kkleiner writes "A German company has brought us one step closer to the kinds of shootouts only seen in Sci-Fi films. Düsseldorf-based Rheinmetall Defense recently tested a 50kW, high-energy laser at their proving ground facility in Switzerland. First, the system sliced through a 15mm- (~0.6 inches) thick steel girder from a kilometer away. Then, from a distance of two kilometers, it shot down a handful of drones as they nose-dived toward the surface at 50 meters per second."

jamstar7 writes "According to the BBC, 'Gerry Anderson, the creator of hit TV shows including Thunderbirds, Stingray and Joe 90, has died at the age of 83. He also created Captain Scarlet and the Mysterons and his puppet superheroes fired the imaginations of millions of young viewers in the 1960s and '70s. Thunderbirds, a science-fiction fantasy about a daring rescue squad, ran from 1965 and was his most famous show.' In my opinion, his greatest creation was Space: 1999, an ITV production with practically no budget, which had great shows in the first season. Unfortunately, like so many other Gerry & Sylvia Anderson projects, it ran out of gas in the second season. They did some great stuff." Anderson's son Jamie also has a post in remembrance of his father.

An anonymous reader sends in this thoughtful article about the format of Doctor Who: "The New Series has given itself two basic tasks. One, to put back and keep on our screens a program by the name of Doctor Who that maintains substantial visible continuity with the classic series in many ways. Two, and this is where conflicting elements start to come in, to seek to define this resurrected program against many aspects of the classic series, even fundamental aspects, in pursuit of task one. In itself this is neither good nor bad. If anything it is on balance probably a good thing to seek to redress the shortcomings of the classic series, but what matters, ultimately, is the choices involved and their execution."

MrSeb writes "The dream of faster-than-light travel has been on the mind of humanity for generations. Until recently, though, it was restricted to the realm of pure science fiction. Theoretical mechanisms for warp drives have been posited by science, some of which actually jive quite nicely with what we know of physics. Of course, that doesn't mean they're actually going to work, though. NASA researchers recently revisited the Alcubierre warp drive and concluded that its power requirements were not as impossible as once thought. However, a new analysis from the University of Sydney claims that using a warp drive of this design comes with a drawback. Specifically, it could cause cataclysmic explosions at your destination."

MrSeb writes "Scientists at Duke University have created the first invisibility cloak that perfectly hides centimeter-scale objects. While invisibility cloaks have been created before, they have all reflected some of the incident light, ruining the illusion. In this case, the incident light is perfectly channeled around the object, creating perfect invisibility. There are some caveats, of course. For now, the Duke invisibility cloak only works with microwave radiation — and perhaps more importantly, the cloak is unidirectional (it only provides invisibility from one very specific direction). The big news here, though, is that it is even possible to create an invisibility cloak of any description. It is now just a matter of time before visible-light, omnidirectional invisibility cloaks are created."

An anonymous reader writes "Just after half past seven on the evening of Friday 19th October, history was made at the Destination Star Trek London event at the capital's ExCel centre; when Captains Archer (Scott Bakula), Janeway (Kate Mulgrew), Sisko (Avery Brooks), Picard (Patrick Stewart) and James T. Kirk (William Shatner) appeared together on a European stage. This momentous event, which had occurred just once before, at the Wizard World Comic Con in Philadelphia in June, not only lived up to the expectations of fans, but exceeded them by a good light-year."

New submitter ShadoCat points out this interesting project to restore the set of Star Trek: The Next Generation, writing: "This isn't the original set unfortunately (which was destroyed making the ST:Generations movie). This is one that Paramount created for display in 1991. Huston Huddleston saved the pieces of the set late 2011 when they were about to be trashed by Paramount. Huddleston and crew will be refitting the set with working displays and controls. They plan to host parties and educational events in the set which, apparently, is big enough to hold a large number of students. For safety though, I hope they add circuit breakers (a technology along with seat belts that seems to have been lost in the 24th century)."

brumgrunt writes "Not every sci-fi film released in 2013 will be a sequel or franchise movie. Den Of Geek has highlighted the ten sci-fi movies that might just offer something a little different from the PG-13, family-centric norm." The list includes Elysium, from the writer/director of District 9. It's "set in 2159, where Earth has become so hopelessly overcrowded that the richest members of society live on a luxurious orbiting space station." There's also After Earth, directed (but not written) by M. Night Shyamalan, which stars Will Smith and his son Jaden. They "crash land on Earth at some point in the future, by which time it's become a dangerous place devoid of human life." And, of course, there's Ender's Game.

An anonymous reader writes "Real-world military conventions have had obvious effects on many sci-fi books, movies, and TV shows. But how does their fictional representation stack up against the evolving rules of high-tech warfare? In an interview with Foreign Policy magazine, a naval analyst discusses some of the technological assumptions involved in transposing sea combat to space combat, and his amusement with the trope of 'aircraft carriers in space.' He says, 'Star Wars is probably the worst. There is no explanation for why X-Wings [fighters] do what they do, other than the source material is really Zeroes [Japanese fighter planes] from World War II. Lucas quite consciously copied World War II fighter combat. He basically has said they analyzed World War II movies and gun camera footage and recreated those shots. Battlestar Galactica has other issues. One thing I have never understood is why the humans didn't lose halfway through the first episode. If information moves at the speed of light, and one side has a tactically useful FTL [faster-than-light] drive to make very small jumps, then there is no reason why the Cylons couldn't jump close enough and go, "Oh, there the Colonials are three light minutes away, I can see where they are, but they won't see me for three minutes?"'"

New submitter ratbag writes with this snippet from BBC News: "The BBC's Radiophonic Workshop, which created theme tunes and sound effects for programs including Doctor Who and Blake's 7, is to reopen after 14 years. The original workshop was known for its pioneering use of electronic sounds. Founded in 1958, it was best-known for creating the eerie swoosh of the Doctor Who theme tune, but its compositions were also used in numerous radio dramas, The Goon Show and The Hitch-Hiker's Guide to the Galaxy. As well as music, the workshop created sound effects — from champagne corks popping to the distorted, strangulated voices of the Daleks."

Esther Schindler writes "When Star Trek hit the air waves, talking computers were just a pipe dream. While teleportation remains elusive, several once-fictional technologies are changing the way people live and work. Here are some ways in which we're approaching the gizmos that Star Trek demonstrated. Speech recognition? Check. Holodeck? Sort of. Replicator? Workin' on it."

New submitter Penmanpro writes news of the Hugo Awards stream being unintentionally cut off by some AI gone awry: "Quotes from the linked article 'UStream's incorrectly programmed copyright enforcement squad had destroyed our only access.' 'Just as Neil Gaiman was giving an acceptance speech for his Doctor Who script, "The Doctor's Wife." Where Gaiman's face had been were the words, "Worldcon banned due to copyright infringement."'"

The 2012 Hugo Award ceremony has completed at Chicon 7, and Among Others by Jo Walton has been given the award for Best Novel. The Man Who Bridged the Mist by Kij Johnson won for Best Novella, and The Paper Menagerie won for Best Short Story. Doctor Who had three nominations for Best Dramatic Presentation (Short Form), and ended up taking home the award for the episode "The Doctor's Wife," which was written by Neil Gaiman and directed by Richard Clark. Season 1 of Game of Thrones won Best Dramatic Presentation (Long Form), edging out Hugo and Captain America. Ursula Vernon was awarded the Best Graphic Story Hugo for Digger. See below for the full list of winners.

An anonymous reader points out an interview with Neal Stephenson at The Verge in which he talks a bit about his upcoming "research-heavy" novel, his Mongoliad project to reinvent the fiction novel as an app, what he thinks about saving the world with sci-fi. He says, "It would be saying a lot to say that SF can save the world, but I do think that we've fallen into a habitual state of being depressed and pessimistic about the future. We are extremely conservative and fearful about how we deploy our resources. It contrasts pretty vividly with the way we worked in the first half of the 20th century. We are looking at a lot of challenges now that I do not think can be solved as long as we stay in that mindset. This is more of an 'if you have a hammer, everything looks like a nail' kind of thing. My hammer is that I can write science fiction, so that's the thing I'm going to try to do. If I had billions of dollars sitting around, I could try to put my money where my mouth is and invest it. If I did something else for a living, I would be using my skills – whatever they were – to solve this problem, but since I'm a science fiction writer, I'm going to try to address it through the medium of science fiction."

tmjva writes "Per BBC's Entertainment page, author Harry Harrison died today at the age of 87. His body of work included Make Room! Make Room!, (the inspiration for Soylent Green), The Stainless Steel Rat, and Bill the Galactic Hero. From the article: 'Harrison's first novel, Deathworld, was published in 1960, while the first book in the Stainless Steel Rat series was published a year later. The last of the series was published just two years ago in 2010 and the books are widely regarded as producing one of science fiction's great anti-heroes, Slippery Jim diGriz, aka The Stainless Steel Rat. The author also parodied the sci-fi genre in his seven Bill the Galactic Hero books, which were first seen in 1965. He saw his work as anti-war and anti-militaristic.'"

mvdwege writes "In the thread on the most depressing sci-fi, there were hundreds of posts but merely four mentions of John Brunner, dystopian writer par excellence. Now, given the normally U.S. libertarian bent of the Slashdot audience, it is understandable that an outright British Socialist writer like Brunner would get short shrift, but it got me thinking: what Sci-fi writers do you know that are, in your opinion, vastly underappreciated?"

50000BTU_barbecue writes "Usually sci-fi provides adventure with happy endings for everyone. But what story have you read that resonates years later because of some insight about human nature or society that's basically cynical or pessimistic? For me it's Fred Pohl's Jem, with its sharply divided resource-constrained future world driven by politics, and its conclusion that humans are just too destructive to handle contacting alien life, especially if humans have the technological upper hand. I'm wondering what other stories have stuck in people's minds. It can be a short story, a novel or an entire series of books."

cylonlover writes "As part of the L, Ron Hubbard Writers of the Future award in 1987, a group of science fiction luminaries put together a text 'time capsule' of their predictions about life in the far off year of 2012. Including such names as Orson Scott Card, Robert Silverberg, Jack Williamson, Algis Budrys and Frederik Pohl, it gives us an interesting glimpse into how those living in the age before smartphones, tablets, Wi-Fi and on-demand streaming episodes of Community thought the future might turn out."

Geoffrey.landis writes "At last, a public opinion poll that gets the opinions of ordinary Americans on the issues that matter! Apparently, two thirds of Americans polled think that Barack Obama is better suited to defend against an alien invasion than Mitt Romney, according to a survey from National Geographic Channel, done to tout their upcoming TV series 'chasing UFOs'. In follow-up questioning, Americans would rather call on the Hulk (21%) than either Batman (12%) or Spiderman (8%) to save the day. No word on which candidate is most fit to defend America against shambling hordes of undead seeking to destroy civilization in the zombie apocalypse (perhaps that will be brought out in the debates)." The real question of course is how Obama would handle Galactus.

Sparrowvsrevolution writes "Free software lawyer and activist Eben Moglen plans to give a talk at the Hackers On Planet Earth conference in New York next month on the need to apply Isaac Asimov's laws of robotics to our personal devices like smartphones. Here's a preview: 'In [1960s] science fiction, visionaries perceived that in the middle of the first quarter of the 21st century, we'd be living contemporarily with robots. They were correct. We do. We carry them everywhere we go. They see everything, they're aware of our position, our relationship to other human beings and other robots, they mediate an information stream about us, which allows other people to predict and know our conduct and intentions and capabilities better than we can predict them ourselves. But we grew up imagining that these robots would have, incorporated in their design, a set of principles. We imagined that robots would be designed so that they could never hurt a human being. These robots have no such commitments. These robots hurt us every day. They work for other people. They're designed, built and managed to provide leverage and control to people other than their owners. Unless we retrofit the first law of robotics onto them immediately, we're cooked.'"