It's part of that retro-is-new thing, all the kids are doing it, it's alltuhh-9ytujhff all the rage (sorry, electric typewriter keys got stuck - one of the hazards of being cool).
Oh, and in case anyone was wondering, what they're calling an 'LP' is essentially a DVD-style menu for your album. With pics, lyrics and bio - you know, the kind of stuff any 5-year-old can get from google or can be auto-loaded by many modern music players (WinAMP, Amarok, take your pick).
So on a scale of usefulness from "necessary for human survival" to "would rather have my balls in a vise", it scores about a "meh".
Actually, there is more. They showed the Doors LP which contained exclusive interviews and other video media. The idea is to get you to buy the whole album instead of just a track or two. I don't think they're really charging much more for it, maybe an extra $1, although the one's I've looked at seem to contain more songs than the standard album.
Whether it works out or not, I at least give them credit for trying to add some additional value to the digital media and provide some better incentives to buying whole albums.
Another example: the new Alice In Chains release includes a few tracks that are (according to iTunes) not on the CD release. For all those who are completists and want to stay "legal" will probably think this is a good thing. Also, the cost of the album is (for now) $9.99, whereas the cost of the various tracks (and you can't get the bonus tracks without buying the album, so they don't even count towards this cost) add up to more than that.
According to itunes it's not on the Cd release, but in just a couple of years when a new compilation album comes out it'll be very likely guaranteed that those tracks will be on the disc.
I've got a pre-Sap/Jar of Flies dual demo vinyl with the AiC logo engraved on the back - a REAL LP with songs never released on the official albums and STILL unreleased to this day.
iTunes doesn't have any real exclusives - those that actually know the band have the real exclusives that the rest of the world will never hear. Another example, "The Prince," written by Diamond Head and covered by Metallica, was originally on the Black Album (The Thompson Original Master Tape, anyways) and never made it to the final cut, instead appearing later as a b-side to One and Harvester of Sorrow singles and on the Garage, Inc album. Also, the original title to song #5 on the same Black Album - "Whereever I May Road" yes, not roam, ROAD.
There hasn't been a real "exclusive" in the music market since digital distribution. No mispresses, no off-recordings, nothing that makes anything unique and awesome anymore. Can't carve a shitload of grooves into an optical disc like we did with a vinyl LP and still expect it to play!
Responding to criticism that the iTunes LP format has been priced out of reach for independent musicians and labels, Apple has said it plans to open the format [appleinsider.com] in the near future.
Essentially they will allow anyone to design their own LP and bypass the $10,000 production fee.
iTunes store already has "complete my Album" which lets you buy the rest of the album, getting credit for the tracks you've already bought.
In most cases, albums are generally cheaper than buying all the tracks individually. Based on my experience, it seems to be the case for about 80% of the albums I've looked at (YMMV). And the new LPs even more so (more like 95%).
As someone else pointed out, the LP appears not to add additional cost to the album to the consumer, so it is throwing in extra goodies to encou
The tracks are standard 256-bit AAC. No DRM on audio (not sure about video). The videos also come as individual files.
While the format is web-based, it's not a browse to a website solution.
My guess is that the iPod app for iPhone will have to be updated to support the extras. Same is true for AppleTV. All the components to support it are there, but they need to be put together.
I think you're seeing one early step in a multi-step process.
For real? I've heard people complain that new albums only have a few good songs, and thought it was bunk... if that's the case, you're not listening to the right bands to begin with. Now old albums only have a few good songs?
What about Zoso? Dark Side of the Moon? Tommy? Van Halen I? Bookends? Electric Ladyland? Brothers in Arms? 2112? I could go into modern examples too, starting with everything Dredg has ever made, and finishing with everything Muse has ever made
There are thousands of albums that are great, start to finish. What's killing the music industry is not piracy, it's the fact that people no longer have the attention span to sit through a great album, and aren't willing to pay album prices for the singles that the radio has drilled into their heads.
I'd argue that albums where every song is solid is the exception, not the norm. In fact it's pretty rare. There are some famous albmus where everything was good, but far, far more where there are a couple of good songs at the front, a bunch of filler in the middle, then one good song at the end.
I'd argue that albums where every song is solid is the exception, not the norm
True, but then bands that don't suck are also the exception, not the norm. It's pretty easy to find entire albums that are worth listening to if you stick to bands that don't suck...
As one of you old farts myself let me just say: the more things change the more thing stay the same. Music is still good and people are about as smart as they've ever been and many new albums are good start to finish, but people are exposed to MUCH more music then they have ever been before and digital distribution has absolutely de-emphasized the importance of the concept of album and either of these things might have something to do with the finicky, song-based approach many listeners take today.
they want you to buy a whole album and not a few songs so they sell you an LP which is all the songs, a few videos, and DVD type making of crap that you can only view on a computer
I think the OP has the same issue I do - when I think of "LP" I think of a vinyl record. Since videos aren't coming out on vinyl, I'm guessing that the meaning of LP has changed.
RCA invented a video-record back in the 1970s. It used a needle and concentric grooves, but instead of touching the platter the needle hovered above the grooves. Using this method they could store 60 minutes of broadcast quality (440x480) analog video on one side of a 12 inch record.
I still own one of these things. Unfortunately it failed for the same reason LaserDisc failed - it couldn't record live television or home movies as VHS could do. See http://en.wikipedia.org/wiki/Capacitance_Electronic_Disc [wikipedia.org]
The LP is part of the move toward providing a more complete product back like they did with CDs, cassettes, and vinyl. With those things, you typically got extra stuff, like elaborate cover and inside art, and song lyrics, and with CDs there could be a data track with videos and other stuff. These are things that have gone by the wayside with digital downloads. Now that we are reaching the point where CD's are becoming a thing of the past for a much larger number of people, there has been an outcry about the loss of all of those extras. The digital LP is a focus to get those things back, so you can have all your extras for the complete experience.
iTunes LPs: These are effectively like bonus CDs for digital albums. Each one comes with extra songs that you only get if you plunk down nearly $20 on the whole album -- you can't download these individually. Along with that, you get video content -- in most cases, live concert recordings -- as well as photo albums and lyrics, which serve as a sort of modern-day liner notes, I guess? It's a bit like buying one of those loaded-up "Digipack" CDs record companies used to release, except on iTunes.
The idea is that "iTunes LP" would serve as the non-song content you used to get when you bought an album: the beautiful LP cover, lyrics, and other stuff. But upgraded to the digital era.
The problem with this non-story is that Apple isn't selling iTunes LP extras, it's giving it away when you buy the regular album associated with it.
It was a defensive move to prevent the labels from inventing their own proprietary format instead. iTunes LPs are just self-contained websites built using web standards: HTML, CSS, and JavaScript. Apple created a JavaScript framework called TuneKit to allow these "self contained websites" to interact with iTunes, playing content etc.
The same format is used to deliver iTunes Extras, the same bonus format for movies. Essentially, both are designed to make extremely easy to author bonus content that labels and studios (including indies) can use to add value to their existing work.
Obviously, Apple doesn't want to launch the new format with a bunch of crap, and taint it with mocking commentary that equates garbage or wierdo music with the format. So it launched the new format with iTunes 9 using a dozen big music acts and a similar number of recent movies. There has been the typical hysterical fit from poorly sourced, half-right "tech news" pieces that claimed Apple hates indies and will charge $10,000 (!) to develop the titles.
This is clearly all uninformed bullshit because there's no way Apple would develop content for third parties for just $10,000 a pop. Not even a professional authoring artist would do these for that kind of budget. Compare the free involved with authoring a DVD or BluRay disc, or creating all the artwork for a band's website or a multimedia CD-ROM.
Slashdot picked up the story and keeps trying to bump it up into the air because it sounds bad for Apple. The reality is that this is the best possible album format design anyone in the FOSS community could have hoped for. It's open, you can built it yourself, and kids can even apply some remedial HTML skills to remix their own content downloads. It's the web with a minimal business model.
However, an iTunes spokesman says the fee is fiction. There is no production fee charged by Apple, he says. "We're releasing the open specs for iTunes LP soon, allowing both major and indie labels to create their own.
Not sure who is right, this guy or the guy who quoted the 10k$ figure.
I guess we'll have to wait and see. Or not if you're not interested in LPs.
It is quite likely that if they let people design their own LP's then Apple has to vet them for programming issues like cross site scripting especially if it allows HTML, Javascript or other languages to be active within them. And they just don't have the time to go over everyones code.
In which case, they need to come up with a standardized couple of formats in which people can plug in artwork, videos and other data to create their own LP.
True - they should just use that famous Apple software innovation to create an IDE and then sell it... then anyone could create their own "LP" and distribute it... oh gawd I can only imagine what nice old aunt Betty will churn out for her grandkids and quilting club!!!
Because Apple is a big corporation primarly interested in making money. Getting $10000 in design fees is a handy way of making $10000 more then if they just let you put it up for free.
I might be able to answer that question if I knew what "LP" meant in this context; come on people, enough with the obscure acronyms, put what it means in the story summary.
These things are a last attempt to try and make "albums" relevant. They don't matter. Albums are an ex-parrot. They're pushing up the daisies. They're singing in the... no, that's it, they're not singing at all. That's the problem. They're tragically unhip.
I disagree that albums are unhip or dead or anything like that. Anyone who is serious about their music knows that a complete LP should be, and often is, a single work of art. Many artists put a lot of effort into selecting and arranging songs on an album such that it reads like a single story. Albums may be dead among the teeny-boppers, but anyone over the age of 18 who loves music should appreciate the importance of albums.
I agree with "who cares" though. I wish people would go down to their local CD shop and buy a record and support a small business instead of feeding some giant middle man like apple. Then you can read the lyrics, see the art, put the songs on your HDD, lend it to your family and do whatever you want with it.
I hope albums and CD stores stay alive.
MP3 had a lot of crap, and by crap I don't mean "bad taste, but will sell reasonably well." It was the sort of stuff that is obscure because even with wide exposure it wouldn't get many fans.
My guess is that Apple wants to discourage said bands from participating so that most of the stuff that gets on there is of decent quality by serious artists not some fly-by-night garage band that cobbled together a CD using an Audacity tutorial.
However, an iTunes spokesman says the fee is fiction. “There is no production fee charged by Apple,” he says. "We're releasing the open specs for iTunes LP soon, allowing both major and indie labels to create their own.”
Guess I could've stopped after typing the subject... but anyway. I'm old enough where I still have LPs in a box somewhere. Thinking back to how often I looked at the liner notes, extras, etc. - the total for a given album varies between zero and one. I just wanted the music back then, and that's the case now.
I do find it funny (but not surprising; I've been on Slashdot too long to have high expectations) that people here are reacting with outrage, even though the story's been shown to be bogus - Apple says they're not charging a fee for this. Being the control freaks they usually are, they're working on opening it to everyone rather than just letting it out there: "We're releasing the open specs for iTunes LP soon, allowing both major and indie labels to create their own. There is no production fee charged by Apple."
What if this is to prevent labels from dumping crud into the iTunes store and making iTunes LP look like a joke? By forcing the studios to commit at least so much money to the project, they may only do it for bigger bands and when they can do a good job, instead of just putting 20 images together and just saying "Look! It's an LP" for everything in their catalog.
Basically, this may be a way to help with initial quality control.
The question is if it continues or not. Whether it's adjusted up or down, how it starts to work with indie labels, that will be the question.
I believe that Apple wants to control -- to "curate" -- the new experience of the LP while it is in its nascent stage of marketing. They want to sell these things, they want to convince people they are worth buying, and to accomplish that they cannot let the floodgates open for every garage band to participate before some kind of clear quality benchmarks are established.
Let's face it: There is a lot of great Open Source software. Open Source design? Not so much...
I actually think a fee of some sort here would be advisable for the "LP" so that there was at least some barrier to entry so that you couldn't just add a couple of photos and call it an LP and charge £25 for it. If there's a small barrier to entry (10k is not small really) then it would prevent (hopefully) dilution
LP? (Score:5, Informative)
Re:LP? (Score:4, Funny)
It's part of that retro-is-new thing, all the kids are doing it, it's alltuhh-9ytujhff all the rage (sorry, electric typewriter keys got stuck - one of the hazards of being cool).
Parent
Re:LP? (Score:4, Informative)
Oh, and in case anyone was wondering, what they're calling an 'LP' is essentially a DVD-style menu for your album. With pics, lyrics and bio - you know, the kind of stuff any 5-year-old can get from google or can be auto-loaded by many modern music players (WinAMP, Amarok, take your pick).
So on a scale of usefulness from "necessary for human survival" to "would rather have my balls in a vise", it scores about a "meh".
Parent
Re:LP? (Score:4, Interesting)
Actually, there is more. They showed the Doors LP which contained exclusive interviews and other video media. The idea is to get you to buy the whole album instead of just a track or two. I don't think they're really charging much more for it, maybe an extra $1, although the one's I've looked at seem to contain more songs than the standard album.
Whether it works out or not, I at least give them credit for trying to add some additional value to the digital media and provide some better incentives to buying whole albums.
Parent
Re:LP? (Score:5, Informative)
Parent
Re:LP? (Score:4, Interesting)
According to itunes it's not on the Cd release, but in just a couple of years when a new compilation album comes out it'll be very likely guaranteed that those tracks will be on the disc.
I've got a pre-Sap/Jar of Flies dual demo vinyl with the AiC logo engraved on the back - a REAL LP with songs never released on the official albums and STILL unreleased to this day.
iTunes doesn't have any real exclusives - those that actually know the band have the real exclusives that the rest of the world will never hear. Another example, "The Prince," written by Diamond Head and covered by Metallica, was originally on the Black Album (The Thompson Original Master Tape, anyways) and never made it to the final cut, instead appearing later as a b-side to One and Harvester of Sorrow singles and on the Garage, Inc album. Also, the original title to song #5 on the same Black Album - "Whereever I May Road" yes, not roam, ROAD.
There hasn't been a real "exclusive" in the music market since digital distribution. No mispresses, no off-recordings, nothing that makes anything unique and awesome anymore. Can't carve a shitload of grooves into an optical disc like we did with a vinyl LP and still expect it to play!
Parent
Apple has agreed to allow anyone to design an LP (Score:5, Informative)
Responding to criticism that the iTunes LP format has been priced out of reach for independent musicians and labels, Apple has said it plans to open the format [appleinsider.com] in the near future.
Essentially they will allow anyone to design their own LP and bypass the $10,000 production fee.
Parent
Re: (Score:3, Informative)
iTunes store already has "complete my Album" which lets you buy the rest of the album, getting credit for the tracks you've already bought.
In most cases, albums are generally cheaper than buying all the tracks individually. Based on my experience, it seems to be the case for about 80% of the albums I've looked at (YMMV). And the new LPs even more so (more like 95%).
As someone else pointed out, the LP appears not to add additional cost to the album to the consumer, so it is throwing in extra goodies to encou
Re: (Score:3, Informative)
The tracks are standard 256-bit AAC. No DRM on audio (not sure about video). The videos also come as individual files.
While the format is web-based, it's not a browse to a website solution.
My guess is that the iPod app for iPhone will have to be updated to support the extras. Same is true for AppleTV. All the components to support it are there, but they need to be put together.
I think you're seeing one early step in a multi-step process.
Re:LP? (Score:5, Informative)
On a scale from "engine" to "giant Hello Kitty decal for the rear window", it scores about a "windshield wipers on the headlights".
Parent
Re: (Score:3, Insightful)
"if they had been good, they would have played on the radio"
you're joking, right?
Re:LP? (Score:5, Insightful)
What about Zoso? Dark Side of the Moon? Tommy? Van Halen I? Bookends? Electric Ladyland? Brothers in Arms? 2112? I could go into modern examples too, starting with everything Dredg has ever made, and finishing with everything Muse has ever made
There are thousands of albums that are great, start to finish. What's killing the music industry is not piracy, it's the fact that people no longer have the attention span to sit through a great album, and aren't willing to pay album prices for the singles that the radio has drilled into their heads.
Parent
Re:LP? (Score:5, Insightful)
Parent
Re: (Score:3, Insightful)
I'd argue that albums where every song is solid is the exception, not the norm
True, but then bands that don't suck are also the exception, not the norm. It's pretty easy to find entire albums that are worth listening to if you stick to bands that don't suck...
Re:LP? (Score:5, Insightful)
I think it's insightful to his mindset when he says "if they had been good, they would have played on the radio".
After that, it's easy to see where he's coming from, not that I agree with this premise.
Parent
Public service announcement.. (Score:5, Insightful)
Parent
Re: (Score:2)
nope
they want you to buy a whole album and not a few songs so they sell you an LP which is all the songs, a few videos, and DVD type making of crap that you can only view on a computer
Re: (Score:2)
I think the OP has the same issue I do - when I think of "LP" I think of a vinyl record. Since videos aren't coming out on vinyl, I'm guessing that the meaning of LP has changed.
Re:LP? (Score:5, Funny)
Nope, videos are recorded in H.264, then recorded on vinyl. It does require a 50000 RPM turntable though.
Parent
Re:LP? (Score:5, Informative)
RCA invented a video-record back in the 1970s. It used a needle and concentric grooves, but instead of touching the platter the needle hovered above the grooves. Using this method they could store 60 minutes of broadcast quality (440x480) analog video on one side of a 12 inch record.
I still own one of these things. Unfortunately it failed for the same reason LaserDisc failed - it couldn't record live television or home movies as VHS could do. See http://en.wikipedia.org/wiki/Capacitance_Electronic_Disc [wikipedia.org]
Parent
Re:LP? (Score:4, Funny)
50000 RPM. sounds like dependency hell if you ask me!
Parent
Re:LP? (Score:5, Informative)
The LP is part of the move toward providing a more complete product back like they did with CDs, cassettes, and vinyl. With those things, you typically got extra stuff, like elaborate cover and inside art, and song lyrics, and with CDs there could be a data track with videos and other stuff. These are things that have gone by the wayside with digital downloads. Now that we are reaching the point where CD's are becoming a thing of the past for a much larger number of people, there has been an outcry about the loss of all of those extras. The digital LP is a focus to get those things back, so you can have all your extras for the complete experience.
Parent
Re: (Score:3, Funny)
Yeah, it's too bad that MP3s can't store lyrics and additional artwork...
Re: (Score:3, Informative)
Re:LP? (Score:5, Funny)
The digital LP is a focus to get those things back, so you can have all your extras for the complete experience.
How are you supposed to sort the seeds out of pot on the back of a digital LP?
Parent
Re:LP? (Score:5, Insightful)
How are you supposed to sort the seeds out of pot on the back of a digital LP?
Stop buying schwag and the problem takes care of itself ;)
Parent
Re:LP? (Score:5, Insightful)
Ahh, so it's like a torrent that comes complete with cover art and an nfo file, then, but overpriced? ;)
Parent
Re:LP? (Score:4, Informative)
From gizmodo [gizmodo.com]:
Parent
Re:LP? (Score:5, Insightful)
The idea is that "iTunes LP" would serve as the non-song content you used to get when you bought an album: the beautiful LP cover, lyrics, and other stuff. But upgraded to the digital era.
The problem with this non-story is that Apple isn't selling iTunes LP extras, it's giving it away when you buy the regular album associated with it.
It was a defensive move to prevent the labels from inventing their own proprietary format instead. iTunes LPs are just self-contained websites built using web standards: HTML, CSS, and JavaScript. Apple created a JavaScript framework called TuneKit to allow these "self contained websites" to interact with iTunes, playing content etc.
The same format is used to deliver iTunes Extras, the same bonus format for movies. Essentially, both are designed to make extremely easy to author bonus content that labels and studios (including indies) can use to add value to their existing work.
Obviously, Apple doesn't want to launch the new format with a bunch of crap, and taint it with mocking commentary that equates garbage or wierdo music with the format. So it launched the new format with iTunes 9 using a dozen big music acts and a similar number of recent movies. There has been the typical hysterical fit from poorly sourced, half-right "tech news" pieces that claimed Apple hates indies and will charge $10,000 (!) to develop the titles.
This is clearly all uninformed bullshit because there's no way Apple would develop content for third parties for just $10,000 a pop. Not even a professional authoring artist would do these for that kind of budget. Compare the free involved with authoring a DVD or BluRay disc, or creating all the artwork for a band's website or a multimedia CD-ROM.
Slashdot picked up the story and keeps trying to bump it up into the air because it sounds bad for Apple. The reality is that this is the best possible album format design anyone in the FOSS community could have hoped for. It's open, you can built it yourself, and kids can even apply some remedial HTML skills to remix their own content downloads. It's the web with a minimal business model.
New iTunes LP and Extras built using TuneKit Framework, aimed at Apple TV [roughlydrafted.com]
Why Apple is betting on HTML 5: a web history [roughlydrafted.com]
Apple plans to open iTunes LP for independent labels [appleinsider.com]
Parent
Oh that's the $10,000 question. (Score:2, Insightful)
Re:Oh that's the $10,000 question. (Score:5, Informative)
Not sure who is right, this guy or the guy who quoted the 10k$ figure.
I guess we'll have to wait and see. Or not if you're not interested in LPs.
Parent
XXS and other issues (Score:3, Interesting)
In which case, they need to come up with a standardized couple of formats in which people can plug in artwork, videos and other data to create their own LP.
Re: (Score:2)
True - they should just use that famous Apple software innovation to create an IDE and then sell it... then anyone could create their own "LP" and distribute it... oh gawd I can only imagine what nice old aunt Betty will churn out for her grandkids and quilting club!!!
Re:XXS and other issues (Score:4, Insightful)
Parent
That's easy (Score:3, Insightful)
Because Apple is a big corporation primarly interested in making money. Getting $10000 in design fees is a handy way of making $10000 more then if they just let you put it up for free.
the answer (Score:2)
Re: (Score:2)
LP. Long Play. Synonymous with record albums; you know the big black CD like things that you read with needles.
It refers to iTunes songs with bonus content like pictures, lyrics, stories, video clips, etc attached instead of just bare music.
Re: (Score:2)
More so with the large decorated cardboard sleeves that hold the large black old timey records than the large black old timey records themselves.
Who cares? (Score:2)
These things are a last attempt to try and make "albums" relevant. They don't matter. Albums are an ex-parrot. They're pushing up the daisies. They're singing in the... no, that's it, they're not singing at all. That's the problem. They're tragically unhip.
Re:Who cares? (Score:4, Insightful)
Parent
They don't want to be the next mp3.com (Score:2)
MP3 had a lot of crap, and by crap I don't mean "bad taste, but will sell reasonably well." It was the sort of stuff that is obscure because even with wide exposure it wouldn't get many fans.
My guess is that Apple wants to discourage said bands from participating so that most of the stuff that gets on there is of decent quality by serious artists not some fly-by-night garage band that cobbled together a CD using an Audacity tutorial.
Marketing (Score:3, Interesting)
Apple says there is no $10,000 charge (Score:5, Informative)
http://www.musicweek.com/story.asp?sectioncode=1&storycode=1038901&c=1 [musicweek.com]
Story is bogus; either way I don't care (Score:3, Informative)
Guess I could've stopped after typing the subject... but anyway. I'm old enough where I still have LPs in a box somewhere. Thinking back to how often I looked at the liner notes, extras, etc. - the total for a given album varies between zero and one. I just wanted the music back then, and that's the case now.
I do find it funny (but not surprising; I've been on Slashdot too long to have high expectations) that people here are reacting with outrage, even though the story's been shown to be bogus - Apple says they're not charging a fee for this. Being the control freaks they usually are, they're working on opening it to everyone rather than just letting it out there: "We're releasing the open specs for iTunes LP soon, allowing both major and indie labels to create their own. There is no production fee charged by Apple."
Re:Can anyone think of a reason? (Score:5, Insightful)
I can.
What if this is to prevent labels from dumping crud into the iTunes store and making iTunes LP look like a joke? By forcing the studios to commit at least so much money to the project, they may only do it for bigger bands and when they can do a good job, instead of just putting 20 images together and just saying "Look! It's an LP" for everything in their catalog.
Basically, this may be a way to help with initial quality control.
The question is if it continues or not. Whether it's adjusted up or down, how it starts to work with indie labels, that will be the question.
Parent
Re:Can anyone think of a reason? (Score:5, Insightful)
What if this is to prevent labels from dumping crud into the iTunes store
Have you heard the pop charts recently ?
Parent
Re:Groan ... Pay More Money for What Exactly? (Score:5, Informative)
Extractor? On a mac, you just have to rightclick on the LP file and do a "show package contents." It's just a bundle that uses HTML5/CSS3.
Doesn't take a lot of work.
Parent
Re:Groan ... Pay More Money for What Exactly? (Score:4, Insightful)
I believe that Apple wants to control -- to "curate" -- the new experience of the LP while it is in its nascent stage of marketing. They want to sell these things, they want to convince people they are worth buying, and to accomplish that they cannot let the floodgates open for every garage band to participate before some kind of clear quality benchmarks are established.
Let's face it: There is a lot of great Open Source software. Open Source design? Not so much...
Parent
Re:Groan ... Pay More Money for What Exactly? (Score:5, Insightful)
so in the end we are right back at apple wanting to deliver that special fairy dust experience that only "they" can deliver...
talk about marketing machine...
Parent
Re: (Score:3, Informative)
No negative moderation needed really, just the link to the story where Apple denies it is charging this 10k fee.
http://www.musicweek.com/story.asp?sectioncode=1&storycode=1038901&c=1 [musicweek.com]
I actually think a fee of some sort here would be advisable for the "LP" so that there was at least some barrier to entry so that you couldn't just add a couple of photos and call it an LP and charge £25 for it. If there's a small barrier to entry (10k is not small really) then it would prevent (hopefully) dilution