The Insanely Great Songs Apple Won't Let You Hear 341
FunkeyMonk writes "Slate.com has an article by Paul Collins explaining that the iTunes music store has thousands of tracks that you can't buy in the U.S. From the article: 'The iTunes Music Store has a secret hiding in plain sight: Log out of your home account in the page's upper-right corner, switch the country setting at the bottom of the page to Japan, and you're dropped down a rabbit hole into a wonderland of great Japanese bands that you've never even heard of. And they're nowhere to be found on iTunes U.S.' The article goes on to mention a few workarounds if you want to purchase foreign tunes. But this brings up a good point — why shouldn't iTunes be the great mythical omniscient music repository where all the world's music is available instantly? Is this simply a marketing decision?"
Licensing, licensing, licensing (Score:5, Insightful)
Nothing new... (Score:5, Insightful)
British had "With the Beatles" while an album with slightly different tracks called "Meet the Beatles" came out in the US.
The British version of "Are You Experienced?" by Hendrix had additional songs, such as "Red House" which the record company felt would go over better in Britain than the US, even though it was a straight blues track and blues was born in the US. *shrugs*
So while in the age of the internet, this seems silly, it's nothing new.
Isn't it the record labels doing it? (Score:3, Insightful)
I seem to have seen a post about that at some point on Apple's discussions boards.
From that, iTunes works with the whoever hold the distributions rights in that country. If those bands don't have a U.S. distributor.
One band I like "Growing Old Disgracefully" recently made the jump from the U.K., to the U.S. iTunes store by working with CD Baby.
It's probably a legal decision. (Score:5, Insightful)
Sadly, while the Internet is world-wide and country borders are merely speedbumps, the legal world hasn't figured that one out yet...
So their deals with Japanese record houses probably only allow Apple to sell their music in Japan.
Seems short-sighted to me. If you're making a deal with the guys who sell 80% of the online music sold, why not let them sell to as many people as possible instead of holding back rights? You get a cut on each...
Uh, it's the Record Companies (Score:5, Insightful)
Re:Isn't it the record labels doing it? (Score:5, Insightful)
No, it's a label decision. (Score:4, Insightful)
how is this limiting choice? (Score:3, Insightful)
A more accurate presentation might be that DRM and restrictive licensing is limiting the choice of music, which does have an element of truth, and Apple does bear some responsibility. But even this is far from unclear. If we are talking about music downloads, the only thing effecting music choice is the artist, not Apple. Apple certainly effects exposure, but not choice, except in the sense that one cannot choose what one does not know.
But certainly anyone can go onto a P2P network an download music, and it will play on the iPod and work in iTunes. Any artist can go to Youtube and upload a video. If a song is insanely great, it will generate insanely great buzz, and people will hear it.
I also wonder about the definition of insanely great music, and people expecting have such music handed to them on a gold platter. We are so used to having sanitized music spoon fed to us. The ability to download music is just going to exacerbate this problem, and lead to the increasingly sanitized of music. A better article would be how increased music delivery in destroying insanely great local music, and replacing it with moderately interesting sanitized corporate music.
Jesus, keep this shit on Digg (Score:4, Insightful)
Re:Question (Score:3, Insightful)
Re:Licensing, licensing, licensing (Score:5, Insightful)
Re:Devil's in the Contracts (Score:3, Insightful)
It actually is often cheaper to order the CD from the local amazon (e.g., amazon.jp) and have it ship them to you.
credit card foreign fees (Score:2, Insightful)
Re:Licensing, licensing, licensing (Score:3, Insightful)
No, we all went out and bought DVD players with publicly-available "no region" hacks and an in-built capability to skip the bits that the DVD makers try and force us to watch ("Millions of people who wouldn't think of driving a combine-harvester through a puppy-farm, setting fire to a children's hospital after welding all the doors shut, or launching an ICBM at Finland commit the immeasurably worse crime of copying DVDs or lending them to their friends and family").
Two Quick Points (Score:5, Insightful)
First, this isn't "Apple" not letting you hear these things. It's the record companies and their licensing agreements. If you go into a record store in the US, do you see all these great Japanese artists? Hell no. Why? Isn't it just as easy to ship them over as it is to ship over US artists? It's not Apple limiting these things, it's the damned recording companies.
It's the same reason that TV shows on iTunes US aren't available on iTunes UK and vice versa. There are ancient licensing agreements (well, ancient in terms of the internet) between the media companies that Apple has to respect if you want any content on iTunes at all. Apple could have gone the eMusic route and filled the iTunes store with independent artists, but who would start doing that?
Finally, Apple's not preventing you from hearing these songs on your computer or your iPod. You're free to buy them on CDs and rip them into your computer. And you can even rip them in MP3 format with no DRM! Amazing!
It's natural for people to beat up on Apple because that's who's dealing with them when they don't get what they want. But that's just human nature. I used to work as a bus boy in a restuarant. I've seen people scream at waiters for the cooks screwing up their order. I've seen people yell at cashiers for something they bought there not working correctly. Most people are stupid. It's up to those of us who aren't to
That's the one thing that really annoys me (Score:5, Insightful)
Re:Nothing new... (Score:5, Insightful)
Three generations are gathered together at a reunion. The youngest is preparing dinner, a fine potroast. She takes the roast, dutifully cuts off each end of the roast as taught years ago by her mom, and puts it in the pan. She asks her mother "Mom, I never really understood that part, why do we always cut off the ends of the roast? It's perfectly good meat we're just throwing away."
And the mother responds, "I don't know really, I always do it because that's the way Grandma taught *me*". So they decide to go out into the living room, and ask Grandma. And she replies... "I used to cut the ends off so the damn roast so it would fit inside the pan, you idiots".
It is still the same old behaviour, but the physical constraints that legitimized that behaviour are now gone, and the behaviour should change accordingly.
I see this all the time in various ways. Online stores, software, you name it, various industries or designs clinging to behaviours that used to have physical limitations still doing things the same old way, even though they no longer have to.
My wife and I just raise our eyebrows and whisper "potroast" to each other.
Re:Another legal way to buy Japanese music (Score:3, Insightful)
And if you're over, say, 30 years old, the idea of downloading music seems like scary voodoo as music is supposed to be a plastic disc instead of data, and you'd rather yell at kids to get off your lawn than do anything to save natural resources.
Re:Copyright (Score:3, Insightful)
Or to take the petty theft out of the equation, if you throw away an early draft of a manuscript you're working on, am I allowed to publish it?
Current US Copyright law says "no," and as a musician, I think that's reasonable.
An example more pertinent to my own life is that my band will be working on another album soon, but we've got some new songs already. If someone bootlegged a show, and released a CD of the same in Japan (without asking, of course), would they be guilty of copyright violation if they only were releasing previously unreleased work?