iTunes Internet Sharing Restored With Third-Party App 87
Suppafly writes "As reported at boingboing, iCommune creator Jim Speth whipped up a little application called 401(ok) that combines a few hacks to restore internet-wide sharing to iTunes 4.0.1. You can download the app from SF.net." As one might expect, it is basically a port redirector.
Re:4.0 Just fine for now (Score:1, Insightful)
Yes, by including as many misspellings as possible! (Preview, dammit!)
Re:4.0 Just fine for now (Score:5, Informative)
Yes, several things - the interface corruption bug that happened when going back to a playlist from the iTMS when a sample was playing, the sound limiter problem that was flattening out audio and making many songs sound crappy, just to name two. A worthwile update, except for the internet sharing cutoff. But that was good too, in a way, as a gesture to the labels.
Re:4.0 Just fine for now (Score:1)
I think they may have snuck in some minor networking fixes, but overall the motives were quite... arbitrary.
I gotta be honest though... this new update scares me a little. What is Apple gonna have to do to maintain the RIAA's favor? It's now wholly dependent on the cooperation of some of the most heavy-handed and technophobic people (oh, and powerful), as its whole business model--and, by extension, p
Re:4.0 Just fine for now (Score:5, Informative)
Wrong. Not just a little bit wrong. Completely wrong.
1. The sound enhancer bug was serious. Turning on the feature basically made your shiny, new AAC's sound like hammered shit. And leaving it off was bad for people with average or below-average speakers.
2. The AAC encoder was hard-coded to use the "fast" setting, when it was supposed to be hard-coded to use "best." As a result, AAC's encoded with iTunes 4 don't sound nearly as good as they should have.
3. A variety of issues existed regarding ITMS and firewalls. These have been fixed.
4. Internet music sharing was never actually supposed to be possible. According to the documentation, it was supposed to be limited to the local network segment, either via Rendezvous discovery or via direct connection. The fact that you could share music over the Internet was a bug, not a feature.
I think they may have snuck in some minor networking fixes, but overall the motives were quite... arbitrary.
No, the motives were quite specific and concrete. "We screwed up, and people are using iTunes for music piracy. That's the ONE thing we won't stand for. Fix it! Now!"
Re:4.0 Just fine for now (Score:1)
Was this actually changed in 4.0.1? I've been busily re-ripping my CDs since I got my shiny new iPod the other week, and I didn't really notice a difference in encoding speed or quality from iTunes 4 to 4.0.1. I had already done my own blind listening tests to determine what bitrate would make me happy (where I couldn't reliably tell the difference between the source and the AAC), and that was w
Re:4.0 Just fine for now (Score:1)
Re:4.0 Just fine for now (Score:1)
Re:4.0 Just fine for now (Score:2, Informative)
Actually, comparing waveforms of pre-iTunes 4.0.1 AACs and 4.0 AAC from the same source material prove that the encoder is identical, when recorded at 96, stereo, velocity enabled.
Go home troll!
Re:4.0 Just fine for now (Score:1)
Re:4.0 Just fine for now (Score:2)
Also, no one encodes at 96 that I know of--we all do 128 as a minimum.
Re:4.0 Just fine for now (Score:2)
Apart from the many bugfixes, you mean? Oops on you!
Re:4.0 Just fine for now (Score:2, Informative)
But, when me and a couple of others upgraded, the Rendezvous sharing kicked in and worked first time. Now I can share tunes from all my friends around campus, without fear of being attacked by the RIAA.
Although as I live in the UK, that is probably a little unlikely anyway. : )
Re:4.0 Just fine for now (Score:1)
There was at least one major consumer flaw with 4.0.0.
Unless you were expert enough to manually configure the firewall yourself, offering to share your music within your home would force you to share with the entire world.
Believe it or not, some people would prefer to honor the copyrights of their favorite artists.
About time (Score:1, Insightful)
Re:About time (Score:5, Funny)
The same thing that happened to iSociale. After iCapitale started creeping through Russia, it was relegated to a much smaller amount of the world, though I hear a hacked version of it is still enjoying widespread circulation in China...
Or maybe this should read: In Soviet Russia, iCommune shares YOU...
This isn't very helpful... (Score:5, Interesting)
Re:This isn't very helpful... (Score:2, Insightful)
Eventually these kinds of applications will be written. If anything, expedient examples of circumvention shou
Re:This isn't very helpful... (Score:2, Insightful)
Yea, the fact that CDs could be ripped to tape and now to CDs didnt' stop the music industry from making them. The fact that the VCR was going to "ruin all media" thorugh piracy didnt' stop the MPAA from producing tapes.
Let's just hope Apple doesnt' start swinging the DMCA around. I'd hope they'd save something like that as a last resort, and you know how Apple's legal dept. gets...
what the industry thinks is what matters (Score:2, Insightful)
With the loss of freedom in the USA today, I am happy to be living in Europe. I hope that ITMS will be big succes. I think that might provide us with content, while retaining our freedom.
You don't really think those companies are going to stand idly by while there profit melts away?
Re:This isn't very helpful... (Score:5, Insightful)
The problem arises when people start constructing mechanisms to allow people to share their music with complete strangers. That's when things get much more into shadow.
Remember the apple mantra: Don't steal music.
iTunes music streaming is for personal use only. 401(ok) doesn't change that.
Re:This isn't very helpful... (Score:3, Interesting)
I don't see how. It's not the burden of consumers not to disappoint the music industry. Rather, it's the burden of the music industry not to disappoint consumers.
Well, it is in the nature of some
if you want this (Score:2)
-- james
Re:if you want this (Score:1, Informative)
http://icommune.sourceforge.net/ [sourceforge.net]
http://www.versiontracker.com/ [versiontracker.com]
Cool it with the misconception (Score:4, Informative)
iCommune (in its original form) was in violation of the license the author signed in good faith in order to use the API he had used in creating the product.
Apple hasn't even given a second glance to the new version of iCommune. Why? It doesn't use the iTunes API or fall under its license.
nothing is free (Score:5, Insightful)
expression must become free (again?) (Score:3, Interesting)
Your right, only a huge Hollywood conglomerate would have the resources to pay someone who can't act $30M to play the lead role, and come up with a marketing machine that will make Americans "95% brand aware" of their movie. How foolish we would be to try attain such a level of quality. At least my movies wouldn't rely on product placement, media pressure or company stockholder demands....
Hell this keeps sounding better, maybe we _should_ drive all these medi
Re:expression must become free (again?) (Score:1)
Are actors overpaid? Hell yes.
Do I care about the big companies? Hell no.
Do I care about my entertainment? (Do keep in mind that not everyone likes high culture stuff.) Hell yes.
Should I pay to ensure that there will still be my kind of entertainment in the future? Yes.
Does that mean companies have to right to fuck me over and over? Hell no.
Do I think that they should change their business-model? Hell yes.
Why would you want to post a torrent link? Don't
you paid your $8 (Score:1)
http://www.lickmytaint.com/upload/2003-05-14_Ma t ri x.Reloaded.TS-ESOTERiC.torrent
an admittedly sorry (compared ot real dvd) theatre shot copy of matrix. no 6 channel sound, no hdtv and progressive scan quality, and no director commentary.
There is only one way to convince them change their business model so that it supports us and not just their stockholders, and thats to nearly drive them into the ground and let smaller indie companies back in the fray.
The
Re:you paid your $8 (Score:3, Insightful)
So, you declare yourself to be lord over media product, and if some company gets too big by your estimation, then you'll release a free copy of their product to the masses "just to show them who's boss"???
Why should their business model "support us"? Businesses exist to make money, most
So the viscious cycle starts again. (Score:2, Insightful)
Apple, read your own advice (repost) (Score:5, Interesting)
Of course as soon as you choose to make allies in the music industry, you are going to have to negotiate, but one of the primary issues (mentioned so many times on slashdot that there is no point in providing links) is the question of whether we should have our liberty constrained in order to prevent us from breaking the law.
We would love to say 'No!', but then watch how many of us flaunt copyright law as a standard practice.
But also Apple was right - copyright protection is an unending waste of human resource, computer resource, comms resource, and slashdot posts!
Again and again we find that the music/video/text/etc. copyright and patent laws are incompatible with the Internet as a technology, and the Internet is not going to go away. Sorry, lawmakers, but one day soon you will have to wake up to the revolution that came from a direction you didn't expect, and then we will stop having to put kludges on top of kludges to deal with the cultural soup that we are in.
Creative minds will find a way of being able to provide a direct passage to it's audience. The huge publishing corporates are hanging onto a dying game. Monolithic software corporations are being replaced by interoperability standards.
Apple, Listen! Remember! Think different!
It's not copy protection, it's fair use protection (Score:5, Insightful)
b) Their testing missed the hole.
Ignoring that, one reason they don't do copy protection is that they trust people who can pay for products they use will pay for products they use. Streaming music to unknown people not only isn't fair use(*), but may qualify individuals as internet radio stations. Remember the licensing fees that were approved? Would you want Apple to have to collect those?
Personally, I don't think copyright/patent laws are incompatible with the internet directly, but that endless extensions undermine fair use, free expression, and human progress in general, regardless of the medium they are applied to.
* A counter example would be 'If I play my CDs loud at the beach, am I broadcasting?' My best guess is since only people in the vicinity can hear it then no, though in the courts it's anyone's guess. An ancillary thought would be if having a radio tuned to a game at a beach counts as a rebroadcast, but I'm probably thinking too much.
Re:Apple, read your own advice (repost) (Score:5, Informative)
First of all, the documentation for 4.0 specifically had said that it was local sharing only, which seems to me to mean that they intended it to be that way from the start.
Add to that the fact that they have received bug reports about the wide-area broadcast from companies whose employees were streaming music from their home. (Repeating second-hand, but I might be able to dig up the original report I read of this.) For the companies, this was a bug, as many have to pay for the bandwidth used by their employees, and streaming music does use up a fair amount of bandwidth.
Finally, realize that the reason that the streams were being wide-area broadcast was, if I remember correctly, forgetting to set a field in the data packets sent out. A very simple fix, and they have fixed a bug, made corporate administrators happy, and not coincindentally, reassured the music industry that they are on top of these things.
Now, who knows what they will do about this new development? My guess is that they will do nothing, recognizing that, as you say, copyright protection can be an unending waste of human resource. However, I wouldn't be surprised if the next release, for whatever needs fixing/updating, just "accidentally" renders this inoperative. Then an update to this program will be made, and Apple will probably go along ignoring it as usual.
Re:Apple, read your own advice (repost) (Score:4, Interesting)
The iTunes Music Store is not Winzip: It does not have a useless license agreement and serial key evaluator for purchases. Apple has presented a burgeoning distribution model for music, and while in one breath, we sigh "finally," in the other, we cry foul? I understand that iTMS has been a long-time-coming, and we want to nurture it and not see it go astray, but to interpret Apple's fair use policy (which is very fair for where we are now), and its reaction to community software, and scream "unfair," is, in my opinion, overdoing it.
I don't want to call DRM a "necessary evil," but I would like to make two points: The internet, and especially internet distribution of information, is not mature; DRM is a "stepping stone," and sort of an awkward one, as it is a ridiculous notion to think that someone can have a bunch of files and not ever be able to access them: They will eventually. However, this is how the iTMS works, and its DRM is currently not the draconian hardware-supported DRM of Palladium. Will we be using some form of DRM in sixty years? Will we force the square peg of internet distribution into the round hole of pre-1990s commerce? We'll see.
It comes down to this: You can stream music from people and hijack the audio into your own files. While you can always do that with your iPods, CD players, and other devices, I think it's fair to say that the internet is sort of a sore spot for the record companies, and perhaps we should back off a little for now, and let the nascent iTMS allay any fears the record industry may have. That being said, we have to keep pushing for our rights and interests in what you have rightly interpreted to be the "brave new world" of internet communication. This iTunes hack is one way we could sort-of say "this is what we want," but again, I really don't think this feature is very useful.
So what... (Score:4, Insightful)
I, for one, am SICK AND TIRED of people's mentality about culpibility with regard to digital piracy. It's like watching parents blame TV or the school for little Jonny's behavior problem. It is freaking disgusting and just stupid.
I say don't assume that just because a crime CAN be committed that it WILL be committed and let the tools be made but bring the hammer down on those individuals who use them for illegal purposes.
Re:So what... (Score:2)
I don't think it's that easy. For example, I agree with the international campaign to ban antipersonnel landmines [icbl.org]. You could say that a land mine is just a weapon like any else. You could argue in the same way as you do in your post that land mine
Re:So what... (Score:1, Insightful)
Yes. And land mines do have a legitimate use. They are a great defensive weapon. The problem with land mines is rogue nations that use them and never clean them up. The U.S. cleaned out the Mekong(sp?) Delta of the mines the U.S. military had laid there. It was part of the treaty.
Dr. Stash
Re:So what... (Score:2)
Tell that to the South Koreans, who owe their existence as a nation to a hell of a lot of land mines in the DMZ.
Re:MOD THIS UP (Score:1)
Except here we are talking about punishing the manufacturer of the getaway car, not the driver. It's a whole extra degree of separation.
As an added thought: Why do we allow street-legal cars capable of exceeding the speed limit? That's enabling a crime, isn't it? (disclaimer: if anyone tried to speedlimit my car
Sign of things to come? (Score:4, Interesting)
Here's my vision of the future of music: People everywhere are able to share the music they purchase with anyone they want. That gets the musicians' product to millions of people, fast. The musician then has to tour and play live to make money. At the live show, maybe the musician sells some more CDs and other merch, and the cycle begins anew. What's so bad about that? Live shows are great! Maybe this whole new process will weed out those fakers that aren't any good without ProTools. Our ears may get a well deserved break from the cookie-cutter pop music crap that radio stations are forced to play by big-money record labels.
It'll make the quality of the music better as well. Without the domination by a few music acts that get all the airplay and spots on TRL, musicians will have to be extraordinary, musically and lyrically, in order to really shine and rise above the rest. Sure, they won't make the millions that artists do now. Oh well. That just means musicians that are in it for the music will continue to play.
One can only dream. And in case you are wondering: Yes, I am a musician. The thing is, I know there are so many musicians out there who are way better than I am. I'd still be at the bottom of the pile. Then again, that could be a good thing.
Re:You are forgetting... (Score:4, Interesting)
Where, in my post did I ever make any sort of complaint? Where did I ever advocate the need to share music? Nowhere. I was merely stating my vision of the future if sharing got so out of hand that record companies had to fold. I'm not cheap. I'm just being realistic: there are many others out there who are cheap, or share music just because they can. I'm not in any way promoting the stealing of music. All I'm saying is that the more you try and stop it, the more it's going to happen. Artists are going to have to make a big adjustment to this reality.
For example, an experimental music composer can't really do a live show to make money (short of setting up a P.A. and playing his/her CD). Why would anyone pay to see that if they already had the CD? Also, what about artists who are a single man/woman who play and record all of the instruments on the CD? That is HARD work
Yes. Music is very hard work. If you work hard enough, and make good music, you might end up giving people a reason to buy the music. And why would you not want to see them live if you already bought the CD? Are they not good enough for you with out ProTools and studio modifications?
Music is an orignal creation and chould be copyrighted and protected.
Protected against what? Copyright infringement? Does that destroy their music at all? No. It just destroys their ability to make money off their music. Again, artists who must be paid for their music are not artist at all; they are manufacturers of a product. That's all. In today's world of inevitable file sharing, a musician should know going in that they may not make any money. Besides, you are an Anonymous Coward, and no one here cares what you have to say.
Re:You are forgetting... (Score:5, Insightful)
Except for you, evidently.
Re:You are forgetting... (Score:2)
Re:You are forgetting... (Score:1)
Re:You are forgetting... (Score:3, Interesting)
Yes. Music is very hard work. If you work hard enough, and make good music, you might end up giving people a reason to buy the music. And why would you not want to see them live if you
Re:You are forgetting... (Score:2)
I'm not dismissing anything. I'm not in control here. I guess I don't equate music with economics they way some folks do. I was thinking of a time when it would become so difficult for a musician to make money selling recordings of their music, that they would have to find other ways of surviving. Live sho
Re:You are forgetting... (Score:1)
Re:You are forgetting... (Score:1)
They're also some of the biggest live acts in all of Ibiza. And yeah, they use pro-tools on stage. It's more of an improvized jam session that keeps them coming to the shows...
So, to answer your questions - even someone who's only instrument is his computer will still make money from live shows.
-- Funksaw.
Re:You are forgetting... (Score:2)
MP3 sharing is becoming like a religion... (Score:5, Insightful)
As an aside, I think it's pathetic how the RIAA pressured Apple into stopping the internet sharing. Come on, there was a hard coded limit of how many users could connect at one time. Plus, anything you stream on the net, whether it's audio or video or peanut butter, you can _ALWAYS_ capture to file. Bits are bits are bits. Nothing will ever stop them from being captured and written to disk. Asshats. That is the nature of computers. Geez. Maybe the RIAA thinks that the internet is a magical cloud of pixie dust and the data is magically wisked from one computer to another and if you have the pink pixie dust of the grand poohbah DRM you can't capture the data bits (kind of like a good acid trip). Morons. The entertainment industry is about ethereal things. Only it's too settled into the world of brick and mortar. They need to get out of the concrete and back into the minds of the audience. Interesting paradox; there are 5 media giant companies, who own 100's of affiliate distributions, that pump out the same 2 things, black or white (sides of the issue, not color of the skin). Maybe the biggest failure of our society is that we are such a binary culture.
Anyway. Enough postulating. Back to coding (WORK SLAVE WORK)
Re:MP3 sharing is becoming like a religion... (Score:5, Funny)
I have an Internet computing exam tomorrow. Mind if I quote that?
Re:MP3 sharing is becoming like a religion... (Score:2)
Yeah, you care about listening to their music as much as I
As the owner of a mixed network... (Score:2)
sharing is one of the things I didn't even look in iTunes (as the store, but primarily because they don't want to sell to me).
-
* between different room of the house. No internet service, but this is my choice. Technically, it could be done, I just don't want to.
Re:As the owner of a mixed network... (Score:3, Interesting)
from sf.net, what you can get is:
libdaap
This is a C++ library with C and Objective-C/Cocoa wrappers that will, in time, implement a full DAAP client and server. It is licensed under the GNU Lesser Public License, which allows developers to use the library even in non-free software as long as a few restrictions are followed.
At the
Ain't psychology wonderful? (Score:5, Insightful)
As my communications teacher would have said in my class on persuasion, "Scarcity principle."
Why do this? (Score:4, Insightful)
If Apple yanked Internet- wide MP3 streaming because of third- party apps, what makes you think they won't yank streaming ALTOGETHER because of this third- party app?
That is, assuming the copying programs work with it . . . which I myself have no intention of verifying.
yay.. (Score:1)
iTunes 4.0.1 (Score:2, Insightful)
Re:iTunes 4.0.1 (Score:1, Informative)
DMCA (Score:2, Insightful)
(and for the record, I'm downloading the app now so i can stick it to the man)
Re:DMCA (Score:2)
:::: Apple's Genius... (Score:1)