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Apple Businesses

FairPlay v2 Reversed, Playfair Back Online 621

An anonymous reader writes "Two weeks ago Apple released iTunes 4.5. The minor changes Apple made to their Music Sharing Protocol (daap) were reverse engineered after just one day. According to a post in the Doom9 forums FairPlay version 2 has also been reverse engineered. playfair has already been patched with the new code and is back online with FSF India providing legal support. How will Apple respond?"
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FairPlay v2 Reversed, Playfair Back Online

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  • Obvious (Score:5, Redundant)

    by thebra ( 707939 ) * on Tuesday May 11, 2004 @10:51AM (#9117197) Homepage Journal
    "How will Apple respond?"
    With FairPlay v3.
    • Re:Obvious (Score:2, Redundant)

      by millahtime ( 710421 )
      Don't forget that any DRM can be reverse engineered. This is just a viscious cycle.
      • Re:Obvious (Score:4, Insightful)

        by garcia ( 6573 ) * on Tuesday May 11, 2004 @11:01AM (#9117299)
        Don't forget that it continues to make the community look bad. "See, we made this format so that people could legally download music for a nominal fee and they just keep breaking it so that they can pirate the tunes."

        Don't bother with DRM, RIAA sponsored music, and certainly don't bother with breaking it. Just ignore it and support free music.
        • Re:Obvious (Score:4, Interesting)

          by pla ( 258480 ) on Tuesday May 11, 2004 @11:34AM (#9117729) Journal
          Don't forget that it continues to make the community look bad.

          To which community do you refer? FSF people? GNU people? EFF people? Free-and-Open source (in general) people? Whitehats? Greyhats? Blackhats? Music lovers? Anti-corporate people? Slashdotters?

          Put simply, it doesn't really matter how you answer. When something threatens corporate profits (you can see that I at least fall into the last category above), they spin it so we all manage to come out looking bad. Cracked DRM? Damn those anti-corporate open-source hippy weed-smokin' bastards! Leaked Windows source code? Damn those anti-corporate open-source hippy weed-smokin' bastards! A new worm that only affects Outlook or MSIE? Damn those anti-corporate open-source hippy weed-smokin' bastards!

          We can't win the PR war, because "they" have a PR budget, and we do not.


          Don't bother with DRM, RIAA sponsored music, and certainly don't bother with breaking it. Just ignore it and support free music.

          While good in theory (and a stance I almost fully agree with), we all have a few RIAA-signed groups we enjoy. As a better choice than supporting DRM'd downloads, just buy the CD (preferably used so the RIAA doesn't actually profit from the sale, although on the down side, the artist doesn't get any money that way either). Then rip to whatever format you like.

          Of course, the RIAA has already started working to plug that particular hole (via broken CDs), but so far have failed miserably. Aside from the overall pathetically weak nature of the DRM on CDs so far, broken CDs have failed for the only reason the RIAA cares about - Profit. The general poublic may have no idea about the trampling of their fair-use rights, but they do get annoyed when they buy a CD and it won't play in their car.
          • Cracked DRM? Damn those anti-corporate open-source hippy weed-smokin' bastards! Leaked Windows source code? Damn those anti-corporate open-source hippy weed-smokin' bastards! A new worm that only affects Outlook or MSIE? Damn those anti-corporate open-source hippy weed-smokin' bastards!

            And I for one welcome our new anti-corporate open-source hippy weed-smokin' bastards.

        • Re:Obvious (Score:5, Insightful)

          by theLOUDroom ( 556455 ) on Tuesday May 11, 2004 @11:38AM (#9117779)
          Don't forget that it continues to make the community look bad. "See, we made this format so that people could legally download music for a nominal fee and they just keep breaking it so that they can pirate the tunes."

          See, but that's stupid. People can already download music for free without playfair.

          The only compelling reason for the existence of playfair is so that you can use the music you've legally purchased in whatever format you want. (Maybe you want to buy an Ipaq instead of an ipod for example).

          THIS ISN"T ABOUT PIRACY IT'S ABOUT CONTROL.

          It's like a "broadcast flag" for music. By claiming it's a pircacy issue, you only HELP the RIAA and hurt those who understand the big picture.
          • You forgot the most important word in that sentence... "legally".
          • Re:Obvious (Score:3, Insightful)

            by b1t r0t ( 216468 )
            The only compelling reason for the existence of playfair is so that you can use the music you've legally purchased in whatever format you want. (Maybe you want to buy an Ipaq instead of an ipod for example).

            Remind me again how Apple (or anybody) is forcing you to buy music with DRM included? I seem to have missed that part.

            • Re:Obvious (Score:3, Interesting)

              by theLOUDroom ( 556455 )
              Remind me again how Apple (or anybody) is forcing you to buy music with DRM included?

              That's stupid.
              Of course no one's FORCING you to buy something.
              Even if there was only one place left on the planet to get food, technically you aren't being *forced* to buy food there, as you could always "choose" to starve to death.

              I've got an idea, why don't you show me a site where I can legally download major-label music WITHOUT DRM?

              Then there would be a real alternative.
    • Re:Obvious (Score:5, Insightful)

      by green pizza ( 159161 ) on Tuesday May 11, 2004 @10:57AM (#9117254) Homepage
      >>How will Apple respond?
      >With FairPlay v3.

      Of course! Apple has to show the RIAA and record labels that they're trying to prevent "unauthorized decryption" of the .m4p files from the iTunes store.

      There's really nothing else that Apple can do. If they ignore PlayFair, the RIAA will surly pull the plug on iTunes.

      I'm waiting for Microsoft to start their MSN music store. I have a feeling MS will tell the RIAA what they can do with their wishes and desires. For one, MS will want to keep as much money to themselves as possible. They'll also want the RIAA to quick overreacting every time a weakness in DRM is exploited.
      • Re:Obvious (Score:3, Informative)

        by nolife ( 233813 )
        MS probably does not have to make money selling music from the store itself. They will license the technology to the player makers and encoding places (chah ching!), ensure the decoding can only happen on recent versions of Windows (chah ching!) using IE (chah ching!) and probably tied into passport and MSN (chah ching, chah ching!). Hell, it might even tie into the XBox (chah ching!) and MS embedded devices (chah ching!).
        Being a monopoly has its advantages.
      • Show me the money (Score:3, Interesting)

        by SuperKendall ( 25149 ) *
        There's really nothing else that Apple can do. If they ignore PlayFair, the RIAA will surly pull the plug on iTunes.

        Except for one thing - iTunes is making a LOT of money for the RIAA and associated companies! As iTunes grows in use and popularity, Apple has much more of a stick to brandish and show music companies that even with tools like Hymn, sales can continue to grow. I think that was Apple's plan all along, to start with the least restrictive DRM possible and then relax it further as time went on
    • ...somewhere out there, someone will always have a pre-FairPlay vX copy. So for each time they fix it, they at best secure what is released between last time and now. Today that might not matter.

      But if it comes down to "Sure, the last 30 years of music is bust, but we have protected the last 3 months worth" the DRM is essentially useless...

      Kjella
    • Re:Obvious (Score:3, Funny)

      by Tackhead ( 54550 )
      > > "How will Apple respond?"
      >
      > With FairPlay v3.

      I give 2:1 odds and 500 quatloos that says v3 is cracked within 48 hours.

      Anyone care to take 10:1 and 50 quatloos that says it's less than 24?

    • Re:Obvious (Score:5, Funny)

      by athakur999 ( 44340 ) on Tuesday May 11, 2004 @11:22AM (#9117564) Journal
      I'd say Apple will respond by paying someone to get the story submitted to Slashdot with a link to the offending website, thereby ensuring no one will be able to download it.

  • Maybe... (Score:5, Funny)

    by Plaeroma ( 778381 ) <plaeroma.gmail@com> on Tuesday May 11, 2004 @10:55AM (#9117237) Journal
    ...Apple should hire the guys, as they are obviously at least as good as the guys they have now.
    • Re:Maybe... (Score:4, Insightful)

      by bizpile ( 758055 ) on Tuesday May 11, 2004 @10:57AM (#9117258) Homepage
      ...Apple should hire the guys, as they are obviously at least as good as the guys they have now.

      I'd say they are better, its much harder to reverse engineer than to engineer.
      • Re:Maybe... (Score:5, Insightful)

        by wizarddc ( 105860 ) on Tuesday May 11, 2004 @11:03AM (#9117323) Homepage Journal
        Plus they seem to be the best of show in reverse engineering, which would give Apple an insight on how they are doing it and what they could do to prevent it, or at least make it harder to do.

        As a side note, why can't Apple make it easy for their own client to download newer versions of the whole app, or at least the protocol code, automatically from the client? Downloading and updating seems so archaic nowaways. Upgrading directly from the client would be convienient and allows them to update their stuff with a lot of reliability amongst their userbase.
      • Re:Maybe... (Score:3, Interesting)

        by Anonymous Coward
        Not necessarily. Engineering takes more creativity.

        With reverse engineering you can watch the machine do its work, examine the input and output and compare them, etc. You have something to work with and you know when it is right...because it works.

        The original engineers had to create something out of nothing...
  • by palndron ( 37455 ) on Tuesday May 11, 2004 @10:57AM (#9117251) Homepage
    I do not want to get flamed, but honestly, when I read this stuff I wonder how everyone can get so pissed off when someone breaks the GPL yet be so supportive of someone doing this kind of work?

    For all of the lofty talk in the community, is it at it's root support for whatever it takes to get "what I want, free"?

    I just would like to know the difference between these things which to me seem similar.

    Looking for a better understanding.
    • by Just Some Guy ( 3352 ) <kirk+slashdot@strauser.com> on Tuesday May 11, 2004 @11:01AM (#9117294) Homepage Journal
      If you break the GPL, you are committing copyright infringement. If you use this tool, you may not be committing copyright infringement.

      We can and should be upset with people using this to distribute cracked files, but there is no clear reason why using it to, say, play back legitimately purchased files on a Linux machine is morally or legally wrong.

      • If you use this tool, you may not be committing copyright infringement.

        Not only using it, we're talking about the legality of distributing this program. People need to understand how fundamental this is, and stop saying idiotic things like "it's the nicest DRM around, so it doesn't seem right to break it".

        It comes down to whether we have the right to distribute software that we have created (from scratch).

        - Brian.
    • big difference (Score:5, Informative)

      by green pizza ( 159161 ) on Tuesday May 11, 2004 @11:01AM (#9117307) Homepage
      I do not want to get flamed, but honestly, when I read this stuff I wonder how everyone can get so pissed off when someone breaks the GPL yet be so supportive of someone doing this kind of work?

      For all of the lofty talk in the community, is it at it's root support for whatever it takes to get "what I want, free"?


      There's a big difference here...

      PlayFair decrypts .m4p files into plain .m4a/AAC files. The reason people use PlayFair is to allow the use of iTunes-purchased files to be played back without having to use an iPod or iTunes. Sure this could lead to increased piracy, but so does buying a CD at Walmart.

      PlayFair still requires the music to be purchased in the first place. Apple's files (at the RIAA and record labels' demands) are still encrypted, even after "purchase".

      PlayFair users are generally working with their own, purchased files. They are not dipping into some secret Apple server full of encrypted, unsold songs.

      iTunes buyers simply want more freedom. They're using PlayFair to achieve this.
    • The difference is you buy iTunes. All these programs allow you to do is to do what you want with your own music. I have an iPod and iTunes, so I have no real use for such a program. Some people may want to purchase songs then convert them to some other format for various other applications. Different music players, etc. If I were to use a copy of Photoshop that is illicit, I would be a pirate. If I reencode my songs from iTunes that I already bought, that is my own business, IMHO. But the iTunes DRM is unob
    • Usually because breaking the GPL doesn't try to limit your fair use rights, unlike Digital Restrictions Management. GPL (roughly) says you have to make any changes you make to the code in a product public, doesn't aim to restrict what you can do in your house with your downloaded code.
    • by Otto ( 17870 ) on Tuesday May 11, 2004 @11:04AM (#9117336) Homepage Journal
      Someone violating the GPL is using other people's work without giving them credit or compensation. It's copyright infringement.

      Someone decrypting FairPlay'd songs has a whole host of reasons to do so, including using those songs in a fair use manner. You have to *buy* the songs before you can decrypt them.

      Example: Say you want to convert the M4P's into MP3's for compatibility with your portable player. iTunes won't let you do that, without the tired hack of burning and reripping an audio CD. But if you FairPlay, you can decrypt the songs into M4A's and then iTunes will convert them to MP3's for you just fine. No (sane) laws have been broken, and it's perfectly ethical to do this. You're not giving away the music, you're just converting it to another format for compatibility with other devices. That's fair use, as I see it.

      And frankly, getting iTunes store music, decrypting it, and sharing it isn't going to happen. Nearly everything you can get at the iTunes Music Store is *already* out there on the P2P networks. It's not like this creates more copyright infringement.
    • by Rosco P. Coltrane ( 209368 ) on Tuesday May 11, 2004 @11:04AM (#9117339)
      For all of the lofty talk in the community, is it at it's root support for whatever it takes to get "what I want, free"?

      Have you ever visited the planet Earth?

      It's not about stealing, it's about exercising your right to fair use, on the songs you purchase from Apple. It's a *right* you have, you hear? this simply prevents Apple from trampling on *your rights*.

      No doubt some people will use it to steal and share, but then, you can buy laser printers, yet the KKK have the right to print their racial slur with the same hardware you use. Would you like it if laser printers couldn't be bought easily anymore just to fight a minority that misuses the product?
    • I think the difference is that the cracking of DRM is justified by the fact that the copyright laws protect certain actions which DRM restricts, under the guise of preventing other infractions of the copyright code.

      On the other hand, violating the GPL is by definition a violation of copyright law, assuming the GPL is a valid license (which I believe to be true).

      While most people who use the DRM breakers will be breaking copyright laws in their actions, there are uses of it that are not inherintly violatin
    • by Anonymous Coward on Tuesday May 11, 2004 @11:14AM (#9117443)
      Imagine that every book you bought came in a different crypto script and you needed real, microsoft or apple glasses to read each different type of book - effectively a corporate tax on reading. Would you accept this? Would you call a person who circumvented this device a "criminal" with double standards?

      No.

      It has been proven time and again that there ARE economic models to make money that don't include vendor-lock-in. In fact not only is vendor lock-in anti communistic, it is anti competition and that makes it anti-capitalist.

      Fuck DRM, fuck every sniveling executive whose job relies on just being a middle man who takes his little "tax" off everything that real people produce. These people are worthless to a communist society, and they are usless to a capitalist society. They are the dead weight every way you measure it and as far as I am concerned I am not going to let them slowly seal up cultural production across the globe into their little cabals.

      Why would ANY society want that to happen? The ONLY society I can imagine that happening in, is one that is run by the self-same people who stand to make a profit off it. And that worries me, because I think there are deals being cut between big media and government for kick-backs. And we need to crush that type of non-citizen corporate lobbying. Why does a corporation have a right to lobby, or even meet with elected representatives? Only citizens should be allowed to meet with government, and only AFTER an elected rep has meet hundreds of citizens for hundreds of hours should he be ALLOWED (we own them remember) to talk policy with a PAID lobby employee of a company.

      It doesn't seem all that wrong until you *really* think about what is going on. We need radical democracy to smash all these cretins off the face of the political landscape and start anew; with old-school right wing libertarians and old-school liberal humanists fighting it out for the CITIZENS. There is always corruption, but back in the early days of each democracy of the world there were people *who could not be bought*, I don't think any modern democracy can make that claim anymore. And it makes me sick.

  • shame ... (Score:5, Insightful)

    by eatmadust ( 740035 ) on Tuesday May 11, 2004 @10:57AM (#9117257)
    I would much prefer WMA and WMV to be hacked! I find that much worse than Apples iTunes!
  • GPL (Score:5, Interesting)

    by millahtime ( 710421 ) on Tuesday May 11, 2004 @10:57AM (#9117264) Homepage Journal
    Can playfair be protected under the GNU GPL and be illegal in the US (under the DMCA) at the same time?
  • by Power Everywhere ( 778645 ) on Tuesday May 11, 2004 @10:58AM (#9117265) Homepage
    I've read on several other Mac news sites (Macintouch, MacMinute, MacSlash) that FiarPLay is now called hymn (for hear your music anywhere). Why didn't Slashdot note this, or has there been a fork in the project?
  • by xwinter ( 632755 ) on Tuesday May 11, 2004 @10:58AM (#9117270)
    This is probably the excuse the music industry is waiting for to force Apple to raise their rates in the future. It is the old "Gotta make up for revenue lost to piracy" excuse. You have to admit, that while this does provide an avenue for fair use, a large percentage of its use is going to be for piracy.
    • Nonsense (Score:5, Informative)

      by Otto ( 17870 ) on Tuesday May 11, 2004 @11:12AM (#9117420) Homepage Journal
      Next to none of its use will be for piracy. Why? Because the music is already out there. It's not like iTMS has anything special that isn't already shared. Okay, they do have the iTunes "Exclusives" that show up every once in a while, but beyond that I seriously doubt most people will be buying music and sharing it with the world. Hymn (as I see it's now called) will be mainly use for compatibility reasons. You should see the Apple forums, where the majority of questions are about how to play back iTunes Music Store songs on this or that MP3 player..
    • by swb ( 14022 )
      Personally I think iTunes was about as reasonable an online music setup as we're ever likely to see, barring some significant change in the business tactics of the music industry.

      Doing something to make Apple's apparent respect for the industry's "IP rights" look less than sincere appears to be kind of foolish, and a great way to damage what is a pretty reasonable setup. Price increases or a desire by the industry to embrace a more draconian DRM structure that doesn't allow for an easy copying loophole li
  • by Dark Paladin ( 116525 ) * <jhummel&johnhummel,net> on Tuesday May 11, 2004 @10:58AM (#9117273) Homepage
    Will I use the new Hymn/Playfair program? Oh, probably - my .Mac account runs out and I'm not going to renew, and it's how I bought my iTunes songs in the past.

    So, now I'm kind of boned (maybe - probably not, but maybe) in the future. Yes, I can "rip to audio-CD-and-then-to-MP3", but Hymn will make it all a "one stop shopping trip" for my fairly large iTunes store collection (hey, they had a special on classical music and BB King - give me a break).

    Apple really doesn't have much to worry about, since people have to buy the music first before they can remove the Fairplay protections. And even if a bunch of butt-munches start "sharing" their music with others, that means more AAC files out there, which means a better chance we'll see more MP3 players that include AAC support in the future.

    So while Apple doesn't have to worry about Fairplay, the fact is that the folks they get their music from - IE, the RIAA and even independant musicians - might like to hear that Apple's not letting just anybody give away their music without paying for it. Apple might not care, but since the place where they get music does, Apple's obligated to at least "fight the good fight" to show "due process" or some such.

    Yeah, I'll use it, I know Apple will work to shut it down, but it should all be good in the long run.
    • by clichekiller ( 665320 ) on Tuesday May 11, 2004 @11:11AM (#9117410) Homepage
      Will I use the new Hymn/Playfair program? Oh, probably - my .Mac account runs out and I'm not going to renew, and it's how I bought my iTunes songs in the past.

      AFAIK you don't have to have a .MAC account in order to purchase from their music store. Is there some other reason that you will stop buying/playing your music when your .MAC account runs out?
    • And don't forget... (Score:3, Informative)

      by TomatoMan ( 93630 )
      And even if a bunch of butt-munches start "sharing" their music with others, that means more AAC files out there, which means a better chance we'll see more MP3 players that include AAC support in the future.

      And don't forget that FairPlay purposely leaves in the Apple ID used to purchase the song. So if people DO start putting their .m4a's up on Kazaa, tracing them back to the owner for major bustitude is trivial. Every file retains its signature. This should limit the appeal to pirates, at least the
  • with fair play v3? (Score:3, Insightful)

    by joNDoty ( 774185 ) on Tuesday May 11, 2004 @10:58AM (#9117275)
    I don't think so. Apple did counter the reverse-engineering with a second version, but at this point I think they realize that it is not cost effective to spend money on a problem that cannot be fixed. It takes Apple too much time and money to develop a new system. They will have to choose to 1. ignore it 2. change their philosophy
  • Hire the guy! (Score:4, Interesting)

    by Hack'n'Slash ( 3463 ) on Tuesday May 11, 2004 @10:59AM (#9117282)
    Personally, I think Apple should hire the person(s) that keeps reverse engineering it. Then they get a knowledgeable staff member, and don't have to worry about a new version being cracked... At least for a little while. :)
  • More info (Score:4, Informative)

    by arvindn ( 542080 ) on Tuesday May 11, 2004 @11:01AM (#9117302) Homepage Journal
    from Macworld [macworld.co.uk]
  • ...Apple will respond by being glad that the site has been "Slashdotted" for Slashdot and the many other news sites linking to it.
  • Silly. (Score:3, Insightful)

    by GigsVT ( 208848 ) on Tuesday May 11, 2004 @11:01AM (#9117304) Journal
    DRM, copy protection.. it's all the same stuff, and it's never worked. I don't know what makes people think it can work now, when it has failed for the last 25 years.

    The only successful DRM has been to have a completely proprietary platform like Apple or SGI. You also get the side bonus of locking your customers into only buying your proprietary hardware upgrades.
  • by Ghoser777 ( 113623 ) <fahrenba@ma c . com> on Tuesday May 11, 2004 @11:02AM (#9117318) Homepage
    We have DRM'd music, what about Public-Private Key Encrypt'd music? Won't it ultimately come down to that, where the key's are owned by a company and you have to be connected online to listen to your music? It must be depressing to sell any type of software online... wait till nanotech does the same thing to the "real world" that dd and cp have done to the electronic world. My guess is either capitalism will fall, or liberty... at that point where you can replicate matter with ease, I doubt they can coexist.

    Matt Fahrenbacher
  • Don't use them. Buy your music from other providers. The music is owned by its creators and its distributors. If you want free music, buy from artists who choose to give their music out freely. Respect the property rights of others.

    • by The Darkness ( 33231 ) on Tuesday May 11, 2004 @11:41AM (#9117813) Homepage
      Don't use them. Buy your music from other providers. The music is owned by its creators and its distributors.

      Bull! The music is owned by the public but the artists or whoever shafts them are granted by us a (supposedly) time limited monopoly on that work during which they can make money. This is incentive for people to actually create things.

      Disney, et al. have perverted this system so that an artists grand-children can milk money from their works. They have also worked hard to mislead people about copyright. In your case they have succeeded.

      If you want free music, buy from artists who choose to give their music out freely. Respect the property rights of others.

      No argument.

  • more info (Score:5, Informative)

    by xandroid ( 680978 ) on Tuesday May 11, 2004 @11:16AM (#9117461) Homepage Journal

    According to MacWorld [macworld.com]...

    • new version [hymn-project.org], and they're calling it a complete re-write (now fully GPL compliant, too)
    • new web host (in the US, surprisingly, and ballsy too: Babu (creator) says "This [host] is well aware of the DMCA and DRM issues and is very much willing to defend us in case Apple threatens to bring down the site")
    • now preserves the iTMS header files, including the user's Apple ID ("This proves that our purpose is for fair use and not for piracy and should help us in our legal battles")
    • "hymn" stands for "hear your music anywhere"
    • and the new site [hymn-project.org]'s not even slashdotted yet!



    (Not really karma whoring, just adding the info that was in my submission... bah.)

  • by seven5 ( 596044 ) on Tuesday May 11, 2004 @11:18AM (#9117491)
    I think it should be noted that: The software is now called HYMN for Hear Your Music aNywhere. The software has now made it so that while the DRM is stripped it KEEPS the AppleID inside of the song so that the original song can be traced back to its original owner if it were to show up on a p2p network. I think this is totally important and a GREAT stance for HYMN to take. While it allows fairuse of the songs to let us play them on Linux, 3rd party players, and Xbox Media Center, it still keeps copyright protection in mind. I'm really impressed with the developers for doing this.
  • Apple's Response (Score:3, Interesting)

    by Brian Blessed ( 258910 ) on Tuesday May 11, 2004 @11:18AM (#9117499)
    with FSF India providing legal support. How will Apple respond?

    The registered address of the hymn-project.org domain is in India, but for its "A" record I currently get the following:

    OrgName: United Layer, Inc.
    OrgID: LAER
    Address: 1019 Mission Street
    City: San Francisco
    StateProv: CA
    PostalCode: 94103
    Country: US

    So perhaps there remains a danger that Apple will simply DMCA this place as per usual.

    - Brian.
  • Reactions (Score:5, Insightful)

    by RavenZ ( 52909 ) <(ravenz) (at) (gmx.net)> on Tuesday May 11, 2004 @11:19AM (#9117514)
    Well, there are several opinions to that, so here's mine:

    Fry this guy! Apple was the first to market with an online music store and is currently market leader. The Apple DRM system is probably the best out there when it comes to quality (AAC, much better than those crappy 128/192 KBps MP3s) and restrictions: Basically you can use the files on every computer in your household and iPod.

    If you really want to hack a DRM system: Windows Media 9 is waiting for you and it will be the HD-DVD scheme both in coding and as DRM. Remember: If you break it now, make it to the press, the DVD Forum will not like using WM9. Clips are available here [microsoft.com]

    What will Apple's reaction be? Well, the iPod has a lot of processing power (ARM core? Does anyone know the exact specs?) and it will survive the next generations of DRM change.
  • But but but... (Score:5, Insightful)

    by localman ( 111171 ) on Tuesday May 11, 2004 @11:41AM (#9117818) Homepage
    Breaking the DRM doesn't allow people to pirate the music. It's CD's and MP3's that make up the bulk of pirating. DRM or no, legitimately purchased AAC files don't make up any substantial portion of pirating anyways.

    I would guess that approximately ZERO pirates have been twarted by DRM and LOTS of legitimate users have been annoyed by the restrictions.

    Why are they (Apple|RIAA) so intent on DRM anyways?

    Cheers.
  • Kinda funny (Score:5, Insightful)

    by kilbo ( 725707 ) on Tuesday May 11, 2004 @11:56AM (#9118003)
    Everyone here saying "but it only removes the copy protection, you still had to buy it" Same is true for CDs. Someone had to buy it somehwere. Didn't stop them from sharing them all over God's green earth. Expect the same with AAC files if this continues
  • by SuperKendall ( 25149 ) * on Tuesday May 11, 2004 @11:56AM (#9118008)
    You want to show some support for Hymn? One way is to buy some iTunes songs, to show that increasing freedom of music only leads to more sales! If everyone from /. went and bought a song or two, that would show a nice jump.

    I plan to buy a CD or two this week to show that just because I can free up my music doesn't mean I'm going to stop buying or shipping my music out to everyone on the planet.

    You can also fill out a form [apple.com] to let Apple know you'd like Hymn to stay around and it will increase you purchases there.
  • Interesting Change (Score:5, Informative)

    by localman ( 111171 ) on Tuesday May 11, 2004 @11:57AM (#9118015) Homepage
    One change mentioned on the page (if anyone actually read it) is that the new version strips the DRM, but leaves intact the Apple User ID who originally purchased the song. That is pretty cool - as it give them some legal justification. If people share stuff they can be ID'd. This is perfect for me, as I just wanted to be able to play my songs on whichever computer I use but wouldn't share them with anyone other than my wife. (Which for all I know, might be illegal, but WTF is with that?)

    Cool
  • by johndeerejedi ( 317878 ) on Tuesday May 11, 2004 @11:58AM (#9118021)
    I doubt Apple is seriously concerned about PlayFair. The purpose of a lock really is to keep honest people honest. It's just a minor inconvenience for someone determined to get at the contents. Apple just wants to make it trivial+1 effort to keep most people from breaking it because it's too much of a chore. That's why they let you burn it to a CD and re-import as MP3 or whatever, but not convert directly to MP3--to make it too much of a hassle for most users to massively violate the agreement.
  • by cygnus ( 17101 ) on Tuesday May 11, 2004 @12:10PM (#9118198) Homepage
    found here [rollingstone.com]:
    When we first went to talk to these record companies -- you know, it was a while ago. It took us 18 months. And at first we said: None of this technology that you're talking about's gonna work. We have Ph.D.'s here, that know the stuff cold, and we don't believe it's possible to protect digital content.


    ...

    And it only takes one stolen copy to be on the Internet. And the way we expressed it to them is: Pick one lock -- open every door. It only takes one person to pick a lock. Worst case: Somebody just takes the analog outputs of their CD player and rerecords it -- puts it on the Internet. You'll never stop that. So what you have to do is compete with it.
    apple *expects* this stuff to get hacked lickety split, people. they aren't even trying to protect it that much...
  • by Anonymous Coward on Tuesday May 11, 2004 @12:21PM (#9118347)
    The site is becoming slow. I have a fast Internet2-enabled University connection, so anyone can download quickly from these. This has enough bandwidth for all of you. :)

    It's probably a DMCA-banned circumvention device, but these are my last days on ResNet. *sniff*

    Here's a mirror:

    UNIX-style source: http://128.220.38.69:8071/hymn-0.6.0.tar.gz [128.220.38.69]

    Windows binaries: http://128.220.38.69:8071/hymn-0.6.0.zip [128.220.38.69]

    Mac binaries (with GUI): http://128.220.38.69:8071/hymn-0.6.0.dmg [128.220.38.69]

    You can check my MD5SUMs against the official ones, http://hymn-project.org/download/MD5SUM .
  • by gsfprez ( 27403 ) on Tuesday May 11, 2004 @01:28PM (#9119056)
    because i'm pretty savvy at getting rid of my 9-18 month old macs on eBay, i'm often turning over my computers.

    twice now, i've had a machine leave me without deauthorizing it. once because i forgot to, and once because it died on me totally (iBook repair program).

    So i have yet 1 machine that is authorized - and rather than do an XP-like "mother may I" call to Apple to pay for music i've paid for - i'd rather just run this app, move my music to whatever machine i've got - and keep buying more music.

    there are lots of good reasons for this - few are bad - and since my ID is still attached - its not like i could easily get away with using it on a P2P anyhow.

    I use iTunes because it works better than p2p, and will keep on doing so so long as Apple doesn't stop me from using what i've bought.
  • GOOD! (Score:4, Interesting)

    by zpok ( 604055 ) on Tuesday May 11, 2004 @02:57PM (#9119900) Homepage
    I really like this. Even more now that they leave the ID info intact.

    This program is made to circumvent DRM, but not to pirate. As such it allows fair use as stipulated under copyright law

    IANAL but I don't like this trend of locking in the user more and more. There was never any real action against people taping their LP's in the time when my back didn't hurt that much after sex.

    I'm actually from the other side (involved with a label) I and don't think pirating stuff is in some weird way noble and nice, but like almost everybody on that side of the fence, I do like music - a lot more than most Britney Spear copying idiots I'm sure - and I do buy the stuff, and I can't foretell on what equipment I'll be wanting to play it on in a couple of years time. So the more options I have, the happier I am.

    That doesn't mean I want Apple to support every music format possible, I like their focus on ease of use... When I was a kid I also had to find out how my cassette player and mixing desk had to be hooked up in order to copy. But nobody was actively trying to make my life difficult either.

    On that: Apple needs to show it's "concerned" and needs to be seen to try and do something about this - it's a lawyer thing, else they don't uphold their part of the bargain - but really, do you think deep down they really care? There isn't a company that's more into music than Apple. They know very well what reality looks like and how consumers think.
  • by Cinematique ( 167333 ) on Tuesday May 11, 2004 @03:38PM (#9120330)
    But your iTMS account name still remains coded in the hymn-altered file.

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