iTunes Music Store sells 275,000 Tracks in 18 Hours 1194
physicsnerd writes "According to this article on Billboard.com, Apple's iTunes Music store sold 275,000 tracks in its first 18 hours of operation. The Register.com estimates that this netted Apple just under $100,000! Not too bad for a 99 cents store."
Impressive considering the connection problems people were having. Remains to be seen what usage will be after the hype settles down.
Re:Future looks bright (Score:5, Insightful)
Re:But how many more Macs will get sold? (Score:5, Insightful)
Re:Future looks bright (Score:5, Insightful)
this is funny AND true. ever stepped into the huge conglomerate music stores of late? same music they were selling last year, just with different band names, and song titles......
The state of music today would certainly allow Indy to take over, just because of creativity alone. Apple would be wise to catalog Indy music. (and those profits of 100,000 would be ten fold.)
Re:But how many more Macs will get sold? (Score:2, Insightful)
It's is only relevant if Apple isn't willing to change to make money. If they live off the music store in 10 years and hardly sell any Macs, who cares? (I mean, besides all the people who likes Mac) The shareholders sure won't, as long as their shares pay off, they are happy.
Internet Crack (Score:5, Insightful)
Once they roll this out for Windows or Linux, I'll have a hard time fighting the impulses. It's only 99 cents, right? Cheap! 15 or 20 tracks later, I'll realize I just dropped $20.
Apple may very well succeed because of the low investment necessary... and because at only 99 cents, the instant gratification may get addictive. Smart move on their part.
Apple prolly doesn't make as much as El Reg claims (Score:4, Insightful)
Apple gets $.99 for singles, but less for albums (I bought a 20 track album fo $9.99)... and I'm sure that they need to pay the credit card companies some percentage, and then pay Akamai for the servers, and Amazon for the one-click patents... so I doubt they make more that 15 cents per song on average... but that's still a good margin... but more like $40,000 than El Reg's $100,000 estimate
Re:Future looks bright (Score:5, Insightful)
If Apple starts selling Indy music, then they can either do it at a lower price, higher profit, or both. Without the record labels in the way, set Apple's cut at $.33, the musicians' cut at another $.33, and that makes for a $.66 song. Pretty good competition for the RIAA, really.
Of course, then they'd have $6.66 albums.
Re:Future looks bright (Score:3, Insightful)
And even then it is extremely simple to circumvent. I think the lower quality audio and small selection are the only things really holding this back. I think Apple worked out the perfect amount of DRM for this type of service.
Re:A lot of curiosity (Score:2, Insightful)
Re:Don't buy into the Apple hype machine, AAC (Score:3, Insightful)
Re:Future looks bright (Score:2, Insightful)
That said, I want to point something out. I don't own an iPod. If I owned, instead, an Archos Jukebox, I would be unable to listen to my music on my own hardware.
This is, as far as I know, a completely legal action, but something that is currently impossible due to DRM constraints.
_lpp
Big Story outside the 'geekosphere' (Score:2, Insightful)
!?
Re:A nice looking service (Score:5, Insightful)
How about D) He actually likes the idea of some money going to the artists, rather than stealing the music.
Re:eMusic ups the ante (Score:5, Insightful)
Don't wait for the non-Mac Apple music store - This [theregister.co.uk] article in the Register points out that only two labels have signed up for the Windows version of the music store...
... so far. Surely they're waiting to see how successful the current version is. Also the Windows one probably won't be out for awhile, so there's still time for everyone to get on board. (And I predict they will).
Re:Yes, it's a nice beginning... (Score:5, Insightful)
'Yea its cool and all but I want DRM free music for $0.19'
[Tracks drop to $0.19, DRM free]
'Sure, thats cool and all but I want to be able to buy multiple tracks with a complex pricing algorithm that determines how mcuh to charge be based on my average usage across a limited period of time, plus the moon phase'
[Tracks do the above]
'Ok ok, I give up, I am just shooting holes in anything that is out there because its easier then admitting that someone MAY have gotten something right.'
I can not even count how many people, WITHOUT EVEN SEEING THE SERVICE, have sat around bitching about it. Its hilarious. Now, days later, they are all using it quietly.
Re:Future looks bright (Score:2, Insightful)
The iPod is a cool device, no question; but it's not for me. I don't listen to music while walking around or riding the train. I listen only through my home stereo and in my car, neither of which an iPod does easily or well.
(Please don't reply telling me of solutions for this: I've already looked and, IMnsHO, they are all unsatisfactory. And I'm entitled to my opinion.)
No matter what you think about Apple... (Score:3, Insightful)
Most of us may not agree with the use of DRM and AAC files, but progress is best made by a series of compromises. Considering what the music labels really want to shove down our throats, I think Apple has provided a pretty consumer-friendly compromise. Now that they have set this precedent, I think we can feel a little more secure that things can't get any worse, but hopefully better.
Now they just need to begin the slow process of removing the big evil record labels from the picture by offering independent artists that are self-produced or produced by small labels. Of course since becoming redundant is the real fear held by the RIAA and their ilk, this "compromise" may be harder to achieve.
Re:Future looks bright (Score:5, Insightful)
This is like bitching that BMG offers a music service through which you can only buy CDs, and you have a tape player. Even though it really sucks that you just bought a tape player, it's not the actions of DRM that are keeping the music from working on it.
Re:crazy (Score:4, Insightful)
I didn't think so.
Re:Future looks bright (Score:5, Insightful)
I guess I'll give the AMS a try, though I probably won't like it, because I'll feel like I'm paying for something I won't actually own, and I'm used to at least feeling like I "own" the music I buy. I hate the fact that my computer is actively working against me to do what I want to do. It's not that I can't do it because the technology doesn't exist or something...the computer is actively working against me. My own computer!
DRM "technology" turns computing on its head. Always in the past, I buy new hardware or software so it'll let me do new things. Now, here's "new technology" to prevent me from doing things I could do before! No thank you.
Re:Yes, it's a nice beginning... (Score:3, Insightful)
The point is that for $20 I can get the EXACT 20 songs I want. Not $15 for 3 songs I want and 10 I could care less about. A regular CD cost (street price) $12 - $17 new, usually $8 used. Even buying used, if you like less than 8 songs on the disk - you are paying more than Apple's service.
I think they should increase their bitrate 1 notch - to better compete with CDs. But the price is pretty fair.
Re:Future looks bright (Score:5, Insightful)
Point by point:
In a related article, recent studies show that Apple zealots will buy just about anything as long as it has a candy colored apple logo and some brushed metal interface.
Candy coloring is far less likely to have an effect on an Apple zealot, who probably knows something about technology, than on a technophobe who bases his/her buying decision largely on the appearance of a product. And, incidentally, the brushed metal interface has been almost universally bashed from day 1. There's even a utility to change the brushed-metal interface of Safari to Aqua [versiontracker.com].
As much as I'm against the DRM and the low bitrate itunes uses,...
Apple hates DRM. Clearly, considering you can burn as many CDs as you want, use as many iPods as you want, and transfer the song files between up to three Macs, not to mention play them on any computer you wish over a network or the Internet, the little bit of DRM Apple included in these files is there to pacify the RIAA. I'm surprised they managed to get the Big Five on board with as little DRM as this, frankly.
And the low bitrate comment is absurd. These are AACs, not MP3s. The quality of a 128 kbps AAC rivals [macrumors.com] that of the original uncompressed audio source.
Wow! Music with practically no DRM, delivered cheaper than CDs in a digital format over the Internet, and compressed at a high enough bitrate to be of better quality than CDs...and you actually think this is a good thing? What low standards!
The Indy music idea, on the other hand, is a good one...and it will probably happen [time.com].
Promising Experiment (Score:2, Insightful)
I think the significance of this it that major distributors have signed on to a service that isn't locked in to Microsoft-proprietary file formats. If the Apple store is successful, more distributors will be signing on to this, or looking into other ways to get online.
Yes, Apple's music comes with DRM. I don't think major distributors will sign up without it. Apple's model is less restrictive than many of the current online music sellers. Consumers haven't seemed willing to pay for music that's severely locked down. Apple's venture will show distributors whether we're willing to pay for greater freedom with our tunes.
I really don't think we're going to get a DRM-free future. Sad but true. Unless Apple fully documents their DRM technology so that other companies can build devices that can play these modified AAC files, we may be trading Microsoft's proprietary lockdown for Apple's. I want open formats for everything--including DRM technology.
Re:Future looks bright (Score:3, Insightful)
> [Steve Jobs said] had been researching DRM for a long time, and no matter what it can always be hacked
> he never let on that apple had huge plans
Isn't it obvious that Steve Jobs and Apple don't care a bit about DRM getting hacked? They care about getting DRM good enough to get the record labels to sign up to distribute music through Apple.
Re:Future looks bright (Score:2, Insightful)
What slashbots keep saying, though, is that the RIAA should "wake up" and invest billions in a new eCommerce infrastructure that they must maintain, because it might be profitable. Why would they? Especially after the
Build it and they will come. Apple built it, and they came to the tune of $100,000. I'm sure setup costs were at least a magnitude of order greater than that, and they're still in the hole. But so long as it's Apples gamble, the RIAA could give a shit. They're out to make money. Whether they make it from online sales or from plastic spinning discs, they dont care.
Re:Future looks bright (Score:5, Insightful)
Re:Everything a music service should be ? (Score:5, Insightful)
Concidering everyone else is still stuck on MP3, which is not open at all (and is even more expensive than AAC to use) you can hardly fault apple for this.
Their option is no worse than what anyone else is using.
Its amazing, apple offers many features that everyone conciders great, and on this one feature they do basically the same thing (use a closed format like everyone else), and thats the feature that gets bashed.
MP3 is closed, and requires licencing to make encoders or decoders.
redbook (audio CDs) are also closed format and requires licencing (Though i dont know about the costs for that one)
AAC is closed.
Seems to be you should be bitching at EVERYONE that isnt the 0.01% of the population that uses a computer and OGG, not just apple.
Re:A lot of curiosity (Score:1, Insightful)
Re:A nice looking service (Score:5, Insightful)
I fully plan on buying a Mac for my next system. I now can safely say I have no reason to stick to Linux, because I can still operate just as well using the BSD tools. I'm not a desktop programmer, so I don't care about that.
This is just one more perk to owning a Mac, and I'm fully ready to start becoming a full-fledged, card carrying Mac whore.
The only issue I have with Macs is their cost, but I think I can cope by having a pretty damn cool, commercially supported, end-user Unix system.
Re:Future looks bright (Score:1, Insightful)
1. In the car - wind/engine noise are going affect music quality more than the bitrate.
2. From the computer - although you can buy high-quality speakers, most people don't buy the quality of speakers that would make a difference.
3. Through headphones (exercising, in bed at night when your S/O is asleep, on an airplane, on a subway, etc. etc.) - increase bitrate over 128k is probably not going to be noticeable.
Someone will no doubt point out obvious ways in which the 128k bitrate will be noticeable, but remember apple is trying to sell to the mass market. How many people who were downloading from napster were downloading above 128k? Yes it was free, but also illegal (disputable, but the courts did shut them down). With this service, its arguably reasonably priced, legal, and with minimal DRM restrictions.
My 2 cents.
Re:Future looks bright (Score:2, Insightful)
Do you think the megastores would keep selling the same thing as last year with a fresh coat of varnish if it weren't, you know, selling?
Are you sure this crap isn't exactly what the market wants, even if it's not what you and I want? That creativity doesn't actually make sales in the music biz?
Because it sure looks that way to me...
(Consider not just music stores, but also just what it was actually possible to find on Napster, for instance. Creative, new, indy music? Not really. The latest Eminem & Britney Spears collaboration piece? For sure!)
Question to AMS Users (Score:4, Insightful)
Stye (Score:5, Insightful)
Interestingly enough, this could VERY easily be viewed as a Very Good Thing by all the IP-based companies. Proof-positive that people will climb over each other to buy your product if you just let them but they'll obtain it by other means if you don't.
But will the RIAA & company view it as such? No. Why? Because what they want more than revenue is control. Because control, in their current model, is equivalent to a sustainable business. When they start loosing control of how the product can get to market, when they lose their status as the so-called gatekeepers of IP whose ass you must lick to be heard, they're screwed. You can't abuse people when you aren't the only game in town.
Then it becomes a buyer's market. Which, trust me, is the last thing these people want.
use it before you criticize it (Score:4, Insightful)
Re:Apple prolly doesn't make as much as El Reg cla (Score:2, Insightful)
And the Amazon 1 Click charge also gets factored into their Online Store sales as well and hopefully its not a Per-Click Charge.
It will seem like pennies but 100 pennies equal a dollar and so forth.
The iTunes Music Store is a nice service and something I've been waiting for and hoping someone developed.
And just about anyone that says $.99 is too much, they're probably expecting to get everything for free. And if they're expecting that... they're probably pirating music.
I'm probably going to get flamed for this... eck.
That logic seems to be at the crux... (Score:5, Insightful)
Somehow, if people don't make purchasing something as convenient and cheap as you expect it to be, you have the right to take it.
In the case of utilities with true monopoly on the electric power coming into your home doubling their price in a two month period, I could see the justification in say altering your meter to cut the price back down to where it was. This wouldn't seem unjust to me.
In the case of charging too much for music (not food, not power, not water, CDs), and not making it available online with massive bandwidth and high-bit rates for cheap, I can't really see how this entitles you to buy one copy and distribute it to 400 people, any more than waiting five minutes at the QuickMart entitles you to a free magazine.
How does this work?
Re:Internet Crack (Score:5, Insightful)
Yeah, but the difference is that now you've dropped twenty bucks to get the three or four good tracks from each of a half dozen different albums, rather than paying for all the filler on one CD. Not only that, you didn't have to get in your car and drive to the mall.
You got value for your money, and you saved the planet. Feel warm and fuzzy? Reward yourself with another couple of songs. ;)
Re:Future looks bright (Score:3, Insightful)
This PROVES it. (Score:3, Insightful)
This is what happens when an industry fails to innovate. They can play the blame game all they want, they lost because they didn't keep up with what consumers wanted.
Apple did and is going to win this round.
Re:Selling out (Score:5, Insightful)
Without DRM, you can't restrict free trading of files on P2P networks. What will prevent all those AAC files from iTunes appear on Kazaa... the business model will fail that day.
Apple has taken a sensible approach to DRM. They allow you to burn the AAC files to CDs as data files and as audio CDs. The latter will play in ALL players.
Now Michael Robertson (of mp3.com) is bitching that users won't be able to play it in MP3 players... fine enough. MP3 SHOULD CEASE to exist.
Better formats like Vorbis are not picking up just because every Joe is making MP3 players.
Apple, for one, will succeed in doing one thing - making those Joes realise that there is something *else* than MP3 too!! When the HW mfgrs will realise that, they will look for major alternatives... sure 8 out of 10 will go to AAC/WMA/RM route, but 2 will also do Vorbis, and there it will break the ice.
Today every DVD/CD player comes with MP3 support just because they are oblivious to the fact that something else exists... they just don't want to go to desk and design a decoder chip for anything else... Apple is poking them and shouting "wake up"... This is a Good Thing (TM). In the process if Apple makes some money... well good for them. Things have to start somewhere.
Finally... get over with that "mp3 is word of god" thing. Sure you don't want to give up your existing player... but some time down the line when you'd be seaching for your next player... you'd definitely want a choice besides MP3.
Re:Future looks bright (Score:5, Insightful)
AAC sounds fantastic. I usually rip MP3s at 160-192 kbps, using VBR. This makes very nice sounding MP3 files, and I can't tell the difference between the MP3 and the CD. The only draw back, is that they are kinda large, but with a 20 Gig iPod, I'm not too worried.
AAC actually sounds as good, as far as I can tell, as my MP3s do. So all this talk of "low bit-rate" and "DRM-sUckS!" is ridiculous. If you don't like the DRM, burn a CD (or 10 before changing the playlist), and re-import it as MP3s and never think about AAC again.
Re:Selling out (Score:5, Insightful)
He has clearly mentioned the disadvantages of the service (as have many others). However, he completely failed to mention the major disadvantages of his own failed service, and how the Apple service attempts to form a balance.
Clearly he has not learned from his own failures. Not a good businessman.
There are consumers and there are copyright owners. The goal is to be fair and reasonable to both. MP3.com failed in this mission. Napster also failed. Gnutella fails.
We all see the advantages and disadvantages. Now it's time to see if this is merely a step (or a leap) closer to a workable solution.
That'd be sweet, and so doable... (Score:3, Insightful)
Doesn't or didn't (haven't been there in a while) mp3.com offer this, but without payment to the Indie bands? The only problem I forsee is the dilluting of all content with legitimately bad content.. Perhaps a rating system? Listen before you buy, and the more people buy, the higher your rating?
I dunno, but I'd be very excited about this.
Quickly != P2P (Score:5, Insightful)
Even aside from your odd sentence structure, the word "quickly" must mean something really different to you than it does to the rest of us. Maybe it means "slow and frustrating"?
You mention P2P stuff, but you don't seem to have looked for anything less common than Britney's latest hit... I had a little Limewire phase, but dang it if I have the time to hassle with that.
But I agree, the parent was a Pollyanna post. I also gotta notice that a lot of people bought music on this service fast. Maybe you should be wondering why instead of flaming away, you know? Hint: the answer is not "Those Mac people will believe anything 'cause they're zealots." Maybe it has something to do with Apple seriously thinking about how to hit the sweet spot so they could satisfy the customers and the labels. You think?
Re:Future looks bright (Score:2, Insightful)
Apple's DRM only makes it more difficult for the masses to share the music after purchase. What Apple and the Music industry is banking on is the impulse buy. They have priced these songs at such a level that people don't think twice before just purchasing a $.99 song. The impulse buy is the entire concept behind this store. It's just as easy now to acquire the song for "pennies" as it is to go download it over your favorite P2P.
Apple is betting that they can watch the actions of the people who are using the service, and figure out how to make it even better. Right now they're tracking customer tendency, and with the customer data being completely real-time and digital, they can analyze and react. They're banking on making it easier and more attractive than P2P sources.
I wouldn't be surprised to see AAC at 160kbps, a Windows version of iTunes 4 (it's already being worked on), and a slightly lower price per song, in the near future.
This is a serious assault on the idea that you couldn't use online music distribution. Take it serious, stop judging it, and see if it works. Even if it fails, it's bound to show us the path to making it effective and viable.
Re:Yes it's really that cool. (Score:3, Insightful)
This, IMHO, is the key to the success of online music. I have NO intention of ever buying a Tears For Fears CD. But I would pay 99cents each for a couple of their tracks.
If everyone slowly builds up their personal "Greatest Hits of My Life", in this manner, the industry will continue to rake in the cash required to support the development of the next generation of Britney the like.
Music Industry? NOT SO! (Score:1, Insightful)
Actually, what's STILL taking them so long?
It wasn't the music companies that spurred this form of music sales, it was a unique mind from an entirely different industry! (i.e. Steve Jobs)
Often, it takes someone outside the realm to figure out how to fix it's problems
Re:Well... (Score:2, Insightful)
However, until I see otherwise, I'm going to assume it's packed with Britney and the Dave Matthews Band and the like.
Re:Emusic (Score:2, Insightful)
There is no reason for it to exist other then 'Its not apple'.
Think real hard on these two lines.. see if you can spot the flaw.
Re:A nice looking service (Score:5, Insightful)
Apple has several products in the sub-$1000 range.
Just look at the iPod (Score:4, Insightful)
Why? While it would be nice to sell a Mac, Apple realizes that the iPod will only go so far to sell a Mac, and they might as well make more money on iPods from people that will never, EVER buy a Mac but might buy an iPod. (Like myself. Well, I might buy a Mac, but never a new one, and that doesn't make Apple money.)
Re:Future looks bright (Score:2, Insightful)
If you really want to remove the DRM then, as others have said, it is very easy to do. And you can burn as many damn CDs as you want with these files! DRM not fair? Please! About the only thing you cannot do is copy a file to more than three computers. That's it. And you can even do that if you burn then re-rip it. So quit yer whinin'!
But if even this does not satisfy you, then by all means stick to Kazaa. I'll probably still use P2P services for those odd Pogues, Coil, or Webb Wilder tracks that I cannot get from the iStore. But if they ever get around to adding them, I'll pay for them.
Re:Future looks bright (Score:3, Insightful)
Audio Hijack [rogueamoeba.com]
Dump audio from any app before it gets sent out to the speakers.
Ugly, but its still probably easier than running over to the store to buy CDs that, in general, will cost you more with tax. And its definately faster than burning and ripping.
Re:Future looks bright (Score:2, Insightful)
You want to copy your new file to 1000 computers? You can do it. Just burn it to a CD, then rip it off as an MP3, OGG, or unprotected ACC. The loss in quality is absolutely negligable. And you can then even more easily burn it to 1000 CDs.
This DRM scheme amounts to little more than a gentle, one-time reminder that you shouldn't do those things. But it by no means prevents you from doing it. What more do you want?! Oh, yeah- free music.
Re:Apple and security (Score:4, Insightful)
Apple is doing nothing that Amazon hasn't been doing for years. There are no hooks in iTunes that allow scripted purchses, so I don't think you have anything to worry about.
Re:Question to AMS Users (Score:4, Insightful)
OTOH, if you buy a CD in meatspace and break it, you're similarly out of luck.
Re:Future looks bright (Score:5, Insightful)
I admit it: I am an Apple zealot. I think the fact that my family owns seven Macintoshes is enough to support this in the face of everything I'm about to say.
Current Macs are slow. Mac OS X is not a perfect operating system: it crashes; there are parts of the interface I don't like; the brushed metal interface, while okay in and of itself, clashes with Aqua and makes for an inconsistent experience; the list goes on. iTunes could be better: it often loses track of my some of my song files, it has a limit on my library size which I will probably hit this summer, and so on. My 15" Studio Display is very unsatisfactory, having a resolution of only 1024x768. I had a problem recently that disabled a certain feature because I removed an Ethernet card...which was unnecessary for that feature.
Macs have their faults.
Nonetheless, Windows and Linux also have their faults, which are much more numerous, in my opinion, than those of Mac OS X. Speed isn't too much of an issue to me, and in any case Macs have historically been faster than Wintels just about exactly as often as the opposite. iTunes may lose some files on occasion, making me point out to it again and again where on my hard drives those files are, but the interface is excellent, smart playlists are incredibly convenient, library sharing (which also works over the Internet, though less automatically than on a network) is amazing, and on and on. The display I criticized has been discontinued, and Apple's current lineup of displays is quite satisfactory, to say the least--never mind rumors of a 30" Cinema Display in the works.
Every system has its faults. Apple's systems generally have fewer. They have made bad products (the Quicktake 200, anybody? The Performa 6400? I've owned and hated both), but the average quality of their products is much higher than that of most other computer companies.
No, that's not what I said. He's not in favor of you stealing, but he trusts you not to, and he doesn't like DRM because, as he has said repeatedly, it "treats the consumer like a criminal".
How's this [slashdot.org] for a better source? And that was the first to come up in a Google search [google.com]. I didn't even bother to look at the ones further down, since I got what I wanted so quickly, but there are probably a few (dozen, hundred, thousand?) more sources there.
Re:Quickly != P2P (Score:4, Insightful)
Cable modem, not sure what the average speed would be. It's not bad -- streaming video is only a problem for the servers on the other end.
Stupid example: I have 9-year-old twins who had to do a nature exhibit for a science fair. They chose to do this elaborate thing about muskrats -- actually showed a lot of initiative. Long story short, along the way they found out about the song "Muskrat Love" -- oh, man, my head hurts. So, they wanted "Muskrat Love" to burn to a CD and play in front of their exhibit as a little joke.
We go out in the P2P world, looking for "Muskrat Love." I looked for it several times over the few days before the science fair thing. Saw it among the search results a few times. Got a lot of busy signals, one extremely slow aborted download (despite a supposed T1 connection on their end), and disappointment. No novelty music for their exhibit, sorry.
Maybe that's a good thing -- maybe the world doesn't need more Captain and Tenille hits. But I'd have gladly paid the buck, and the song is available on Apple's store.
For some people it's worth a buck to get what they want in a fast and convenient way. For a lot of people, a service like this is worth it next to the hassles of P2P -- and maybe if you were to be a little curious about that, you could figure out why.
Re:Just look at the iPod (Score:4, Insightful)
Though now you can actually switch a PC iPod to a Mac version and vice versa by playing around with the firmware upgrades.
Re:Yes, it will keep up (Score:3, Insightful)
mpeg 4 is an open standard. I'd be genuinely suprised there wasn't something in beta on sourceforge ALREADY to add ACC support to Linux players. Knowing the Linux development community, I say give it a week, two at most, and the answer will be yes.
> Does it seamlessly integrate into my Sun Workstation?
Nope. If you have a Sun Workstation at home, then you're most likely NOT in Apple's target market. And Apple's hardly alone in not supporting every OS under the sun (no pun intended). Basiclly Netscape/Mozilla, RealPlayer, and gnu are the main ones who go for that strategy. Most everybody else supports only the "big two" or even only windows.
> Can I burn the audio to CD?
Yep. You have to change your playlist around after the 10th CD burn. But you can change it back later.
cya,
john
Re:But how many more Macs will get sold? (Score:5, Insightful)
Ok, now can us indie lables get on board? (Score:1, Insightful)
What would it take to get apple to pick up independant labels? Vinly sales are really low lately and it would be nice if we could get another source of rev.
it was DRM not compatibility (Score:4, Insightful)
Re:Future looks bright (Score:2, Insightful)
I felt the same way about my vinyl. It's ridiculous that there was a quality loss when I taped them to cassette.
Seriously, I'm not sure where this whole concept of "I am entitled to master-quality recordings that I can copy an infinite number of times" comes from. The fact that you can copy a digital version of a song with either zero or very little quality loss is actually quite new.
Relax. Not that long ago, you wouldn't have been able to copy music without a very LARGE loss of quality. Right now we are in a flux where the companies and the market are tugging back and forth.
Eventually the companies will provide what the market wants in a digital music product. This is just the first step.
not sensible DRM (Score:4, Insightful)
DRM is not sensible if ties you to one vendor or platform. You can only play purchased files on Apple computers and Apple players, unless you want to burn CD's. This is only a sensible approach if you live in a world where all your computing products and mp3 devices are made by Apple, for most of us this is not the case.
Re:Just look at the iPod (Score:3, Insightful)
Re:Cost for music (Score:2, Insightful)
Keep in mind... (Score:2, Insightful)
Supposedly, Apple is already working on iTunes for Windows. Just imagine what that number is going to be when they roll the Windows version out.
Musicex Media Jukebox! (Score:3, Insightful)
Digital Distribution helps small artists (Score:3, Insightful)
For another example, check out CustomFlix, who does on-demand DVD replication and distibution. I've made a tidy bundle selling the DVD-R supplement for my book through them. It hasn't sold anywhere near the 500 copy minimum that a mass-market duplication would have required, but I started netting a profit from them after selling the first SIX copies.
http://www.customflix.com
Re:Selling out (Score:3, Insightful)
The reason why this service is and is going to be popular is because it's easy. This is Apple's strong point. They can take something very confusing, an operating system for example, and make it simple, easy and even fun to use. When you compare iTunes/their Music Store/iPod etc. to a File Sharing servent, iTunes wins because it's easy and fast to do. Something you make not realize (since your probably a "geek" (no offense)) is that some people aren't good with computers, they don't want to learn how to use Kazaa or other complicated P2P proggies. Granted, there are some out there that are relativly easy to use, but iTunes pretty much wins there. It's another reason why people go and buy Albums in stores, because it's easier to do than start up Kazaa and sit infront of a computer all day with pop-ups, spyware etc. fighting to find the file you want and all the while frightened that the **AA might bust down your door and throw you into the slammer.
So, to sum up, iTunes is strong because:
$46 Million a Year (Score:3, Insightful)
Of course it probably won't stay at that rate, but it's even money if it goes up or down.
I'd call that a big success, and a big bullet in the back of the head of the argument "people won't download music and pay for it".
Screw you RIAA. Get going on your server farm, we're waiting to DL from you too.
Re:heh (Score:3, Insightful)
Um... try selecting "Data CD" as the type of CD to burn in the CD burning preferences of iTunes 4? Amazingly this "confusingly titled" option makes iTunes burn a - get this - data CD. Wow!
Re:not sensible DRM (Score:3, Insightful)
Now having said that... I like eMusics previous backup approach that you could re-download 2 more times and if you needed it yet again, you could call customer service and get that flag reset.
Re:No matter what you think about Apple... (Score:3, Insightful)
I don't think many people object to DRM, what we object to is restricting our right to resonable use. Being able to listen to the track on up to 3 computers, and as many iPods or CD players as I like sounds like a good definition of reasonable use to me. Only being able to use it on a Windows PC does not. That is the difference.
As for AAC, I have some concerns about the reliability of the format (small errors in the file can be very noticable, and I don't trust hard disks) but the quality is very nice (although I tend to encode AAC at 256Kbps ABR)
Re:A nice looking service (Score:3, Insightful)
Absolutely. I also live in toronto (well, for 2 more days ... alas my job is ending.) By car, it takes me 9 minutes to get to work. No more, no less. If I take TTC, it takes me between 18 and 33 minutes to get to work. Yes, I have timed it.
Convenience is only part of it. I am willing to pay more for the certainty of knowing things will turn out how I want them.
This could explain how people would be willing to pay a small fee to get the song they want NOW with certainty that it is not cut off, the wrong thing, poor quality, a fake, etc.
There is some quotation from a famous writer or something that says, "It seems to me that the only truly modern convenience is speed" or something to that effect. Who said that? (And no, a google did not instantly turn up the answer for me.
Re:Future looks bright (Score:2, Insightful)
In the first case, if your hard drive crashes, you lose your music. The music is in a lower quality audio format. etc.
99 cents a pop is way too much for this format.
Try 25.
Re:Internet Crack (Score:2, Insightful)
I think he meant the low investment on the part of the buyer, not on the part of Apple.
Re:A lot of curiosity (Score:3, Insightful)
Re:Apple prolly doesn't make as much as El Reg cla (Score:1, Insightful)
You'll note that with every other online store, you have to re-enter your credit card information every time you buy, even if they store your name, address, etc.
I think the music store is what Apple had in mind when they licensed 1-Click. I mean, obviously, few people can afford to impulse-buy Apple's hardware, or a lot of the accessories they sell, but they certainly can afford $1, and it's no doubt very convenient to not have to pull out your credit card info every time you want to buy one song.
The convenience factor is definitely a big selling point, and I expect to see more convenient purchasing options built into Apple's software.
Re:Just look at the iPod (Score:3, Insightful)
Apple is hoping for people to think: "I need a new computer, I already have this iPod-thing (and I like it). Let's go for a Mac!"