Viewers of BBC's News at Ten were entranced last night when a glitch in its system produced over four minutes of surreal beauty. Two readers share a report: Huw Edwards was left sitting in silence for four minutes at the start of BBC News at Ten on Tuesday night after a technical fault delayed the start of the programme and bemused viewers. Viewers on some devices and channels were left watching the presenter sitting in silence as he waited for his cue to start. The BBC News Channel showed Edwards sitting mute for the entirety of the delay, while BBC1 put up a message apologising for the fault and played saxophone music. On BBC iPlayer an announcer apologised for the glitch and breaking news alerts also appeared during the delay. When the programme started at 22:04, Edwards apologised for what he described as a "few technical problems." The presenter said on Wednesday that nobody had told him he was on air until two minutes into the delay. However, Edwards told Radio 4's The Media Show that he "sensed I might be on" so took "the most conservative approach possible" and sat at his desk reading his notes before the bulletin started. BBC hasn't shared more about those "technical glitches." You can watch the clip here.
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An anonymous reader shares a Recode report: Music industry sources say the carmaker has had talks with all of the major labels about licensing a proprietary music service that would come bundled with its cars, which already come equipped with a high-tech dashboard and internet connectivity. Label sources aren't clear about the full scope of Tesla's ambitions, but believe it is interested in offering multiple tiers of service, starting with a Pandora-like web radio offering. The bigger question: Why doesn't Tesla simply integrate existing services, like Spotify or Apple Music, into all of its cars from the start -- especially since Tesla already does a deal with Spotify for Teslas sold outside the U.S.? "We believe it's important to have an exceptional in-car experience so our customers can listen to the music they want from whatever source they choose," a Tesla spokesperson said. "Our goal is to simply achieve maximum happiness for our customers."
Chrisq writes: An EU study has found that many electronic devices and appliances use more energy in real-world conditions than in the standard EU tests. Often the real world figures are double those in the ratings. Sometimes this is achieved by having various optional features switched off during the test. For example, switching on modern TV features such as "ultra-high definition" and "high-dynamic range" in real-world test cycles boosted energy use in four out of seven televisions surveyed -- one by more than 100%. However some appliances appear to have "defeat devices" built in, with some Samsung TVs appearing to recognize the standard testing clip: "The Swedish Energy Agency's Testlab has come across televisions that clearly recognize the standard film (IEC) used for testing," says the letter, which the Guardian has seen. "These displays immediately lower their energy use by adjusting the brightness of the display when the standard film is being run. This is a way of avoiding the market surveillance authorities and should be addressed by the commission."
An anonymous reader shares a Motherboard article: If you were youngish in the early 2000s, you probably remember this phenomenon -- calling a friend's cell phone, and instead of hearing the the standard ring, you heard a pop song. Called ringback tones, this digital music fad allowed cell phone owners to subject callers to their own musical preference. Ringback tones were incredibly trendy in the early and mid-2000's, but have since tapered off nearly to oblivion. Though almost nobody is buying ringbacks anymore, plenty of people still have them from back in the day. [...] In the process of writing this story, I heard from several people that they or someone they knew still had a ringback tone, in large part because they have had it for years, and don't know how to get rid of it.
Earlier this year, hackers obtained and leaked the episodes of TV show Orange Is the New Black. In a candid interview, Larson Studios' chief engineer David Dondorf explained how the audio post-production business allowed the hacker group to gain access to the Netflix original content. Dandorf says the company hired private data security experts to find how it was breached. The investigation found that the hacker group had been searching the internet for PCs running older versions of Windows and stumbled across an old computer at Larson Studios still running Windows 7. From the report: Larson's employees just didn't know all that much about it. Having a computer running an ancient version of Windows on the network was clearly a terrible lack of oversight, as was not properly separating internal servers from the internet. "A lot of what went on was ignorance," admitted Rick Larson. "We are a small company. Did we even know what the content security departments were at our clients? Absolutely not. I couldn't have told you who to call. I can now." It's a fascinating story about how the hacker group first made contact and tried to threaten Larson Studios' president and his wife, and how they responded. Worth a read.
hondo77 writes: Due to "different creative visions," Phil Lord and Christopher Miller are no longer directing the Han Solo movie, despite filming having started in January. The film is still scheduled to be released in May 2018. "Phil Lord and Christopher Miller are talented filmmakers who have assembled an incredible cast and crew, but it's become clear that we had different creative visions on this film, and we've decided to part ways. A new director will be announced soon," Kathleen Kennedy, president of Lucasfilm, said in a statement. The Han Solo spinoff is set to star Alden Ehrenreich as a young Han Solo, with Woody Harrelson as his mentor, Donald Glover as a young Lando Calrissian, and unspecified roles for Emilia Clarke and Thandia Newton.
In the August 2017 issue of Consumer Reports magazine, the nonprofit organization ranked internet service providers based off customer satisfaction. According to the report, many consumers still don't like their broadband and television provider, and don't believe they receive a decent value for the high price they pay for service. DSLReports summarizes the findings: The report [...] names Chattanooga municipal broadband provider EPB as the most-liked ISP in the nation. EPB was followed by Google Fiber, Armstrong Cable, Consolidated Cable and RCN as the top-ranked ISPs in the nation. Google Fiber "was the clear winner for internet service," notes the report, "with the only high score for value." Google Fiber also received high marks for customer support and service. But large, incumbent ISPs continue to be aggressively disliked due to high prices and poor customer service, according to the report. Despite endless annual promises that customer service is the company's priority, Comcast ranked number 27 out of the 32 providers measured. The company's survey results were weighed down by low consumer marks for value, channel selection, technical support, customer service and free video on demand offerings. The least-liked ISPs in the nation, according to the report, are: Charter (Spectrum), Cable ONE, Atlantic broadband, Frontier Communications, and Mediacom. Not coincidentally, the two largest ISPs in that list just got done with massive mergers or acquisitions that resulted in higher prices and worse service than consumers saw previously. MyRatePlan has a breakdown of ISP providers and plans by ZIP code.
jmv writes: The Opus audio codec, used in WebRTC and now included in all major web browsers, gets another major upgrade with the release of version 1.2. This release brings quality improvements to both speech and music, while remaining fully compatible with RFC 6716. There are also optimizations, new options, as well as many bug fixes. This Opus 1.2 demo describes a few of the upgrades that users and implementers will care about the most. It includes audio samples comparing to previous versions of the codec, as well as speed comparisons for x86 and ARM.
Nellie Andreeva, writing for Deadline: Star Trek: Discovery will debut Sunday, September 24, with a special broadcast premiere on the CBS TV network airing 8:30-9:30 PM. The first as well as the second episode of the sci-fi series will be available on-demand on CBS All Access immediately following the broadcast premiere, with subsequent new episodes released on All Access each Sunday. Originally slated for a January 2017 premiere, Star Trek: Discovery's debut was first pushed to May and then to fall 2017. At CBS' upfront presentation, the company announced that Star Trek: Discovery's first-season order had been increased from 13 to 15 episodes. The expanded season now will be split into two. The first eight episodes will run Sundays from September 24 through November 5. The season then will resume with the second chapter in January 2018. The break also will allow the show more time for postproduction on latter episodes.
In 2004, film critic Roger Ebert "realized that auteurs weren't the only ones who had things to say about movies, and suggested that experts in other fields or even just fans of the movies could create MP3 commentary tracks to discuss their favorite films, which could then be downloaded and played alongside them." This inspired Slashdot reader #14,247 to produce his own commentary on Hayao Miyazaki's first movie, Lupin III: Castle of Cagliostro -- and 13 years later, to release a new commentary track celebrating the film's 35th anniversary. Robotech_Master writes: Among other things, it offers proof that excessive copyright really harms creativity by restricting the uses people are able to make of prior art -- by showing what can happen when people get away with ignoring copyright and creating anyway. Not only were Lupin III and Cagliostro effectively inspired as "fanfic" of characters and works that had come before, many of those characters and works were effectively fanfic themselves -- and Cagliostro in turn inspired parts of a number of other works that came afterward, including a couple by Disney.
Anyone else have a favorite example of a movie that bends the rules of copyright law?
Anyone else have a favorite example of a movie that bends the rules of copyright law?
Last December VidAngel fought three Hollywood studios in court for the right to stream filtered versions of movies. Now fogez reports that "they have come up with a new tactic in their attempts to bring filtering choice into the streaming media equation. Instead of leveraging the legal loophole that landed them in court, VidAngel is now going to insert themselves as a filtering proxy for services like Netflix and Amazon." From the Hollywood Reporter: Its new $7.99 per month service piggybacks on users' streaming accounts. Customers log into the VidAngel app, link it to their other accounts and then filter out the language, nudity and violence in that content to their heart's desire... "Out of the gate we'll be supporting Netflix and Amazon and HBO through Amazon channels," says Harmon, adding that Hulu, iTunes and Vudu will follow... Harmon says it remains to be seen if the studios will fight VidAngel's new platform, but his biggest concern is how Amazon and Netflix will respond. He says his company has reached out to the streamers, and he hopes they'll raise any concerns through conversation instead of litigation... "VidAngel's philosophy is very libertarian," he says. "Let directors create what they want, and let viewers watch how they want in their own home. That kind of philosophy respects the views of both parties."
The original submission describes the conflict as a "freedom of choice versus Hollywood."
The original submission describes the conflict as a "freedom of choice versus Hollywood."
Film television piracy and illegal downloads are partly to blame for Australian broadcaster Ten Network's woes, according to Village Roadshow co-chief executive Graham Burke. From a report: He said piracy had cost Ten "hundreds of millions of dollars" in potential advertising revenue because of lower ratings resulting from pirated versions of films supplied by 21st Century Fox under an onerous output deal with the Hollywood studio. He said copies of Fox's Leonardo DiCaprio movie The Revenant and The Peanuts Movie were stolen last year and shared illegally via a piracy website. "Piracy is a much bigger channel and an illicit economy than the three main commercial networks combined. It is ripping off viewers from legitimate, taxpaying enterprises," Mr Burke said. "The product that Ten is buying from 21st Century Fox and is now arriving have been pirated out of sight."
From a BBC report: LA's skyline has been lit up with the Bat-Signal to honour Batman star Adam West, who died last week. Mayor Eric Garcetti and LA Police chief Charlie Beck were expected to be at the public event at City Hall, which started about 21:00 local time (05:00 BST). The signal originated in the DC Comics strip as a sign that the caped crusader was needed to save the day. Animated comedy Family Guy will also honour West this weekend.
Joe Rossignol reports via Mac Rumors: Spotify today announced it now has over 140 million subscribers worldwide, including users that only listen to the free ad-supported tier. Spotify last said it had over 100 million subscribers in June 2016, so it has gained around 40 million listeners in one year to remain the world's largest streaming music service. Spotify didn't update its number of paying subscribers, which stood at over 50 million worldwide as of March 2017. By comparison, Apple at its Worldwide Developers Conference last week announced that Apple Music now has 27 million paying subscribers, just weeks before the streaming music service turns two years old. Apple Music doesn't have a free tier, and Apple doesn't regularly disclose how many users are using the free trial.
OpenIV, a popular modding tool used by tons of GTA V fans, is shutting down. After nearly 10 years of operation, the creators claim they have received a cease and desist from Take-Two Interactive -- the publisher of Grand Theft Auto. The news has shocked the PC Grand Theft Auto community, who use OpenIV to add thousands of mods into GTA V. Many upset modders have retaliated by flooding GTA V with negative reviews on Steam. Kotaku reports: According to a post on the official OpenIV website, the alleged cease and desist came on June 5th 2017. The supposed problem, OpenIV's creators say, is that the program allows "third parties to defeat security features of its software and modify that software in violation Take-Two's rights." After discussing their options, the team behind the tool says they decided it was not worth their time to fight back. "Yes, we can go to court and yet again prove that modding is fair use and our actions are legal," creator GooD-NTS wrote. "Yes, we could. But we decided not to. Going to court will take at least few months of our time and huge amount of efforts, and, at best, we'll get absolutely nothing. Spending time just to restore status quo is really unproductive, and all the money in the world can't compensate the loss of time. So, we decided to agree with their claims and we're stopping distribution of OpenIV."
The European court of justice (ECJ) has ruled that BitTorrent site The Pirate Bay is directly infringing copyright, in a move that could lead to ISPs and governments blocking access to other torrent sites across Europe. From a report: The ruling comes after a seven-year legal battle, which has seen the site, founded in Sweden in 2003, blocked and seized, its offices raided, and its three founders fined and jailed. At the heart of the case is the Pirate Bay's argument that, unlike the previous generation piracy sites like Napster, it doesn't host infringing files, nor link to them. Instead, it hosts "trackers," files which tell users of individual BitTorrent apps which other BitTorrent users to link to in order to download large files -- in the Pirate Bay's case, usually, but not exclusively, copyrighted material.
_Sharp'r_ writes: Professor Thomas Hazlett of Clemson University analyzed the history of wireless spectrum and concluded the technology was known and available for cellphones in the 40s, but there was no spectrum available. Based on assumptions cellphones would always be luxury goods without mass appeal, significant spectrum for divisible cellular networks wasn't legally usable until the early 80s. Instead, the unused spectrum was reserved for the future expansion of broadcast TV to channels 70-83. Here's an excerpt from the report: "When AT&T wanted to start developing cellular in 1947, the FCC rejected the idea, believing that spectrum could be best used by other services that were not 'in the nature of convenience or luxury.' This view -- that this would be a niche service for a tiny user base -- persisted well into the 1980s. 'Land mobile,' the generic category that covered cellular, was far down on the FCC's list of priorities. In 1949, it was assigned just 4.7 percent of the spectrum in the relevant range. Broadcast TV was allotted 59.2 percent, and government uses got one-quarter."
According to Leichtman Research estimates from the first quarter of 2017, there are more Netflix subscribers in the U.S. (50.85 million) than there are customers for major cable TV networks (48.61 million). While it doesn't mean Netflix is bigger than TV because it doesn't account for the 33.19 million satellite viewers, it represents a huge milestone for a streaming service that had half as many users just 5 years ago. Engadget reports: The shift in power comes in part through Netflix's ever-greater reliance on originals. There's enough high-quality material that it can compete with more established networks. However, it's also getting a boost from the decline of conventional TV. Those traditional sources lost 760,000 subscribers in the first quarter of the year versus 120,000 a year earlier. Leichtman believes a combination of cord cutters and reduced marketing toward cost-conscious viewers is to blame. Cable giants might not be in dire straits, but they're clearly focusing on their most lucrative customers as others jump ship for the internet.
The Nikkei Asian Review newspaper is reporting that the Japanese entertainment company Konami is blacklisting former employees in the Japanese video game industry. "The company is particularly targeting those who work for Kojima Productions, which was founded in 2016 by Hideo Kojima, who used to be a top designer at Konami," reports Ars Technica. From the report: Furthermore, according to the article, Konami is pressuring other companies not to hire its former employees. As the Nikkei Asian Review wrote: "One ex-Kon described his surprise at learning that Konami had instructed an employee at a television company not to deal with its former employees. In another case, a former Konami executive was forced to close his business due to pressure from the gaming giant. Ex-Kons are not allowed to put their Konami experience on their public resumes. 'If you leave the company, you cannot rely on Konami's name to land a job,' explained a former employee. If an ex-Kon is interviewed by the media, the company will send that person a letter through a legal representative, in some cases indicating that Konami is willing to take them to court."
An anonymous reader writes: What are some subscriptions services that you are paying for and love to pay? Please include music/movie services, news outlets, software, and courses.