL 3.0.5, and a few other updates for the underlying codecs and other software that Winamp uses to do its thing. As for the NFT support, Winamp developer Eddy Richman (who goes by the handle "DJ Egg" on the Winamp forums) wrote that people who don't want it can remove it, either during the install process or after Winamp is installed.

An anonymous reader quotes a report from TorrentFreak: The Blender Institute develops Blender, a free and open source 3D graphics tool used to create animated films. Sintel and Big Buck Bunny are among Blender's most recognizable titles and due to Creative Commons licensing (CC BY), they are widely shared, used, remixed and reshared. According to original Blender creator Ton Roosendaal, "Open licenses are essential for sharing our films and their source material." Right now, a company is claiming that Blender's free content is actually their content and as a result, must be immediately removed from the internet. We're talking about content that was created with Blender's explicit blessing but even after multiple appeals, not even YouTube will see reason.

Bruno Fernandez-Ruiz is the co-founder and CTO at AI-focused driver safety company, Nexar. On Sunday he informed TorrentFreak that he's also an independent film composer and producer, working with music production libraries, and distributing to the main music platforms. TorrentFreak contacted Bruno after noticing a post he made on a music production forum. He wrote that after uploading a video containing a clip from the Blender movie Caminandes 3 -- Llamigos, YouTube notified him that a rightsholder had filed a copyright complaint, his video had been taken down, and a copyright strike had been issued to his account. The complaint, sent by Uzbekistan-based media/news company ZO'R TV, was not the result of automatic matching under Content ID. It was filed as a formal DMCA notice, meaning that someone probably reviewed the details before sending the complaint. The notice claimed that Bruno had infringed ZO'R TV's copyrights by reproducing content (6:21 to 8:26) from this YouTube video published in 2018.

Since the content in question is obviously from Blender's film Caminandes 3, ZO'R TV was in no position to issue a DMCA notice. On that basis, Bruno followed the recognized procedure by sending a DMCA counternotice to YouTube. It didn't go well. After filing his counternotice with YouTube, Bruno was informed that since he'd provided insufficient information, YouTube could not process it. However, YouTube did inform Bruno of the risks of filing a counternotice, including that his name could be sent to the claimant, ZO'R TV in this case. Determined to have his video restored, Bruno accepted the risks and sent another counternotice to YouTube. This time there was no indication that the counternotice was deficient. YouTube thanked him for filing it -- but still declined to process it. YouTube's email advised Bruno that counternotices should only be filed in case of a mistake or misidentification. Consulting with a lawyer first might be helpful, YouTube added. After three attempts to restore the video and have the copyright strike removed, YouTube responded once again. The message contained yet more disappointment for Bruno. "Based on the information that you have provided, it appears that you do not have the necessary rights to post the content on YouTube. Therefore, we regretfully cannot honor your request," it advised. This signaled the end of the debate as far as YouTube was concerned and by rejecting Bruno's right to send a counternotice, the platform denied him an opportunity to have the video restored, stand up for Blender's rights, and get the strike removed. After notifying Blender of the situation, Blender developed Ton Roosendaal replied, saying the company has "no staff here available to go after situations like this" but suggested they could "escalate it to the Creative Commons organization."

"After all, it's their mission," he added.

An anonymous reader shares a report: The European Union hosted a 24-hour party in its $407,000 metaverse, but only a handful of people turned up, according to journalist Vince Chadwick, one of the attendees. Last week's event was billed as a "beach party" offering "music and fun" to launch the EU's "Global Gateway" strategy. When the costly virtual-reality world was first shown in October, EU staff were already raising concerns, per Devex.

"Depressing and embarrasing" and "digital garbage" were among the department's first responses to the underwhelming $407,000 venue. The EU told the news site that its metaverse aimed to increase awareness among 18-35 year olds "primarily on TikTok and Instagram" who aren't politically engaged. But as it moved from promotional video to virtual reality, it seems the message didn't reach too many people. Chadwick tweeted about his experience at the party, saying that there were just five other people in attendance. He described "bemused chats" with the other partygoers, as they couldn't figure out where it was supposed to be.