RogueyWon writes: While many critics have responded positively to JJ Abrams's take on Star Wars, one particular industry figure seems rather less impressed. George Lucas has criticized the "retro" tone of The Force Awakens and lamented his own lack of involvement in it. Speaking to television talk-show host and journalist Charlie Rose, Lucas quipped that he had sold his "kids to the white slavers that take these things". "They wanted to do a retro movie. I don’t like that,” he said. “They weren’t that keen to have me involved anyway, but if I get in there, I’m just going to cause trouble, because they’re not going to do what I want them to do. And I don’t have the control to do that any more, and all I would do is muck everything up. And so I said, ‘OK, I will go my way, and I’ll let them go their way.’”

New submitter henrydan798 writes to note that Star Wars: The Force Awakens has set a new record for ticket sales, becoming the fastest movie ever to earn a billion dollars at the till. As the L.A. Times reports, The latest installment in the "Star Wars" franchise grossed an estimated $153.5 million in the U.S. and Canada in its second weekend, beating the lower end of analyst expectations of $140 million. This drives the J.J. Abrams-directed picture to a to-date domestic gross of $544.5 million. "The Force Awakens," which cost an estimated $200 million to produce, debuted last weekend to record domestic ticket sales of $248 million. It also grossed $281 million overseas for a global total of $529 million, topping the previous worldwide debut benchmark set in June by "Jurassic World" ($525 million). This week, with an international estimated gross of $546 million to date, the film became the fastest to surpass $1 billion globally. Were any of those dollars yours? If so, do you think they were well spent?

schwit1 writes: Those who take part in "geeky events" are more likely to have an "elevated grandiose" level of narcissism, according to a study conducted by the University of Georgia. Psychologists examined the personality traits of those who turn to "geek culture," developing a Geek Culture Engagement Scale and a Geek Identity Scale to help quantify the figures. It was found that those who scored highly on both scales were more likely to narcissists. Subjects are scored on a scale of one to five, depending on how often they take part in activities such as live action role playing games, Dungeons and Dragons, cosplaying, puppetry, robotics — and enjoying things such as video games and Star Wars.

An anonymous reader writes: Disney has been successful for the better part of a century. But they haven't always had to work as hard to do it. Over the past couple of decades, they've been facing more and better competition than ever before, and they've had to change their business strategy in response. An article at The Economist details this strategy, which seems to have a central theme: buy up things people loved as kids, and commercialize the hell out of them. The recent Star Wars film is the latest example — the marketing blitz around it (and its related merchandise) was a sight to behold. Disney is hoping that focusing investment on great content will protect them from the massive transitions underway in the content delivery part of the entertainment industry. "The biggest doubt is the durability of the model. It is not clear for how long such franchises can be stretched. And introducing new ones is a risk. John Carter, a film based on one of a series of novels by Edgar Rice Burroughs, flopped. Cinema-goers will also have far more choice as other firms try to establish or add to their franchises."

szczys writes: What would the Galactic Economy look like following the destruction of two Death Stars? This is the informed Star Wars debate taking shape between to people who know their economics. Elliot Williams, a Ph.D. in Econometrics, has just debunked the work of Zachary Feinstein who claimed that the Rebel Alliance would have been off had they not destroyed the two Death Stars because what they're left with is a Galactic Economy in ruin. Feinstein, a professor at Washington University in St. Louis, published a scholarly paper early this month saying it was financial suicide to destroy both of the giant construction projects. Williams' take on things is that the project was a sunk cost; destroyed or whole the Death Star expenditures already made are gone and not likely to further cost or benefit the new government. Perhaps most interesting in the discussion is how you estimate the cost of the Death Star projects and the GGP — the Galactic Gross Product of the fictional universe.

An anonymous reader writes: A few naughty users have started spamming Reddit with Star Wars 7 spoilers, but also hoaxes. Some known Star Wars fans with Reddit accounts were even bombarded with PMs about the upcoming film, with trolls trying to ruin the movie before they saw it. As a result, Reddit is now banning any user that posts Star Wars 7 spoilers. The movie officially launches tomorrow; do you plan to see it? Do you care about spoilers?

An anonymous reader writes: CNET's Michael Franco recently sat down and watched Star Wars Episode IV: A New Hope again in preparation for the release of The Force Awakens later this week. His advice to anyone who's thinking of doing the same is to save your childhood memories and skip watching it again. Unlike wine, Franco doesn't think the movie gets better with age. He writes: " Since that first viewing, Luke, Vader and company have loomed large in my imagination, and clearly in the imaginations of many other adults introduced to the sci-fi franchise as kids. So have the rest of the characters, as well as the sounds of a lightsaber, a Wookiee and a TIE fighter and the idea that someday I would learn to control people through the power of suggestion and a wave of my hand. But it now seems that maybe all that got a little gilded in my memory."

An anonymous reader writes: A controversy has erupted in the United Kingdom following the decision of the three theatre chains that control 80% of the movie screens in the country to refuse to show an advertisement for the Anglican church. The 60 second advertisement is for a new Church of England website, JustPray.uk, the purpose of which is to encourage people to pray. The Odeon, Cineworld and Vue chains refused to allow it to be shown due to a policy not allowing political or religious advertising. Richard Dawkins supported the Church on free speech grounds, stating, "I still strongly object to suppressing the ads on the grounds that they might 'offend' people. If anybody is 'offended' by something so trivial as a prayer, they deserve to be offended." Dawkins was joined by fellow atheist, Conservative MP Sarah Wollaston in backing the right of the Church to show the advertisement, stating "As a gentle atheist, I'm not offended by Church screening gentle cinema adverts; we shouldn't reject our deep cultural roots in Christianity." The assistant secretary general of the Muslim Council of Britain said he was "flabbergasted" by the decision to refuse to show it. The National Secular Society found it a "perfectly reasonable decision." The Anglican church had wanted to show the advert prior to the screening of the upcoming Star Wars movie given the expected large, multi-generational audiences.

HughPickens.com writes: Entertainment Weekly reports that George Lucas has compared his retirement from Star Wars to a break-up – a mutual one, maybe, but one that nonetheless comes with hard feelings and although Lucas came up with story treatments for a new trilogy, those materials, to put it bluntly, were discarded. "They decided they didn't want to use those stories, they decided they were gonna go do their own thing," says Lucas. "They weren't that keen to have me involved anyway. But at the same time, I said if I get in there I'm just going to cause trouble. Because they're not going to do what I want them to do. And I don't have the control to do that anymore. All I would do is muck everything up. So I said, 'Okay, I will go my way, and I'll let them go their way.'" Lucas says he was going to tell a story about the grandchildren of figures from the original trilogy. "The issue was, ultimately, they looked at the stories and they said, 'We want to make something for the fans,'" says Lucas. "So, I said, all I want to do is tell a story of what happened – it started here and went there. It's all about generations, and issues of fathers and sons and grandfathers. It's a family soap opera."

Although the team behind The Force Awakens acknowledges they're taking the story in a different direction from what Lucas intended, they maintain affection for his original creations and the man himself. "Before I showed up, it was already something that Disney had decided they wanted to go a different way with," says J. J. Abrams. "But the spirit of what he wrote, both in those pages and prior, is everything that this movie is built upon." Some fans question why there was no "Based on" credit for Lucas in the poster for The Force Awakens. "I don't know why it isn't on the poster, but it's a valid point. I'm sure that that will be a credit in the film," says Abrams. "We are standing on the shoulders of Episodes I through VI."

An anonymous reader writes: Yesterday marked the release of Star Wars Battlefront, EA DICE's attempt to resurrect a Star Wars video game series that had great success a decade ago, but gradually petered out over the course of several years. Early reviews for the game are mixed. Games Radar's video review gives it a lot of credit for being incredibly faithful to the feeling of Star Wars. Polygon's review praises the game's accessibility and its broad variety of PvP options, but acknowledges that it had to trade complexity to get there. Giant Bomb's review is much more blunt: "Slick production values, solid controls, and tons of fan service can't make up for mediocre progression and a lack of content." Many reviews rate the graphics highly, and performance is solid even on consoles. It's worth noting that user ratings on Metacritic come in significantly lower than critics' ratings, with the most common complaint being about the dearth of content.

theodp writes: Teaching U.S. K-12 kids their programming fundamentals in past Hours of Code were an IF-fy Bill Gates and a LOOP-y Mark Zuckerberg. Interestingly, the new signature tutorial — Star Wars: Building a Galaxy with Code — created by Lucasfilm and Code.org ("in a locked room with no windows") for this December's Hour of Code, eschews both IF statements and loops. The new learn-to-code tutorial instead elects to show students "events" after they've gone through the usual move-up-down-left-right drills. With the NY Times and National Center for Women & Information Technology recently warning against putting Star Wars in the CS classroom ("Attracting more female high school students to computer science classes might be as easy as tossing out the Star Wars posters," claimed an Aug. 29th NCWIT Facebook post), the theme of the new tutorial seems an odd choice for Code.org, whose stated mission includes "increasing [CS] participation by women." But if Star Wars is, as some suggest, more aimed at boys, perhaps Code.org has something up its sleeve for girls (a la last year's Disney Princesses) with another as yet unannounced signature tutorial that it teased would be "just as HUGE" as the Star Wars one. Any guesses on what that might be?

An anonymous reader writes: Facebook has launched its 360-degree video feature, with an eye to virtual reality and next year's release of the Oculus Rift. Among the showcase videos is a specially rendered 'fly-through' of a scene from new Star Wars movie 'The Force Awakens', allowing the viewer to pan laterally and horizontally as the movie progresses. This kind of immersive video was made possible with Apple's QuickTime VR in the 1990s, but was hampered by the same technological bottlenecks of the period as VRML.

MojoKid writes: If the Force is strong in your bank account and you're looking for a new timepiece, luxury design firm Devon Works has come up with a limited edition watch that's perhaps more advanced than the Death Star. It's the new "Star Wars by Devon" co-branded watch with a patented system of interwoven "Time Belts" and hybrid electro-mechanical power. The watch is a celebration of Devon's fifth anniversary. It combines glass-reinforced nylon belts (same as used in the gauges on the original 747 aircraft) with multiple high-tech optical recognition cells, micro-step motors, and no less than 313 electrical contacts. Materials used in the construction of the Star Wars timepiece are sourced from an aerospace company located in California. Keeping true to the Star Wars franchise now owned by Disney, the watch incorporates elements of Darth Vader and the TIE Fighter. Only 500 of these watches are being made. If you want one of these timepieces, you'll need a $2,500 down payment towards its $28,500 retail price.

StartsWithABang writes: The ability to destroy an Alderaan-like (or, ahem, Earth-like) planet has long been the dream of slashdotters everywhere. But generating the power necessary to unbind a planet — some 2.24 x 10^32 Joules — is simply impossible on board an object only the size of a small moon. But if, instead, you could house a 1-2 trillion ton asteroid (about 5-7 km across) made of antimatter and deliver it to the planet's core, Einstein's E=mc^2 ensures that the planet will be destroyed in seconds.

Yesterday at Comic-Con, director J.J. Abrams held forth on the racial and sexual diversity of the actors portraying the characters of the Star Wars franchise. From CNET's article: For Star Wars, it's a complex debate. The franchise has included prominent and strong female characters, like Princess Leia, as well as central characters played by black actors, such as Cloud City administrator Lando Calrissian, played by Billy Dee Williams, and Jedi Mace Windu, played by Samuel L. Jackson. On the other hand, Jar Jar Binks, a computer-generated alien in 1999's "Star Wars Episode I: The Phantom Menace," drew fire from some critics, who said he called to mind demeaning black film characters such as those played by Stepin Fetchit in the 1930s. (Not to mention other cultural stereotypes that pop up in Episodes I, II, and III.)

New submitter alaskana writes: According to Starwars.com, Han Solo will be getting his own movie prequel. The film will purportedly tell the story of a young Han Solo and how he came to be the wily smuggler that shows up in Star Wars: Episode IV A New Hope. The film is set to be directed by Christopher Miller and Phil Lord (of The Lego Movie fame) and written by Lawrence and Jon Kasdan. Get your popcorn and tickets ready, as the movie is set to debut May 25, 2018.

Kexel writes: Nope, not an April Fools joke. A forty-year-old man in Massachusetts bought a Stormtrooper outfit, and then walked through a neighborhood near a school to show his friends. The principal saw his fake blaster and called 911. The man was then arrested and charged with disturbing a school and loitering. A police spokesman said the man "used bad judgment." I guess this shows you what not to do when geeking out on Star Wars.

An anonymous reader writes: In an upcoming paper (PDF) for the Michigan Law Review, scholar Cass Sunstein draws on Star Wars to make a couple key points about how constitutional law evolves. He writes, "Human beings often see coherence and planned design when neither exists. This is so in movies, literature, history, economics, and psychoanalysis—and constitutional law. Contrary to the repeated claims of George Lucas, its principal author, the Star Wars series was hardly planned in advance; it involved a great deal of improvisation and surprise, even to Lucas himself. Serendipity and happenstance, sometimes in the forms of eruptions of new thinking, play a pervasive and overlooked role in the creative imagination, certainly in single-authored works, and even more in multi-authored ones extending over time. ... The misdescription appears to respond to a serious human need for sense-making and pattern-finding, but it is a significant obstacle to understanding and critical reflection. Whether Jedi or Sith, many authors of constitutional law are a lot like the author of Star Wars, disguising the essential nature of their own creative processes."

eldavojohn writes: Youtube now offers Black Angel, a short film shown in UK theaters before ESB. What was once thought lost is now found; enjoy. This may be the best half-hour you spend today, even if you must "set your clocks back 34 years," as writer and director Roger Christian advises. (Christian is also known for directing 2000's Battlefield Earth .)

MojoKid writes It has been a tremendous week for Star Wars fans. First we got to see Han Solo and Chewbacca make an emotional reappearance in the newest Star Wars: The Force Awakens trailer (the second official trailer Disney has put out). Now, Electronic Arts is treating us to a visual smorgasbord of cinema-quality footage showing the forthcoming Star Wars Battlefront game. Battlefront will support to up 40 players divided between the Rebel Alliance and Galactic Empire, all shooting it out and playing with some of the coolest Star Wars vehicles and weapons around. We're talking jetpacks, AT-AT war machines, AT-STs, TIE Fighters, X-wings, and more. Though the trailer allegedly shows actually "game engine footage," it's questionable whether or not it's actual gameplay or just pre-rendered cut scenes from the game engine. Either way, it's still pretty impressive.