Catch up on stories from the past week (and beyond) at the Slashdot story archive

 



Forgot your password?
typodupeerror
×
Media (Apple) Businesses Media Music Apple

iPods are for Audiophiles 578

Mr iPod Luvver writes "Wes Phillips in this month's Stereophile magazine shows the iPod to be an audiophile-quality device. AIFF seems to be the high-resolution ripping option. Says Phillips, 'Dynamics were impressive, imaging was nuanced and detailed, and the frequency extremes sounded extended and natural.'"
This discussion has been archived. No new comments can be posted.

iPods are for Audiophiles

Comments Filter:
  • AIFF (Score:2, Informative)

    by Phroggy ( 441 ) * <slashdot3@@@phroggy...com> on Tuesday October 14, 2003 @04:53PM (#7212997) Homepage
    AIFF seems to be the high-resolution ripping option.

    Seems to be? Uhhh. Like WAV, AIFF is uncompressed, so the quality should be identical to the raw data from a CD. AIFF has always been Apple's preferred format, but both are supported. By the way, cdparanoia can rip to AIFF just fine (use the -f flag).
  • complete article (Score:1, Informative)

    by Anonymous Coward on Tuesday October 14, 2003 @05:05PM (#7213053)
    Apple iPod portable music player
    By Wes Phillips, October 2003
    It was John Atkinson, that legendary ornithologist, who first pointed it out: "Have you noticed how frequently you see women using the iPod?"

    I hadn't. I'd been so darn happy striding about the streets of New York listening to Tom Russell and Carla Bley that I hadn't been paying attention. Gimlet-eyed, I now began examining my fellow pedestrians for the telltale flash of the distinctive white-and-chrome player and the giveaway white headphone cable that announced the iPod's earbuds.

    What an astoundingly acute observer of the human condition Stereophile's editor proved to be! Of course, there were guys walking around with 'em (many wearing "Think Different!" T-shirts), but the streets were filled with fashionably dressed young women brandishing iPods as though they were this season's trendiest little Manolo Blahnik sling-back.

    Holy cow! I'm running with the fashionistas! Can I still be an audiophile, too?

    What did you see when you were there?
    Apple's third-generation iPods are smaller, sleeker, more capacious than earlier models. The G3 is available with a 10GB, 15GB, or 30GB hard drive. [A 40GB drive is now available.--Ed.] The 30GB version is slightly larger and heavier than the other two, at 4.1" H by 2.4" W by 0.73" D and 6.2oz (compared to 0.62" D and 5.6oz). Our review sample was the 30GB model, which includes several accessories that buyers of the 10GB version have to buy separately: a docking cradle, a wired remote, and a carrying case of elastic and leather. A FireWire connecting cable is standard (it sports an extremely thin "dock connector" on the end that attaches to the iPod, since the iPod itself is too thin to accommodate a standard IEEE1394 plug.) The iPod can connect to a PC through a special 32-pin-to-USB-2.0+FireWire cable. The bifurcated cable has a 32-pin plug on one end, then splits into two cables: one with a USB plug for connection to the computer, the other terminating in a FireWire connector, which plugs into the iPod's power adapter so you can charge the battery.

    The iPod is a product of Apple's industrial design department, headed by Jonathan Ives, which means it is very clean and contemporary. The back of the iPod is shiny stainless steel, while the front is bright white plastic. ("White's this year's black," a fashionista of my acquaintance assures me.) The face is dominated by three features: a 1 5/8" by 11/4" (2" diagonal, in TVspeak) backlit LCD display sits above a row of four touch-sensitive control "buttons" (Previous Track, Menu, Play/Pause, Skip Forward), which, in turn, lies above a large touch-sensitive "wheel" that is actually a multifunction control: the outer ring controls volume and navigates through menu choices, while the inner "button" serves as an Enter key.

    What's surprising is how flexible and intuitive this seemingly rudimentary control array is in operation. Press Play and the iPod powers on, playing where it left off. Tap Menu and you're given several programming choices. The navigation wheel lets you highlight your choice, and a tap on the enter key takes you to that menu. Use the wheel to choose the option you want, tap enter, and you're there: a new playlist or a new song. All of this can be accomplished one-handed, while running.

    The iPod's thin top edge has a 1/8" stereo headphone jack with an adjacent oval slot for anchoring the wired remote (added because users of Gen 1 and 2 iPods complained that the remote disconnected from the chassis too readily), and a sliding panel that activates the hold function for the controls. I found the touch-sensitive control extremely sensitive, so disabling it with the hold function proved a lifesaver.

    The thin bottom edge contains the jack for the 32-pin dock connector (interestingly, FireWire uses only six pins--this may represent some sort of future-proofing on Apple's part). In addition to carrying data at 400Mbps, this cable also recharges the iPod's internal lithium-ion battery. Assuming you
  • Well, not to let the insanity of some audiophiles off the hook completely (I once read about a guy who noticed his fridge was causing distortion in his system, so he bought a pair of $10,000 generators to isolate it from the rest of the house's power. that's insane), but the reason they don't back things up with numbers is that in audio, numbers lie. A lot. To the point that they have little meaning, except as a comparison to otherwise identical equipment.

    A 5W tube system may be louder than a 50W transistor system. A speaker with .002% signal distortion might easily introduce its own distortion due to cheap magnets or poorly engineered cones and not include that, even though the stat says "Total Harmonic Distortion." Even a stat like "Frequency response: 20 Hz - 22 kHz" is useless if the amplification device is not perfectly linear, and no device is. Thus, the auditioning of gear on a "well trained ear" is essential to any audio review.

    And this quote is not even that strange; in fact it's just using different language to explain what we want to hear. Dynamics were impressive means that there was a big difference between loud and soft sounds, usually a sign that the device is delivering sound as accurately as possible. imaging was nuanced and detailed, "imaging" is the combination of stereo seperation combined with balanced delivery of all types of sound (eg, bass doesn't linger and treble doesn't disappear), and detailed imaging means you can hear sounds move from left to center to right accurately. Nuanced imaging means there isn't a sudden skip as a sound movees from left to right, or from one note to another. frequency extremes sounded extended and natural means that low bass and high treble signals are transmitted and not cut off because "you won't hear it any way," and that it also isn't needlessly boosted. In short, this unit is going to deliver a clean signal to your headphones or receiver, and that's exactly what you want from an audio device.

    This guy, who if he's really an expert has no doubt heard a TON of equipment that cost more than you can BELIEVE, is saying the unit ACTUALLY HAS high frequency response, low harmonic distortion and high sensitivity for a unit of its size and cost. And that information is much more useful than just numbers.
  • by Anonymous Coward on Tuesday October 14, 2003 @05:57PM (#7213490)
    RTFM

    press and hold the play button, and the power goes off

    i use mine for commuting, and charge it over the weekend,
    no problem, sits in the car for 5 days never seems to go below 1/3 charge. 30 minute commute each way.
  • by geekee ( 591277 ) on Tuesday October 14, 2003 @05:59PM (#7213506)
    " Apple have obviously selected a good codec, but who designed it? I can't imagine them designing their own codec unless they really needed to."

    The codec isn't the issue. AIFF is uncompressed data like that stored on a cd. The audiophiles are interested in how well this signal is converted to analog and amplified. They're concerned about stuff like distortion, S/N ratio, (which determines dynamic range), output power, etc.
  • by Anonymous Coward on Tuesday October 14, 2003 @06:42PM (#7213825)
    Apple iPod portable music player
    By Wes Phillips, October 2003

    It was John Atkinson, that legendary ornithologist, who first pointed it out: "Have you noticed how frequently you see women using the iPod?"

    I hadn't. I'd been so darn happy striding about the streets of New York listening to Tom Russell and Carla Bley that I hadn't been paying attention. Gimlet-eyed, I now began examining my fellow pedestrians for the telltale flash of the distinctive white-and-chrome player and the giveaway white headphone cable that announced the iPod's earbuds.

    What an astoundingly acute observer of the human condition Stereophile's editor proved to be! Of course, there were guys walking around with 'em (many wearing "Think Different!" T-shirts), but the streets were filled with fashionably dressed young women brandishing iPods as though they were this season's trendiest little Manolo Blahnik sling-back.

    Holy cow! I'm running with the fashionistas! Can I still be an audiophile, too?

    What did you see when you were there?

    Apple's third-generation iPods are smaller, sleeker, more capacious than earlier models. The G3 is available with a 10GB, 15GB, or 30GB hard drive. [A 40GB drive is now available. -Ed.] The 30GB version is slightly larger and heavier than the other two, at 4.1" H by 2.4" W by 0.73" D and 6.2oz (compared to 0.62" D and 5.6oz). Our review sample was the 30GB model, which includes several accessories that buyers of the 10GB version have to buy separately: a docking cradle, a wired remote, and a carrying case of elastic and leather. A FireWire connecting cable is standard (it sports an extremely thin "dock connector" on the end that attaches to the iPod, since the iPod itself is too thin to accommodate a standard IEEE1394 plug.) The iPod can connect to a PC through a special 32-pin-to-USB-2.0+FireWire cable. The bifurcated cable has a 32-pin plug on one end, then splits into two cables: one with a USB plug for connection to the computer, the other terminating in a FireWire connector, which plugs into the iPod's power adapter so you can charge the battery.

    The iPod is a product of Apple's industrial design department, headed by Jonathan Ives, which means it is very clean and contemporary. The back of the iPod is shiny stainless steel, while the front is bright white plastic. ("White's this year's black," a fashionista of my acquaintance assures me.) The face is dominated by three features: a 1 5/8" by 11/4" (2" diagonal, in TVspeak) backlit LCD display sits above a row of four touch-sensitive control "buttons" (Previous Track, Menu, Play/Pause, Skip Forward), which, in turn, lies above a large touch-sensitive "wheel" that is actually a multifunction control: the outer ring controls volume and navigates through menu choices, while the inner "button" serves as an Enter key.

    What's surprising is how flexible and intuitive this seemingly rudimentary control array is in operation. Press Play and the iPod powers on, playing where it left off. Tap Menu and you're given several programming choices. The navigation wheel lets you highlight your choice, and a tap on the enter key takes you to that menu. Use the wheel to choose the option you want, tap enter, and you're there: a new playlist or a new song. All of this can be accomplished one-handed, while running.

    The iPod's thin top edge has a 1/8" stereo headphone jack with an adjacent oval slot for anchoring the wired remote (added because users of Gen 1 and 2 iPods complained that the remote disconnected from the chassis too readily), and a sliding panel that activates the hold function for the controls. I found the touch-sensitive control extremely sensitive, so disabling it with the hold function proved a lifesaver.

    The thin bottom edge contains the jack for the 32-pin dock connector (interestingly, FireWire uses only six pins- this may represent some sort of future-proofing on Apple's part). In addition to carrying data at 400Mbps, this cable also recharges the iPod's internal lithium-ion ba
  • Re:AIFF (Score:2, Informative)

    by Alan Partridge ( 516639 ) on Wednesday October 15, 2003 @05:00AM (#7217425) Journal
    it WAS - the PPC 970 doesn't support biendian operation (hence no Virtual PC for the G5).

BLISS is ignorance.

Working...