Classic Games (Games)

'Wing Commander' Music Composer Runs Kickstarter Campaign (kickstarter.com) 25

DMJC writes: George Oldziey, the music composer from Wing Commander 3 and 4, is running a Kickstarter campaign to re-orchestrate the music from the venerable series. The Kickstarter is in its final week and has approximately $2000 left to go before it reaches it's goal.
Oldziey shares some history on his web site: In 2014 I launched a Kickstarter campaign to document the music I created for the Wing Commander games in the way I had originally imagined it: for full orchestra and chorus. 588 generous supporters helped me reach my goal! In late 2014 I traveled to Bratislava, Slovakia, where the 95-piece Slovak National Symphony Orchestra and the 40-voice Lucina Chorus recorded this music under my supervision.
But last November -- and again in June -- Oldziey unsuccessfully tried raising funds on Kickstarter to record more of his Wing Commander music with a full orchestra. So this month's campaign sets a more modest goal of raising $15,000 "as a foundation and springboard from which to build with a more open ended crowdfunding campaign." It'll fund the creation of digital MIDI tracks for the new orchestral music plus a recording of the "jazzy bar music" from Wing Commander 3 (which will both be released as digital downloads and on CD). "Future campaign(s) will tackle the goal of getting a live orchestra to record everything..." Oldziey writes, adding this campaign "builds an exciting foundation to build on -- with some cool music to enjoy in the mean time!"

Two people have already pledged $600 to claim one of five high-end premiums in which George composes one minute of unique music just for them, and two more pledged $300 to attend the "jazzy bar music" recording session in Austin, Texas.
Music

Jonathan Coulton's New Dystopian Album Becomes a Graphic Novel (jonathancoulton.com) 37

An anonymous reader quotes NPR's report on one of Slashdot's long-time favorite musicians: In April, musician Jonathan Coulton released Solid State, a sci-fi concept album that represented a significant departure -- both from Coulton's wry, bright, tuneful back catalog and from any conventional understanding of what a sci-fi concept album sounds like... On first listen, with its shout-outs to futurist Ray Kurzweil, comment-section trolls, thinkpiece-gluts, and hack memes, Solid State seems a caustic critique of the internet -- which would be, as Coulton notes, "a little-off brand for me." Spend a bit more time with it, however, and its muted, melancholy songs reveal their true target: the toxic culture of glibness and hot takes that's leaching from the internet into every aspect of our lives.

The album features multiple perspectives and timelines, but its soundscape is allusive and impressionistic, resisting strict narrative. For that, Coulton turned to writer Matt Fraction and artist Albert Monteys, who with Coulton's input have taken some of the album's words, images and thematic preoccupations and crafted a graphic novel set largely in a future that will seem familiar to any reader of science fiction: a corporate-owned dystopia where humans have become dutiful, unthinking, unfeeling worker bees attending to menial tasks amid a culture engineered to keep them unthinking and unfeeling...These three creators believe that the roots of this dystopic future are all around us, but we're collectively choosing to ignore them in precisely the same way we blithely click past online Terms and Conditions agreements without bothering to read them.

The official music video for one of the songs takes the form of a text adventure.
Music

What Happened To Winamp? (arstechnica.com) 226

Winamp was released more than 20 years ago, and last week marked the 15th anniversary of the release of Winamp3. An anonymous Slashdot reader tries to explain what finally happened to Winamp: AOL planned to discontinue Winamp in November of 2013, but instead sold it to the Belgian online radio service Radionomy. The last update on Winamp's Twitter account was September of 2015, though it announced that they were looking for a new senior C++ developer. Then in December of 2015 Vivendi Group became that company's majority shareholder, stirring hopes that the company might one day launch a revamped version of the classic mp3 player from 1997.

So did they? Radionomy's Winamp page is still showing download links -- though they now lead instead to a forum post which says "code licensed to the previous owner" is being removed or replaced. But that post has been updated five times -- as recently as last October -- with "info about the next Winamp release," each linking to a thread on Winamp's forums which offer tantalizing glimpses into a still-ongoing development process. And last October a Winamp dev posted on Twitter that "a Winamp 5.8 public beta release could be imminent," while the web page at Winamp.com still says "There's more coming soon," with a background image of a llama.

"There's no reason that Winamp couldn't be in the position that iTunes is in today if not for a few layers of mismanagement by AOL that started immediately upon acquisition," their first general manager told Ars Technica in 2012. (Winamp's developers had been earning $100,000 a month just from $10 shareware checks before AOL acquired the company in 1999 for $100 million.) In May TechRadar wrote that Winamp "is still a great media player...but it now relies on third-party extensions to add features found as standard in more modern players."

I still remember all the visualizations and custom skins -- but does this bring back any memories for anyone else? Leave your thoughts in the comments. And what mp3-playing software are you using today?
Television

Should Plex Stop Allowing Users To Opt Out of Data Collection? (www.plex.tv) 147

Slashdot reader bigdogpete writes: Many users of Plex got an email that said they were changing their privacy policy which goes into effect on 20 September 2017. While most of the things are pretty standard, users found it odd that they were now not going to allow users to opt-out of data collection. Here is the part from their website explaining the upcoming changes.

"In order to understand the usage across the Plex ecosystem and how we need to improve, Plex will continue to collect usage statistics, such as device type, duration, bit rate, media format, resolution, and media type (music, photos, videos, etc.). We will no longer allow the option to opt out of this statistics collection, but we do not sell or share your personally identifiable statistics. Again, we will not collect any information that identifies libraries, files, file names, and/or the specific content stored on your privately hosted Plex Media Servers. The only exception to this is when, and only to the extent, you use Plex with third-party services such as Sonos, Alexa, webhooks, and Last.fm."

What do you all think?

Music

How Hackers Can Use Pop Songs To 'Watch' You (fastcompany.com) 31

An anonymous reader quotes a report from Fast Company: Forget your classic listening device: Researchers at the University of Washington have demonstrated that phones, smart TVs, Amazon Echo-like assistants, and other devices equipped with speakers and microphones could be used by hackers as clandestine sonar "bugs" capable of tracking your location in a room. Their system, called CovertBand, emits high-pitched sonar signals hidden within popular songs -- their examples include songs by Michael Jackson and Justin Timberlake -- then records them with the machine's microphone to detect people's activities. Jumping, walking, and "supine pelvic tilts" all produce distinguishable patterns, they say in a paper. (Of course, someone who hacked the microphone on a smart TV or computer could likely listen to its users, as well.)
Google

YouTube Music Head Says Company Pays Higher Royalties Than Spotify in US (engadget.com) 14

An anonymous reader shares a report: Making a living from streaming royalties is tough for music artists, and YouTube has had one of the worst reputations in the music industry for a while. Even Lyor Cohen, the current head of YouTube Music, knows that many are skeptical about the service's ability to pay out a legitimate rate. Cohen wrote a blog post this week to explain why he thinks that YouTube deserves another chance, and that his company is the highest paying music streaming service out there. The former road manager for Run DMC has been at YouTube for eight months now. He believes that YouTube music got to the subscription party late, which allowed companies like Spotify, Pandora and Apple Music to take an early lead. He also says that ads in music videos aren't the "death of the music industry," but rather a second supplement to bring in the money. Cohen claims that YouTube's ads brought in more than a billion dollars in the past 12 months. That should help soothe the music industry itself, but what about artists? Cohen rebuts the common belief that YouTube pays less than Spotify or Pandora, saying that his service pays more than $3 per thousand streams in the US, "more than other ad supported services."
Businesses

Hollywood, Apple Said To Mull Rental Plan, Defying Theaters (bloomberg.com) 72

An anonymous reader shares a report: Movie studios are considering whether to ignore the objections of cinema chains and forge ahead with a plan to offer digital rentals of films mere weeks after they appear in theaters, according to people familiar with the matter. Some of the biggest proponents, including Warner Bros and Universal Pictures, are pressing on in talks with Apple and Comcast on ways to push ahead with the project even without theater chains, the people said. After months of negotiations, the two sides have been unable to arrive at a mutually beneficial way to create a $30 to $50 premium movie-download product. The leading Hollywood studios, except for Walt Disney, are eager to introduce a new product to make up for declining sales of DVDs and other home entertainment in the age of Netflix. They have discussed sharing a split of the revenue from premium video on demand, or PVOD, with the cinema chains if they give their blessing to the concept. But the exhibitors have sought a long-term commitment of as much as 10 years for that revenue split, which the studios have rejected, the people said. Deals with potential distributors such as Apple and Comcast could be reached as soon as early next year to sell digital downloads of major films as soon as two weeks after they debut in theaters, the people said.
Media

Video Is Coming To Reddit (variety.com) 74

An anonymous reader shares a report from Variety: Videos are coming to Reddit, thanks to a new feature that allows users to upload video clips directly to the service. Reddit rolled out the new video feature Tuesday after testing it with around 200 communities over the past couple of weeks. Reddit users are now able to upload videos of up to 15 minutes in length, with file sizes being limited to 1 gigabyte. Users will be able to upload videos via Reddit's website and its mobile apps for iOS and Android, with the latter offering basic trimming functionality as well. And, in keeping with the spirit of the site, Reddit is also offering a conversion tool to turn videos into animated Gifs. Videos are being displayed persistently, or pinned, meaning that users can scroll through the comments while the video keeps playing in the corner of their screen. And community moderators can opt not to allow videos in their Subreddits at all, with Le arguing that some discussion-heavy Subreddits may decide that the format just doesn't work for them.
Television

Netflix Plans To Spend $7 Billion On Content In 2018 (streamingobserver.com) 97

According to the Streaming Observer, Netflix plans to increase its budget by $1 billion dollars over the next year and spend over $7 billion on content in 2018. Previously, the company paid $6 billion in 2017 and $5 billion in 2016. From the report: While the internet freaks out about Disney ending its streaming agreement with Netflix, the company continues to forge ahead signing high-profile talent and throwing an enormous budget at its original programming. Just days after the Disney turmoil, Netflix's visionary Chief Content Officer Ted Sarandos stated that the streaming leader plans to increase its budget by $1 billion dollars over the next year. As of now, Netflix currently has $15.7 billion in outstanding obligations in deals for new series and films over the next few years. With such an astronomically-large budget, media analysts are already beginning to wonder if Netflix is "rescuing" or "ruining" Hollywood by creating such a singular creator-producer-distributor model. Sarandos counters those claims, however, stating that Netflix is merely on the forefront of what's already a growing trend throughout the media industries: "I would say that the relationship between studios and networks has always been that of a frenemy. Everyone is doing some version of it already. They just have to make a decision for their companies, their brands and their shareholders on how to best optimize the content. We started making original content five years ago, betting this would happen."
Movies

Why Does Hollywood Remain Out of Step With the Body-Positive Movement? (nytimes.com) 682

According to a report from The New York Times, Hollywood continues to praise plus-sized actresses in knockout roles and then reduce them to bit parts about physical weight. Slashdot reader cdreimer shares an excerpt from the report: The first thing Danielle Macdonald did at the Cannes Film Festival in May was break into a cold sweat: The airline had lost her luggage. She was already nervous enough. Ms. Macdonald, 26, had been plucked from obscurity to play the lead role in "Patti Cake$," a drama about a rapper that was about to face the Cannes critics. Now she had to find something glamorous to wear -- pronto -- to the premiere. "As a bigger girl," Ms. Macdonald told me recently, "where was I meant to find something that would fit?" Her story then veered in an unexpected direction -- revealing her approach to Hollywood, which expects its lead actresses to be scarily skinny. "I gave myself a pep talk," she said. "This situation is what it is. Find a way to work around it." The red carpet crisis was resolved (another "Patti Cake$" star, Cathy Moriarty, lent her a black dress), but if the experiences of countless actresses before Ms. Macdonald are any indication, it will not be as easy to overcome the career obstacles that await her post-"Patti Cake$."

For women -- less so for men -- weight is perhaps the most stubborn of the entertainment industry's many biases. Have an average-sized body? Call us when you've starved yourself. In particular, Ms. Macdonald must avoid a cycle that plays out over and over in moviedom, one that some film agents coarsely call the fat flavor of the moment. A plus-size actress, almost always an unknown, lands the central role in a film and delivers a knockout performance. She is held up by producers and the entertainment news media as refreshing, long overdue evidence that Hollywood's insistence on microscopic waistlines is ending. And then she is slowly but surely pushed into bit parts, many of which are defined by weight.

Piracy

Roku Gets Tough On Pirate Channels, Warns Users (torrentfreak.com) 74

An anonymous reader quotes a report from TorrentFreak: Earlier this year Roku was harshly confronted with this new piracy crackdown when a Mexican court ordered local retailers to take its media player off the shelves. While this legal battle isn't over yet, it was clear to Roku that misuse of its platform wasn't without consequences. While Roku never permitted any infringing content, it appears that the company has recently made some adjustments to better deal with the problem, or at least clarify its stance. Pirate content generally doesn't show up in the official Roku Channel Store but is directly loaded onto the device through third-party "private" channels. A few weeks ago, Roku renamed these "private" channels to "non-certified" channels, while making it very clear that copyright infringement is not allowed. A "WARNING!" message that pops up during the installation of these third-party channels stresses that Roku has no control over the content. In addition, the company notes that these channels may be removed if it links to copyright infringing content.

"By continuing, you acknowledge you are accessing a non-certified channel that may include content that is offensive or inappropriate for some audiences," Roku's warning reads. "Moreover, if Roku determines that this channel violates copyright, contains illegal content, or otherwise violates Roku's terms and conditions, then ROKU MAY REMOVE THIS CHANNEL WITHOUT PRIOR NOTICE."

Television

YouTube Has An Illegal TV Streaming Problem (mashable.com) 119

An anonymous reader quotes a report from Mashable: Most people turn to Netflix to binge watch full seasons of a single TV show, but there could be a much cheaper way: YouTube. You might be surprised to learn that you can watch full episodes of popular TV shows on YouTube for free, thanks to a large number of rogue accounts that are hosting illegal live streams of shows. Perhaps the most shocking thing about these free (and very illegal) TV live streams might even make their way into your suggested video queue, if you watch enough "random shit" and Bobby Hill quote compilations on the site, as Mashable business editor Jason Abbruzzese recently experienced. He first noticed the surprisingly high number of illegal TV streaming accounts on his YouTube homepage, which has tailored recommended videos based on his viewing habits. Personalized recommendations aren't exactly new -- but the number of illegal live streams broadcasting copyrighted material on a loop was a shocker. When we looked deeper into the livestreams, the number we found was mindblowing. Many of these accounts appear to exist solely to give watchers an endless loop of their favorite shows and only have a few other posts related to the live streamed content. "YouTube respects the rights of copyright holders and we've invested heavily in copyright and content management tools to give rights holders control of their content on YouTube," a YouTube spokesperson told Mashable in an email. "When copyright holders work with us to provide reference files for their content, we ensure all live broadcasts are scanned for third party content, and we either pause or terminate streams when we find matches to third party content."
Businesses

Apple Is Bringing a Billion Dollar Checkbook To Hollywood and Wants To Buy 10 TV Shows (recode.net) 79

Apple is officially open for business in Hollywood. From a report: The company is telling content makers it wants to spend $1 billion on its own stuff over the next year. That's music to studios' ears, and a tune they have been expecting for some time -- especially after Apple hired two top Sony TV executives in June. We still don't know what Apple wants to do with that content: The Wall Street Journal says Apple wants to make up to 10 "Game of Thrones" -- or "House of Cards"-scale shows, but that's not enough to launch a full-scale subscription service.
Businesses

Netflix Co-Founder's Crazy Plan: Pay $10 a Month, Go to the Movies All You Want (bloomberg.com) 273

Mitch Lowe, a founder of Netflix, has a crazy idea. Through his new startup MoviePass, he wants to subsidize our film habit, letting us go to the theater once a day for about the price of a single ticket. From a report: Lowe, an early Netflix executive who now runs a startup called MoviePass, plans to drop the price of the company's movie ticket subscriptions on Tuesday to $9.95. The fee will let customers get in to one showing every day at any theater in the U.S. that accepts debit cards. MoviePass will pay theaters the full price of each ticket used by subscribers, excluding 3D or Imax screens. MoviePass could lose a lot of money subsidizing people's movie habits. So the company also raised cash on Tuesday by selling a majority stake to Helios and Matheson Analytics, a small, publicly traded data firm in New York. [...] Theater operators should certainly welcome any effort to increase sales. The top four cinema operators, led by AMC Entertainment, lost $1.3 billion in market value early this month after a disappointing summer.
Displays

Samsung Pushes Its 4K/HDR TV Service in Europe (4k.com) 55

An anonymous reader quotes 4K.com: Samsung Electronics has announced that its premium Smart TV content service, TV Plus, is now available for users of Samsung Smart TVs in France, Germany, Italy, Spain and the United Kingdom... Owners of eligible Samsung Smart TVs with 4K / HDR capabilities in the above-mentioned European countries now have direct access to premium 4K UHD HDR content offered by Samsung, in partnership with Rakuten TV, and can find their favorite shows using the TV Plus straightforward interface... The expansion comes at what could be considered a strategically well timed moment in the European market, given that 4K TV sales in the huge continental market are steadily growing year by year and are expected to rise to over 17 million 4K TV units shipped by the end of 2017. Meanwhile, TV Plus content has become a success in Southeast Asia since its launch, where 70% of Smart TV users in Korea are watching TV PLUS channels, and 41% of Smart TV users in Vietnam are using TV PLUS.
Music

Crowdfunding Campaign Seeks a Libre Recording of a Newly-Completed Bach Work (kickstarter.com) 87

Slashdot reader DevNull127 writes: Robert Douglass's Kickstarter campaigns have resulted in free fan-funded open source recordings of Bach's Goldberg Variations and the 48 pieces in his Well-Tempered Clavier, Book 1. "Even Richard Stallman found these recordings, and he promptly wrote an email encouraging us to drop the word 'Open' in favor of 'Free' or 'Libre'," Douglas tells BoingBoing (adding "when RMS writes you telling you to change the name of your music project, you change the name of your music project.")

Now Douglass is crowdfunding a libre recording of Bach's last masterpiece, 20 fugues developed from a single theme called "the Art of the Fugue". "He wanted to culminate in a final fugue that literally spells his name, B-A-C-H, in musical notation," remembers Douglass, but "unfortunately, Bach died before completing that work, and it has remained a musical mystery (and tragedy) for hundreds of years." Fortunately Kimiko Ishizaka completed the work in 2016, "based on the music that Bach left us... This new composition will also be released under a Creative Commons license as part of the new OpenScore.cc project... Kimiko is eminently grateful to her fans and supporters of free culture for allowing her to focus all of her energies on growing the public domain and bringing the music of J.S. Bach to a far broader audience than ever imagined."

They're also rewarding supporters with tickets to two live performances -- one at Carnegie Hall in New York City and one in Hamburg's new Elbphilharmonie.
The Internet

28 Years Later, Pioneering Tech Magazine 'Mondo 2000' Relaunches Online (mondo2000.com) 35

In 1989 Mondo 2000 magazine ran an editorial promising they'd cover "the leading edge in hyperculture...the latest in human/technological interactive mutational forms as they happen." 28 years later, they're now heckling that editorial as they relaunch into a web site. Slashdot reader DevNull127 quotes Motherboard's interview with R.U. Sirius, the founder of Mondo 2000 (as well as its predecessors High Frontiers and Reality Hackers): "It was my idea to merge psychedelics and emerging technologies, and the culture around technology," Sirius said, citing Timothy Leary, writer Robert Anton Wilson and counterculture magazine The Whole Earth Catalog among his inspirations... "I kind of found my way into that particular stream of bohemian culture. It was probably a minority, but there had always been that idea of letting robots replace human work." Soon High Frontiers evolved into a glossy magazine, Reality Hackers ("Some distributors at the time thought it was about hacking people up, and put it on the shelf next to murder mystery magazines"), and later Mondo 2000, which ran from 1989 till 1998...

"We really had to work to convince people that technology was defining the future. Nobody really got it. Doug Rushkoff wrote his book Cyberia, and his first book company cancelled its publication because they said the internet was a fad and that it would be over by the time the book came out"... While he uses Facebook and Twitter, Sirius is critical of their role in colonising what was once a more democratic and open space. "People are being herded into little buildings -- or huge ones -- in what was supposed to be a wide open space in which everybody created their own sites. It's a complete corporate takeover of the net, Facebook in particular... It's definitely not what we were expecting."

Mondo 2000's new online relaunch includes audio of a conversation between William Gibson and Timothy Leary about a Neuromancer game to accompany a proposed film back in 1989. (Gibson complained "That was no interview! That was a drunken business meeting!" when first informed of the magazine's plans to publish it, though he eventually "became friendly.") There's also a 1987 discussion about mind technologies with 73-year-old William S. Burroughs (who was also "an advocate of high technology, and the 'brain machine'"), plus an unpublished John Shirley essay titled "The Next Fifty Years: Why I'm Optimistic Because Everything Will Be Terrible" and new pieces by Paul Krassner ("Alternative Facts") and M.Christian ("La Petite Mort: The Death Of Sex").
The Internet

'I'm a Teapot' Error Code Saved From Extinction By Public Outcry (gizmodo.com.au) 111

An anonymous reader quotes Gizmodo: An anonymous reader quotes Gizmodo: It started back in 1998 as an April Fool's Day gag. Written up by Larry Masinter of the Internet Engineering Task Force (IETF), error code 418 -- "I'm a teapot" -- was nothing more than a poke at the "many bad HTTP extensions that had been proposed". Despite its existence as a joke, a number of major software projects, including Node.js, ASP.NET and Google's Go language, implemented it as an Easter egg. A recent attempt to excise the fictitious code from these projects ended up doing the opposite, cementing it as a "reserved" error by the IETF...

Australian programmer Mark Nottingham flagged the code's removal as an "issue" for Google's Go language, the Node.js Javascript runtime and Microsoft's ASP.NET... Nottingham's argument was that 418 was "polluting [the] core protocol" of these projects... It didn't take long for a "Save 418" website to go live and through the efforts of interested internet historians (and jokers), all three of the aforementioned projects have decided to keep the code as it is, though Google will "revisit" the situation with the next major version of Go.

The Save 418 site argued that "the application of such an status code is boundless. Its utility, quite simply, is astonishingly unparalleled. It's a reminder that the underlying processes of computers are still made by humans. It'd be a real shame to see 418 go."
Books

The 2017 Hugo Awards (thehugoawards.org) 180

Dave Knott writes: The Hugo Awards, the most prestigious awards in science fiction, had their 2017 ceremony today, at WorldCon 75 in Helsinki, Finland.
The winners are:

Best Novel: The Obelisk Gate by N.K. Jemisin
Best Novella: "Every Heart a Doorway" by Seanan McGuire
Best Novelette: "The Tomato Thief" by Ursula Vernon
Best Short Story: "Seasons of Glass and Iron", by Amal El-Mohtar
Best Related Work: Words Are My Matter: Writings About Life and Books, 2000-2016 by Ursula K Le Guin
Best Graphic Story: Monstress, Volume 1: Awakening , written by Marjorie Liu, illustrated by Sana Takeda
Best Dramatic Presentation (Long Form): Arrival , screenplay by Eric Heisserer based on a short story by Ted Chiang, directed by Denis Villeneuve
Best Dramatic Presentation (Short Form): The Expanse: Leviathan Wakes , written by Mark Fergus and Hawk Ostby, directed by Terry McDonough
Best Series: The Vorkosigan Saga, by Lois McMaster Bujold (Baen)
John W Campbell Award for Best New Writer: Ada Palmer

This year's slate of nominees, unlike the drama surrounding the 2016 and 2015 Hugos, was less impacted by the ballot-stuffing tactics of the "Rabid Puppies", thanks to a change in the way nominees were voted for this year (including the fact no work could appear in more than one category) in an attempt to avoid tactical slate picks.

Movies

Netflix Discussing Keeping Streaming Rights To Disney's Marvel, Star Wars Films (reuters.com) 52

An anonymous reader quotes a report from Reuters: Netflix is in "active discussions" with Disney about keeping Marvel and "Star Wars" films after 2019, when new Disney and Pixar movies will stop appearing on the streaming service, a senior executive said late on Thursday. Disney announced on Tuesday that it was pulling new Disney and Pixar films from Netflix, starting with new releases in 2019. It will start putting the movies on a new Disney-branded online service that year. Disney Chief Executive Officer Bob Iger told analysts the company had not yet decided where it would distribute superhero films from Marvel Studios and movies from "Star Wars" producer Lucasfilm, which the company owns, at that time. Netflix is still in discussions with Disney about retaining rights to stream Marvel and Lucasfilm releases after 2019, Chief Content Officer Ted Sarandos told Reuters.

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